1. Overwriting Time with Space: Memory and Forgetting in Chateaubriand's René
  2. Katherine Wickhorst
  3. pp. 1-20
  4. DOI: 10.1353/frf.0.0099
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  1. "Wir sind doch keinen Barbaren": Music, Musicality and Cultural Politics in Aragon's "Le Droit romain n'est plus"
  2. Aparna Nayak-Guercio
  3. pp. 21-38
  4. DOI: 10.1353/frf.0.0098
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  1. "Entrez, je suis pendu.": Camus, ininterrompu
  2. André Benhaïm
  3. pp. 39-55
  4. DOI: 10.1353/frf.0.0101
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  1. Une phrase à la limite, un poème. Travail et crise du vers chez Pierre Alferi
  2. Eric Trudel
  3. pp. 57-73
  4. DOI: 10.1353/frf.0.0100
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  1. Matière à photographie: Cosmopolitique et modernité créoles à l'Ile Maurice
  2. Françoise Lionnet
  3. pp. 75-99
  4. DOI: 10.1353/frf.0.0093
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  1. Le Québec libre: C.R.A.Z.Y. de Jean-Marc Vallée
  2. Maxime Blanchard
  3. pp. 101-119
  4. DOI: 10.1353/frf.0.0092
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  1. From Louis Feuillade to Johnny To: Olivier Assayas on the future of French Cinema
  2. Louise Shea
  3. pp. 121-136
  4. DOI: 10.1353/frf.0.0097
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  1. Je suis la Révolution. Histoire d'une métaphore (1830–1975) (review)
  2. Cory Browning
  3. pp. 137-139
  4. DOI: 10.1353/frf.0.0094
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  1. Le Corps cosmos (review)
  2. Samuel Martin
  3. pp. 139-141
  4. DOI: 10.1353/frf.0.0090
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  1. Michel Butor, rencontre avec Roger-Michel Allemand (review)
  2. Roch C. Smith
  3. pp. 141-143
  4. DOI: 10.1353/frf.0.0096
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  1. Le Cinéma de l'immobilité (review)
  2. Karl Pollin
  3. pp. 144-147
  4. DOI: 10.1353/frf.0.0095
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  1. Books Received
  3. p. 149
  4. DOI: 10.1353/frf.0.0091
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