In this Issue

Table of Contents

Correction

p. 4
DOI: https://doi.org/10.1353/flm.0.0129
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What's Love Got To Do With It?: History and Melodrama in the 1940s Woman's Film

Alison McKee
pp. 5-15
DOI: https://doi.org/10.1353/flm.0.0100
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"A World That Works": Fascism and Media Globalization in Starship Troopers

Brian E. Crim
pp. 17-25
DOI: https://doi.org/10.1353/flm.0.0105
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From Here to Antiquity: Mythical Settings and Modern Sufferings in Contemporary Hollywood's Historical Epics

Charles-Antoine Courcoux
pp. 29-38
DOI: https://doi.org/10.1353/flm.0.0115
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The Idol Body: Stars, Statuary and the Classical Epic

Michael Williams
pp. 39-48
DOI: https://doi.org/10.1353/flm.0.0120
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Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?

Margaret M. Toscano
pp. 49-62
DOI: https://doi.org/10.1353/flm.0.0125
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Mustapha Kemal - Ataturk: The Birth of a Republic (2005) (review)

William A. Pelz
p. 63
DOI: https://doi.org/10.1353/flm.0.0098
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Revue (Predstavleniye) (2008) (review)

Jeremy Hicks
pp. 63-65
DOI: https://doi.org/10.1353/flm.0.0103
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Iron Ladies of Liberia (2007) (review)

Rebecca Bell-Metereau
pp. 65-66
DOI: https://doi.org/10.1353/flm.0.0108
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Milk In The Land: Ballad of An American Drink (2007) (review)

Deborah Carmichael
pp. 66-67
DOI: https://doi.org/10.1353/flm.0.0113
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Citizen Havel (2008) (review)

Jon Silver
pp. 67-68
DOI: https://doi.org/10.1353/flm.0.0118
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Bloodlines (2008) (review)

Robert Goff
pp. 69-70
DOI: https://doi.org/10.1353/flm.0.0123
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Top Gun Over Moscow (1996) (review)

A. Bowdoin Van Riper
pp. 70-71
DOI: https://doi.org/10.1353/flm.0.0096
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Operation Filmmaker (2007) (review)

Stephen Weinberger
pp. 71-72
DOI: https://doi.org/10.1353/flm.0.0101
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Rambo (2008) (review)

Mark Boulton
pp. 72-74
DOI: https://doi.org/10.1353/flm.0.0106
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Godspeed to Jamestown (2006) (review)

Marianne Holdzkom
pp. 74-75
DOI: https://doi.org/10.1353/flm.0.0111
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El baño del Papa (The Pope's Toilet) (2007) (review)

Juan José Cruz
pp. 75-77
DOI: https://doi.org/10.1353/flm.0.0116
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Quantum of Solace (2008) (review)

Tobias Hochscherf
pp. 77-79
DOI: https://doi.org/10.1353/flm.0.0121
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Perception and Reality

Robert Fyne
pp. 81-82
DOI: https://doi.org/10.1353/flm.0.0126
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Enigmatic and Dynamic

Edward R. Schmidtke
pp. 82-83
DOI: https://doi.org/10.1353/flm.0.0099
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Very Much Alive

Antoinette Winstead
pp. 83-85
DOI: https://doi.org/10.1353/flm.0.0104
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Largely Absent

John F. Shean
pp. 85-86
DOI: https://doi.org/10.1353/flm.0.0109
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It's My Job

William Leslie Hewitt
pp. 86-87
DOI: https://doi.org/10.1353/flm.0.0114
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Iconoclastic Film Director

Ron Briley
pp. 87-89
DOI: https://doi.org/10.1353/flm.0.0119
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Pervasive Optimism

Edward R. Schmidtke
pp. 89-90
DOI: https://doi.org/10.1353/flm.0.0124
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Roadmap to Success

Antoinette Winstead
pp. 90-92
DOI: https://doi.org/10.1353/flm.0.0097
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Wide-Ranging Book

David Lancaster
pp. 92-93
DOI: https://doi.org/10.1353/flm.0.0102
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Made in Four Weeks

Laurence Raw
pp. 93-94
DOI: https://doi.org/10.1353/flm.0.0107
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Significant Works

Marilyn Middendorf
pp. 94-95
DOI: https://doi.org/10.1353/flm.0.0112
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Subtle Environmental Messages

Ida Day
pp. 96-98
DOI: https://doi.org/10.1353/flm.0.0122
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Folksy Personal Narrative

Edward R. Schmidtke
pp. 98-99
DOI: https://doi.org/10.1353/flm.0.0128
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General Introduction

Loren PQ Baybrook
p. 4
DOI: https://doi.org/10.1353/flm.0.0127
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Feature Editor's Introduction

Rob Prince
pp. 27-28
DOI: https://doi.org/10.1353/flm.0.0110
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Series of Intertexts

Laurence Raw
pp. 95-96
DOI: https://doi.org/10.1353/flm.0.0117
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