In this Issue
- Volume 39.2 (Fall 2009)
- Issue
Film & History has been in publication for over fifty (50) years and is described in detail at its website:its web site: www.filmandhistory.org
This journal considers motion pictures under the following rubrics:
- 1. Films which interpret history;
- 2. Films which reflect history;
- 3. Films made to influence history.
We are interested in documentary as well as feature films. There is no restriction concerning nationality; we welcome articles about the world of media.
The journal contains many book reviews and film reviews each issue. Subscribers are asked to participate by reviewing such texts for the journal.
Each year, Film & History also produces a CD-ROM of articles and out-of-print books for scholars in the form of a CD-ROM. Many publishable articles which do not fit our topic of the year are given a venue in this publication venture. The CD-ROMs also contain video and audio materials--often entire radio shows about selected film and history topics.
Please check the web site for more information, to include announcements about our bi-ennial meetings. (The next meeting will be in Dallas during early November, 2004; check details on the web site. Topic is "War in Film, TV, and History.")
published by
Center for the Study of Film and Historyviewing issue
Volume 39.2 (Fall 2009)Table of Contents
- Correction
- p. 4
- DOI: 10.1353/flm.0.0129
- Revue (Predstavleniye) (2008) (review)
- pp. 63-65
- DOI: 10.1353/flm.0.0103
- Iron Ladies of Liberia (2007) (review)
- pp. 65-66
- DOI: 10.1353/flm.0.0108
- Citizen Havel (2008) (review)
- pp. 67-68
- DOI: 10.1353/flm.0.0118
- Bloodlines (2008) (review)
- pp. 69-70
- DOI: 10.1353/flm.0.0123
- Top Gun Over Moscow (1996) (review)
- pp. 70-71
- DOI: 10.1353/flm.0.0096
- Operation Filmmaker (2007) (review)
- pp. 71-72
- DOI: 10.1353/flm.0.0101
- Rambo (2008) (review)
- pp. 72-74
- DOI: 10.1353/flm.0.0106
- Godspeed to Jamestown (2006) (review)
- pp. 74-75
- DOI: 10.1353/flm.0.0111
- Quantum of Solace (2008) (review)
- pp. 77-79
- DOI: 10.1353/flm.0.0121
- Perception and Reality
- pp. 81-82
- DOI: 10.1353/flm.0.0126
- Enigmatic and Dynamic
- pp. 82-83
- DOI: 10.1353/flm.0.0099
- Very Much Alive
- pp. 83-85
- DOI: 10.1353/flm.0.0104
- Largely Absent
- pp. 85-86
- DOI: 10.1353/flm.0.0109
- It's My Job
- pp. 86-87
- DOI: 10.1353/flm.0.0114
- Iconoclastic Film Director
- pp. 87-89
- DOI: 10.1353/flm.0.0119
- Pervasive Optimism
- pp. 89-90
- DOI: 10.1353/flm.0.0124
- Roadmap to Success
- pp. 90-92
- DOI: 10.1353/flm.0.0097
- Wide-Ranging Book
- pp. 92-93
- DOI: 10.1353/flm.0.0102
- Made in Four Weeks
- pp. 93-94
- DOI: 10.1353/flm.0.0107
- Significant Works
- pp. 94-95
- DOI: 10.1353/flm.0.0112
- Subtle Environmental Messages
- pp. 96-98
- DOI: 10.1353/flm.0.0122
- Folksy Personal Narrative
- pp. 98-99
- DOI: 10.1353/flm.0.0128
- General Introduction
- p. 4
- DOI: 10.1353/flm.0.0127
- Feature Editor's Introduction
- pp. 27-28
- DOI: 10.1353/flm.0.0110
- Series of Intertexts
- pp. 95-96
- DOI: 10.1353/flm.0.0117
