1. Wyspianski's Wesele: Poised on the Border
  2. Ann Komaromi
  3. pp. 187-202
  4. DOI: 10.1353/tj.2002.0047
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  1. "Imaginary Imperialism": Goldoni Stages China in 18th Century Italy
  2. Adrienne Ward
  3. pp. 203-221
  4. DOI: 10.1353/tj.2002.0065
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  1. Zaza: That "Obtruding Harlot" of the Stage
  2. Katie N. Johnson
  3. pp. 223-243
  4. DOI: 10.1353/tj.2002.0046
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  1. Staging Modern Vagrancy: Female Figures of Border-crossing in Ama Ata Aidoo and Caryl Churchill
  2. Haiping Yan
  3. pp. 245-262
  4. DOI: 10.1353/tj.2002.0067
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  1. Women and Violence in A Mouthful of Birds
  2. Raima Evan
  3. pp. 263-284
  4. DOI: 10.1353/tj.2002.0044
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  1. Doctoral Projects in Progress in Theatre Arts, 2002
  2. Doug Cummins, Robert Beshere
  3. pp. 285-287
  4. DOI: 10.1353/tj.2002.0041
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  1. Topdog/Underdog (review)
  2. Una Chaudhuri
  3. pp. 289-291
  4. DOI: 10.1353/tj.2002.0038
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  1. Breath, Boom (review)
  2. Sarah Lee Stevenson
  3. pp. 291-293
  4. DOI: 10.1353/tj.2002.0062
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  1. Shlammer: A Gangster-Vaudeville (review)
  2. Scott Saul
  3. pp. 293-295
  4. DOI: 10.1353/tj.2002.0060
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  1. The Car Man: An Auto-Erotic Thriller (review)
  2. Kerry Moore
  3. pp. 295-296
  4. DOI: 10.1353/tj.2002.0052
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  1. They All Fall Down: The Richard Nickel Story (review)
  2. Loren Kruger
  3. pp. 296-298
  4. DOI: 10.1353/tj.2002.0048
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  1. Mephisto (review)
  2. Sue-Ellen Case
  3. pp. 298-299
  4. DOI: 10.1353/tj.2002.0037
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  1. Die Kleinburgerhochzeit (review)
  2. Roger Bechtel
  3. pp. 299-301
  4. DOI: 10.1353/tj.2002.0035
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  1. Ferdydurke (review)
  2. Kathleen M. Cioffi
  3. pp. 301-303
  4. DOI: 10.1353/tj.2002.0039
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  1. Yiimimangaliso: The Mysteries (review)
  2. Betsy Rudelich Tucker
  3. pp. 303-305
  4. DOI: 10.1353/tj.2002.0063
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  1. Much Ado About Nothing (review)
  2. Page R. Laws
  3. pp. 305-307
  4. DOI: 10.1353/tj.2002.0049
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  1. The Bomb-Itty of Errors (review)
  2. Sarah J. Rudolph
  3. pp. 307-309
  4. DOI: 10.1353/tj.2002.0058
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  1. International Hispanic Theatre Festival (review)
  2. Gwendolyn Alker
  3. pp. 309-312
  4. DOI: 10.1353/tj.2002.0032
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  1. Shut Eye (review)
  2. Roger Babb
  3. pp. 312-314
  4. DOI: 10.1353/tj.2002.0033
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  1. Drummer Wanted (review)
  2. Alice Reagan
  3. pp. 314-315
  4. DOI: 10.1353/tj.2002.0056
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  1. Past Forward (review)
  2. Leslie Satin
  3. pp. 315-318
  4. DOI: 10.1353/tj.2002.0059
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  1. Rehearsing the Revolution: Radical Performance, Radical Politics in the English Restoration, and: Women, Nationalism, and the Romantic Stage: Theatre and Politics in Britain, 1780-1800, and: Interculturalism and Resistance in the London Theater, 1660-1800: Identity, Performance, Empire (review)
  2. James Peck
  3. pp. 319-321
  4. DOI: 10.1353/tj.2002.0055
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  1. Women in British Romantic Theatre: Drama, Performance and Society, 1790-1840 (review)
  2. Ellen Donkin
  3. pp. 321-322
  4. DOI: 10.1353/tj.2002.0042
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  1. The Theater of Heiner Muller (review)
  2. Renate Voris
  3. pp. 322-323
  4. DOI: 10.1353/tj.2002.0064
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  1. Performance Artists Talking in the Eighties (review)
  2. Kestutis Nakas
  3. pp. 323-324
  4. DOI: 10.1353/tj.2002.0054
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  1. Theater and Society: An Anthology of Contemporary Chinese Drama (review)
  2. Elizabeth Wichmann
  3. pp. 325-326
  4. DOI: 10.1353/tj.2002.0066
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  1. The Making of American Audiences: From Stage to Television, 1750-1990 (review)
  2. John W. Frick
  3. pp. 326-327
  4. DOI: 10.1353/tj.2002.0045
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  1. Command Performance: An Actress in the Theater of Politics (review)
  2. John Agee Ball
  3. pp. 327-328
  4. DOI: 10.1353/tj.2002.0034
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  1. Popular Theatre in Political Culture: Britain and Canada in Focus, and: The Stuff of Dreams: Behind the Scenes of An American Community Theater, and: Community Theatre: Global Perspectives (review)
  2. Terry Brino-Dean
  3. pp. 329-330
  4. DOI: 10.1353/tj.2002.0036
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  1. Theatrical Performance During the Holocaust: Texts, Documents, Memoirs (review)
  2. Freddie Rokem
  3. p. 331
  4. DOI: 10.1353/tj.2002.0057
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  1. Theatre/Archaeology (review)
  2. Jon McKenzie
  3. pp. 332-333
  4. DOI: 10.1353/tj.2002.0051
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  1. English Stage Comedy 1490-1990: Five Centuries of a Genre (review)
  2. Barbara Mackey
  3. pp. 333-334
  4. DOI: 10.1353/tj.2002.0050
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  1. Fanny and Adelaide: The Lives of the Remarkable Kemble Sisters (review)
  2. Elizabeth Reitz Mullenix
  3. pp. 334-335
  4. DOI: 10.1353/tj.2002.0053
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  1. Modern Theories of Drama: A Selection of Writings on Drama and Theatre, 1840-1990 (review)
  2. Leigh Clemons
  3. pp. 335-336
  4. DOI: 10.1353/tj.2002.0040
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  1. A Feminist Perspective on Renaissance Drama (review)
  2. Gretchen Elizabeth Smith
  3. pp. 336-338
  4. DOI: 10.1353/tj.2002.0061
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  1. Comment
  2. Harry Justin Elam
  3. pp. vi-viii
  4. DOI: 10.1353/tj.2002.0043
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