1. Lethal Theatre: Performance, Punishment, and the Death Penalty
  2. Lorne Dwight Conquergood
  3. pp. 339-367
  4. DOI: 10.1353/tj.2002.0077
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  1. The Tragedy of Algeria: Slimane Benaissa's Drama of Terrorism
  2. Janice B. Gross
  3. pp. 369-387
  4. DOI: 10.1353/tj.2002.0083
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  1. Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
  2. Daniel O'Quinn
  3. pp. 389-409
  4. DOI: 10.1353/tj.2002.0093
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  1. Constructions of Female Homoerotics in Early Modern Drama
  2. Denise A. Walen
  3. pp. 411-430
  4. DOI: 10.1353/tj.2002.0109
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  1. Shattered Back Wall: Performative Utterance of A Doll's House
  2. Branislav Jakovljevic
  3. pp. 431-448
  4. DOI: 10.1353/tj.2002.0085
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  1. Manifesto = Theatre
  2. Martin Puchner
  3. pp. 449-465
  4. DOI: 10.1353/tj.2002.0095
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  1. [Note] (review)
  2. Robert Vorlicky, Edward Ziter
  3. p. 467
  4. DOI: 10.1353/tj.2002.0108
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  1. The Producers (review)
  2. Jonathan Burston
  3. pp. 467-469
  4. DOI: 10.1353/tj.2002.0075
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  1. Falco Meets Amadeus (review)
  2. Steve Earnest
  3. pp. 469-471
  4. DOI: 10.1353/tj.2002.0079
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  1. Woyzeck, and: POEtry (review)
  2. Ralf Remshardt
  3. pp. 471-475
  4. DOI: 10.1353/tj.2002.0096
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  1. The Notebook (Het Dikke Schrift), and: The Proof (Het Bewijs) (review)
  2. Loren Ringer
  3. pp. 475-476
  4. DOI: 10.1353/tj.2002.0098
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  1. The Harold Pinter Festival (review)
  2. Bevya Rosten
  3. pp. 477-479
  4. DOI: 10.1353/tj.2002.0100
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  1. Gagarin Way (review)
  2. Zachary A. Dorsey
  3. pp. 479-480
  4. DOI: 10.1353/tj.2002.0078
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  1. The Prisoner's Dilemma (review)
  2. Charlotte J. Headrick
  3. pp. 480-482
  4. DOI: 10.1353/tj.2002.0084
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  1. Humble Boy, and: Nightingale and Chase (review)
  2. William C. Boles
  3. pp. 482-485
  4. DOI: 10.1353/tj.2002.0072
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  1. Hedda Gabler (review)
  2. Joan Templeton
  3. pp. 485-487
  4. DOI: 10.1353/tj.2002.0106
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  1. The Seagull (review)
  2. Steven Dedalus Burch
  3. pp. 487-489
  4. DOI: 10.1353/tj.2002.0074
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  1. The Square (review)
  2. Dan Bacalzo
  3. pp. 489-491
  4. DOI: 10.1353/tj.2002.0071
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  1. Another American: Asking and Telling (review)
  2. Samuel Park
  3. pp. 491-492
  4. DOI: 10.1353/tj.2002.0094
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  1. Shylock (review)
  2. Ben Fisler
  3. pp. 492-494
  4. DOI: 10.1353/tj.2002.0082
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  1. and...and...and (review)
  2. Robert I. Lublin
  3. pp. 494-496
  4. DOI: 10.1353/tj.2002.0090
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  1. Fifth Annual Sex Workers' Art Show (review)
  2. Shane Vogel
  3. pp. 496-498
  4. DOI: 10.1353/tj.2002.0107
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  1. The Trestle at Pope Lick Creek (review)
  2. Erica Stevens Abbitt
  3. pp. 498-500
  4. DOI: 10.1353/tj.2002.0069
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  1. The Late Henry Moss (review)
  2. Allen J. Kuharski
  3. pp. 500-502
  4. DOI: 10.1353/tj.2002.0088
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  1. The Economics of the British Stage, 1800-1914 (review)
  2. Gail Turley Houston
  3. pp. 503-504
  4. DOI: 10.1353/tj.2002.0086
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  1. Performing History: Theatrical Representations of the Past in Contemporary Theatre (review)
  2. Mike Sell
  3. pp. 504-505
  4. DOI: 10.1353/tj.2002.0104
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  1. Perform or Else: From Discipline to Performance (review)
  2. Arthur J. Sabatini
  3. pp. 505-507
  4. DOI: 10.1353/tj.2002.0102
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  1. Disidentifications: Queers of Color and the Performance of Politics (review)
  2. Alicia Arrizon
  3. pp. 507-508
  4. DOI: 10.1353/tj.2002.0070
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  1. Space and the Postmodern Stage, and: Space in Performance: Making Meaning in the Theatre (review)
  2. Paul D. Naish
  3. pp. 508-510
  4. DOI: 10.1353/tj.2002.0092
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  1. Theatre under the Nazis (review)
  2. Richard J. Rundell
  3. pp. 510-511
  4. DOI: 10.1353/tj.2002.0101
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  1. The Generation of Plays: Yoruba Popular Life in Theater, and: Ghana's Concert Party Theatre (review)
  2. Laura Edmondson
  3. pp. 511-513
  4. DOI: 10.1353/tj.2002.0080
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  1. African Theatre in Performance, A Festschrift in Honor of Martin Banham (review)
  2. Thomas Riccio
  3. pp. 513-515
  4. DOI: 10.1353/tj.2002.0097
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  1. Mis-directing the Play: An Argument Against Contemporary Theatre (review)
  2. Jonathan Marks
  3. pp. 515-516
  4. DOI: 10.1353/tj.2002.0091
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  1. Reading Stephen Sondheim: A Collection of Critical Essays (review)
  2. Judith Lynn Sebesta
  3. pp. 516-517
  4. DOI: 10.1353/tj.2002.0103
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  1. African American Performance and Theater History: A Critical Reader (review)
  2. Barbara Lewis
  3. pp. 517-518
  4. DOI: 10.1353/tj.2002.0089
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  1. Medieval Practices of Space (review)
  2. Marla Carlson
  3. pp. 519-520
  4. DOI: 10.1353/tj.2002.0076
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  1. Women, Theatre and Performance: New Histories, New Historiographies (review)
  2. Penny Farfan
  3. pp. 520-521
  4. DOI: 10.1353/tj.2002.0081
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  1. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate (review)
  2. Susan Bennett
  3. pp. 521-522
  4. DOI: 10.1353/tj.2002.0068
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  1. Shakespeare and Race (review)
  2. Shannon Steen
  3. pp. 522-524
  4. DOI: 10.1353/tj.2002.0105
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  1. Shakespeare and Sexuality (review)
  2. Elizabeth Klett
  3. pp. 524-525
  4. DOI: 10.1353/tj.2002.0087
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  1. Chita Rivera Performance at Project Muse
  2. p. 542
  3. DOI: 10.1353/tj.2002.0110
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  1. Comment-- Theatre Journals
  2. David Román
  3. pp. vii-xix
  4. DOI: 10.1353/tj.2002.0099
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  1. Books Received
  2. pp. 525-533
  3. DOI: 10.1353/tj.2002.0073
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