In this Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Volume 54, Number 2, May 2002Table of Contents
- Wyspianski's Wesele: Poised on the Border
- pp. 187-202
- DOI: 10.1353/tj.2002.0047
- Zaza: That "Obtruding Harlot" of the Stage
- pp. 223-243
- DOI: 10.1353/tj.2002.0046
- Women and Violence in A Mouthful of Birds
- pp. 263-284
- DOI: 10.1353/tj.2002.0044
- Topdog/Underdog (review)
- pp. 289-291
- DOI: 10.1353/tj.2002.0038
- Breath, Boom (review)
- pp. 291-293
- DOI: 10.1353/tj.2002.0062
- Shlammer: A Gangster-Vaudeville (review)
- pp. 293-295
- DOI: 10.1353/tj.2002.0060
- The Car Man: An Auto-Erotic Thriller (review)
- pp. 295-296
- DOI: 10.1353/tj.2002.0052
- Mephisto (review)
- pp. 298-299
- DOI: 10.1353/tj.2002.0037
- Die Kleinburgerhochzeit (review)
- pp. 299-301
- DOI: 10.1353/tj.2002.0035
- Ferdydurke (review)
- pp. 301-303
- DOI: 10.1353/tj.2002.0039
- Yiimimangaliso: The Mysteries (review)
- pp. 303-305
- DOI: 10.1353/tj.2002.0063
- Much Ado About Nothing (review)
- pp. 305-307
- DOI: 10.1353/tj.2002.0049
- The Bomb-Itty of Errors (review)
- pp. 307-309
- DOI: 10.1353/tj.2002.0058
- International Hispanic Theatre Festival (review)
- pp. 309-312
- DOI: 10.1353/tj.2002.0032
- Shut Eye (review)
- pp. 312-314
- DOI: 10.1353/tj.2002.0033
- Drummer Wanted (review)
- pp. 314-315
- DOI: 10.1353/tj.2002.0056
- Past Forward (review)
- pp. 315-318
- DOI: 10.1353/tj.2002.0059
- Rehearsing the Revolution: Radical Performance, Radical Politics in the English Restoration, and: Women, Nationalism, and the Romantic Stage: Theatre and Politics in Britain, 1780-1800, and: Interculturalism and Resistance in the London Theater, 1660-1800: Identity, Performance, Empire (review)
- pp. 319-321
- DOI: 10.1353/tj.2002.0055
- The Theater of Heiner Muller (review)
- pp. 322-323
- DOI: 10.1353/tj.2002.0064
- Theatre/Archaeology (review)
- pp. 332-333
- DOI: 10.1353/tj.2002.0051
- Comment
- pp. vi-viii
- DOI: 10.1353/tj.2002.0043
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Copyright © 2002 The Johns Hopkins University Press.