1. The Party's Over (Almost): Terminal Celebration in Contemporary Film
  2. Tony Bartlett
  3. pp. 1-13
  4. DOI: 10.1353/ctn.1998.0004
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  1. Dead Man Walking: On the Cinematic Treatment Of Licensed Public Killing
  2. Edmund Arens
  3. pp. 14-29
  4. DOI: 10.1353/ctn.1998.0000
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  1. Twilight of the Vampires: History and the Myth of the Undead
  2. Matthew Kratter
  3. pp. 30-45
  4. DOI: 10.1353/ctn.1998.0010
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  1. The Body and the Blood: Sacrificial Expulsion in Au Revoir Les Enfants
  2. Diana Culbertson
  3. pp. 46-56
  4. DOI: 10.1353/ctn.1998.0008
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  1. Sacrifice and the Public Sphere
  2. Colin Jager
  3. pp. 57-73
  4. DOI: 10.1353/ctn.1998.0006
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  1. Mimetic Violence and Nella Larsen's Passing: Toward a Critical Consciousness of Racism
  2. Martha Reineke
  3. pp. 74-97
  4. DOI: 10.1353/ctn.1998.0005
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  1. A Parable of Scandal: Speculations about the Wheat and the Tares in Matthew 13
  2. John F. Cornell
  3. pp. 98-117
  4. DOI: 10.1353/ctn.1998.0003
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  1. The Founding Murder in Machiavelli's The Prince
  2. Jim Grote
  3. pp. 118-134
  4. DOI: 10.1353/ctn.1998.0001
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  1. St. Augustine's Novelistic Conversion
  2. Tyler Graham
  3. pp. 135-154
  4. DOI: 10.1353/ctn.1998.0011
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  1. Crucifixion: Accident or Design?
  2. Sebastian Moore O.S.B.
  3. pp. 155-163
  4. DOI: 10.1353/ctn.1998.0009
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  1. Editor's Note
  2. p. iv
  3. DOI: 10.1353/ctn.1998.0002
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  1. Notes on Contributors
  2. pp. 164-165
  3. DOI: 10.1353/ctn.1998.0007
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