1. Correction
  2. p. 4
  3. DOI: 10.1353/flm.0.0129
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  1. What's Love Got To Do With It?: History and Melodrama in the 1940s Woman's Film
  2. Alison McKee
  3. pp. 5-15
  4. DOI: 10.1353/flm.0.0100
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  1. "A World That Works": Fascism and Media Globalization in Starship Troopers
  2. Brian E. Crim
  3. pp. 17-25
  4. DOI: 10.1353/flm.0.0105
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  1. From Here to Antiquity: Mythical Settings and Modern Sufferings in Contemporary Hollywood's Historical Epics
  2. Charles-Antoine Courcoux
  3. pp. 29-38
  4. DOI: 10.1353/flm.0.0115
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  1. The Idol Body: Stars, Statuary and the Classical Epic
  2. Michael Williams
  3. pp. 39-48
  4. DOI: 10.1353/flm.0.0120
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  1. Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?
  2. Margaret M. Toscano
  3. pp. 49-62
  4. DOI: 10.1353/flm.0.0125
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  1. Mustapha Kemal - Ataturk: The Birth of a Republic (2005) (review)
  2. William A. Pelz
  3. p. 63
  4. DOI: 10.1353/flm.0.0098
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  1. Revue (Predstavleniye) (2008) (review)
  2. Jeremy Hicks
  3. pp. 63-65
  4. DOI: 10.1353/flm.0.0103
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  1. Iron Ladies of Liberia (2007) (review)
  2. Rebecca Bell-Metereau
  3. pp. 65-66
  4. DOI: 10.1353/flm.0.0108
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  1. Milk In The Land: Ballad of An American Drink (2007) (review)
  2. Deborah Carmichael
  3. pp. 66-67
  4. DOI: 10.1353/flm.0.0113
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  1. Citizen Havel (2008) (review)
  2. Jon Silver
  3. pp. 67-68
  4. DOI: 10.1353/flm.0.0118
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  1. Bloodlines (2008) (review)
  2. Robert Goff
  3. pp. 69-70
  4. DOI: 10.1353/flm.0.0123
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  1. Top Gun Over Moscow (1996) (review)
  2. A. Bowdoin Van Riper
  3. pp. 70-71
  4. DOI: 10.1353/flm.0.0096
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  1. Operation Filmmaker (2007) (review)
  2. Stephen Weinberger
  3. pp. 71-72
  4. DOI: 10.1353/flm.0.0101
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  1. Rambo (2008) (review)
  2. Mark Boulton
  3. pp. 72-74
  4. DOI: 10.1353/flm.0.0106
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  1. Godspeed to Jamestown (2006) (review)
  2. Marianne Holdzkom
  3. pp. 74-75
  4. DOI: 10.1353/flm.0.0111
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  1. El baño del Papa (The Pope's Toilet) (2007) (review)
  2. Juan José Cruz
  3. pp. 75-77
  4. DOI: 10.1353/flm.0.0116
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  1. Quantum of Solace (2008) (review)
  2. Tobias Hochscherf
  3. pp. 77-79
  4. DOI: 10.1353/flm.0.0121
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  1. Perception and Reality
  2. Robert Fyne
  3. pp. 81-82
  4. DOI: 10.1353/flm.0.0126
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  1. Enigmatic and Dynamic
  2. Edward R. Schmidtke
  3. pp. 82-83
  4. DOI: 10.1353/flm.0.0099
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  1. Very Much Alive
  2. Antoinette Winstead
  3. pp. 83-85
  4. DOI: 10.1353/flm.0.0104
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  1. Largely Absent
  2. John F. Shean
  3. pp. 85-86
  4. DOI: 10.1353/flm.0.0109
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  1. It's My Job
  2. William Leslie Hewitt
  3. pp. 86-87
  4. DOI: 10.1353/flm.0.0114
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  1. Iconoclastic Film Director
  2. Ron Briley
  3. pp. 87-89
  4. DOI: 10.1353/flm.0.0119
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  1. Pervasive Optimism
  2. Edward R. Schmidtke
  3. pp. 89-90
  4. DOI: 10.1353/flm.0.0124
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  1. Roadmap to Success
  2. Antoinette Winstead
  3. pp. 90-92
  4. DOI: 10.1353/flm.0.0097
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  1. Wide-Ranging Book
  2. David Lancaster
  3. pp. 92-93
  4. DOI: 10.1353/flm.0.0102
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  1. Made in Four Weeks
  2. Laurence Raw
  3. pp. 93-94
  4. DOI: 10.1353/flm.0.0107
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  1. Significant Works
  2. Marilyn Middendorf
  3. pp. 94-95
  4. DOI: 10.1353/flm.0.0112
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  1. Subtle Environmental Messages
  2. Ida Day
  3. pp. 96-98
  4. DOI: 10.1353/flm.0.0122
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  1. Folksy Personal Narrative
  2. Edward R. Schmidtke
  3. pp. 98-99
  4. DOI: 10.1353/flm.0.0128
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  1. General Introduction
  2. Loren PQ Baybrook
  3. p. 4
  4. DOI: 10.1353/flm.0.0127
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  1. Feature Editor's Introduction
  2. Rob Prince
  3. pp. 27-28
  4. DOI: 10.1353/flm.0.0110
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  1. Series of Intertexts
  2. Laurence Raw
  3. pp. 95-96
  4. DOI: 10.1353/flm.0.0117
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