1. Acknowledgments
  2. pp. vii-viii
  3. DOI: 10.1353/mln.0.0241
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  1. Preface
  2. Igor Candido, Francesco Caruso
  3. pp. S1-S6
  4. DOI: 10.1353/mln.0.0192
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  1. The Portrait of Francesca. Inferno V
  2. John Freccero
  3. pp. S7-S38
  4. DOI: 10.1353/mln.0.0224
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  1. Why Dante
  2. Charles S. Singleton
  3. pp. S39-S50
  4. DOI: 10.1353/mln.0.0217
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  1. Sons and Lovers: Guido in Paradise
  2. Alison Cornish
  3. pp. S51-S69
  4. DOI: 10.1353/mln.0.0210
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  1. Dante's Rahab
  2. Peter S. Hawkins
  3. pp. S70-S80
  4. DOI: 10.1353/mln.0.0204
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  1. "Diligite iustitiam": Loving Justice in Siena and Dante's Paradiso
  2. Rachel Jacoff
  3. pp. S81-S95
  4. DOI: 10.1353/mln.0.0222
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  1. Syntax, Confession, and Creation: Reflections on Dante, Augustine, and Saussure
  2. Vincent Pollina
  3. pp. S96-S114
  4. DOI: 10.1353/mln.0.0215
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  1. Touch and Transport in the Middle Ages
  2. Jeffrey T. Schnapp
  3. pp. S115-S136
  4. DOI: 10.1353/mln.0.0208
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  1. Petrarch, Ronsard, and the Seven Year Itch
  2. David Quint
  3. pp. S137-S154
  4. DOI: 10.1353/mln.0.0202
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  1. Ozymandias: Or, Writing, Lost Libraries, and Wonder
  2. Walter Stephens
  3. pp. S155-S168
  4. DOI: 10.1353/mln.0.0197
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  1. The Matter at Hand: Normative Ethics and Self-Stimulation in Montaigne's "Du repentir"
  2. Dennis Costa
  3. pp. S169-S189
  4. DOI: 10.1353/mln.0.0219
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  1. From Dante's Moonspots to Galileo's Sunspots
  2. Eileen Reeves
  3. pp. S190-S209
  4. DOI: 10.1353/mln.0.0212
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  1. Puntini, Puntini, Puntini: Motherliness as Masquerade in Sibilla Aleramo's Una donna
  2. Barbara Spackman
  3. pp. S210-S223
  4. DOI: 10.1353/mln.0.0206
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  1. Freccero on Blow-Up: Toward a Macro-Vision of Italian Film
  2. Millicent Marcus
  3. pp. S224-S229
  4. DOI: 10.1353/mln.0.0200
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  1. What Sticks: Freccerian Lessons for a Modernist
  2. Rebecca West
  3. pp. S230-S236
  4. DOI: 10.1353/mln.0.0195
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  1. Contributors
  2. pp. S237-S240
  3. DOI: 10.1353/mln.0.0190
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