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Table of Contents

  1. The Hollywood Indian: Still On A Scholarly Frontier?
  2. Peter C. Rollins
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/flm.1993.a395795
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  1. Absurd Reality: Hollywood Goes to the Indians...
  2. Ted Jojola
  3. pp. 7-16
  4. DOI: https://doi.org/10.1353/flm.1993.a395796
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  1. The White Man's Indian
  2. John E. O'Connor
  3. pp. 17-26
  4. DOI: https://doi.org/10.1353/flm.1993.a395797
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  1. The Indian of the North: Western Traditions and Finnish Indians
  2. Hannu Salmi
  3. pp. 27-43
  4. DOI: https://doi.org/10.1353/flm.1993.a395798
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  1. John Ford and the Hollywood Indian
  2. Ken Nolley
  3. pp. 44-56
  4. DOI: https://doi.org/10.1353/flm.1993.a395799
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  1. Cultural Confusion: A Look Back at Delmar Daves's Broken Arrow
  2. Frank Manchel
  3. pp. 57-69
  4. DOI: https://doi.org/10.1353/flm.1993.a395800
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  1. The Hollywood Indian in Little Big Man: A Revisionist View
  2. Margo Kasdan, Susan Tavernetti
  3. pp. 70-80
  4. DOI: https://doi.org/10.1353/flm.1993.a395801
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  1. Film as Mirror, Film as Mask: The Hollywood Indian versus Native Americans in Tell Them Willie Boy Is Here
  2. James A. Sandos, Larry E. Burgess
  3. pp. 81-90
  4. DOI: https://doi.org/10.1353/flm.1993.a395802
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  1. "Going Indian" Through Dances With Wolves
  2. Robert Baird
  3. pp. 91-102
  4. DOI: https://doi.org/10.1353/flm.1993.a395803
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  1. Deconstructing an American Myth: Hollywood and The Last of the Mohicans
  2. Jeffrey Walker
  3. pp. 103-116
  4. DOI: https://doi.org/10.1353/flm.1993.a395804
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