1. The New Scheherazade
  2. Lilian Faschinger, Jeanette Clausen
  3. pp. 1-17
  4. DOI: 10.1353/wgy.2002.0013
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  1. Identity through Imagination: An Interview with Lilian Faschinger
  2. Ellie Kennedy
  3. pp. 18-30
  4. DOI: 10.1353/wgy.2002.0004
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  1. Everything Will Be Fine: An Interview with Fatima El-Tayeb
  2. Barbara Kosta
  3. pp. 31-44
  4. DOI: 10.1353/wgy.2002.0002
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  1. Local Funding and Global Movement: Minority Women's Filmmaking and the German Film Landscape of the Late 1990s
  2. Barbara Mennel
  3. pp. 45-66
  4. DOI: 10.1353/wgy.2002.0000
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  1. Eighteenth-Century Libertinism in a Time of Change: Representations of Catherine the Great
  2. Ruth Dawson
  3. pp. 67-88
  4. DOI: 10.1353/wgy.2002.0014
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  1. Suffering, Silence, and the Female Voice in German Fiction around 1800
  2. Anna Richards
  3. pp. 89-110
  4. DOI: 10.1353/wgy.2002.0011
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  1. The Reception of the Bluestockings by Eighteenth-Century German Women Writers
  2. Hilary Brown
  3. pp. 111-132
  4. DOI: 10.1353/wgy.2002.0008
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  1. Nineteenth-Century German Literary Women's Reception of Madame de Staël
  2. Judith E. Martin
  3. pp. 133-157
  4. DOI: 10.1353/wgy.2002.0005
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  1. Capturing Hawai'i's Rare Beauty: Scientific Desire and Precolonial Ambivalence in E.T.A. Hoffmann's "Haimatochare"
  2. Valerie Weinstein
  3. pp. 158-178
  4. DOI: 10.1353/wgy.2002.0003
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  1. Amalia Schoppe's Die Colonisten and the "menace of mimicry"
  2. Judith Wilson
  3. pp. 179-201
  4. DOI: 10.1353/wgy.2002.0001
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  1. Else Lasker-Schüler: Writing Hysteria
  2. Jennifer Redmann
  3. pp. 202-224
  4. DOI: 10.1353/wgy.2002.0015
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  1. Arthur Schnitzler's Fräulein Else and the End of the Bourgeois Tragedy
  2. Bettina Matthias
  3. pp. 248-266
  4. DOI: 10.1353/wgy.2002.0009
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  1. Acknowledgments
  2. p. vii
  3. DOI: 10.1353/wgy.2002.0010
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  1. Preface
  2. pp. ix-xii
  3. DOI: 10.1353/wgy.2002.0007
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  1. About the Contributors
  2. pp. 267-270
  3. DOI: 10.1353/wgy.2002.0006
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