In this Issue

Table of Contents

Acknowledgments

pp. vii-viii
DOI: https://doi.org/10.1353/mln.0.0241
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Preface

Igor Candido, Francesco Caruso
pp. S1-S6
DOI: https://doi.org/10.1353/mln.0.0192
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The Portrait of Francesca. Inferno V

John Freccero
pp. S7-S38
DOI: https://doi.org/10.1353/mln.0.0224
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Why Dante

Charles S. Singleton
pp. S39-S50
DOI: https://doi.org/10.1353/mln.0.0217
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Sons and Lovers: Guido in Paradise

Alison Cornish
pp. S51-S69
DOI: https://doi.org/10.1353/mln.0.0210
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Dante's Rahab

Peter S. Hawkins
pp. S70-S80
DOI: https://doi.org/10.1353/mln.0.0204
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"Diligite iustitiam": Loving Justice in Siena and Dante's Paradiso

Rachel Jacoff
pp. S81-S95
DOI: https://doi.org/10.1353/mln.0.0222
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Syntax, Confession, and Creation: Reflections on Dante, Augustine, and Saussure

Vincent Pollina
pp. S96-S114
DOI: https://doi.org/10.1353/mln.0.0215
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Touch and Transport in the Middle Ages

Jeffrey T. Schnapp
pp. S115-S136
DOI: https://doi.org/10.1353/mln.0.0208
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Petrarch, Ronsard, and the Seven Year Itch

David Quint
pp. S137-S154
DOI: https://doi.org/10.1353/mln.0.0202
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Ozymandias: Or, Writing, Lost Libraries, and Wonder

Walter Stephens
pp. S155-S168
DOI: https://doi.org/10.1353/mln.0.0197
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The Matter at Hand: Normative Ethics and Self-Stimulation in Montaigne's "Du repentir"

Dennis Costa
pp. S169-S189
DOI: https://doi.org/10.1353/mln.0.0219
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From Dante's Moonspots to Galileo's Sunspots

Eileen Reeves
pp. S190-S209
DOI: https://doi.org/10.1353/mln.0.0212
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Puntini, Puntini, Puntini: Motherliness as Masquerade in Sibilla Aleramo's Una donna

Barbara Spackman
pp. S210-S223
DOI: https://doi.org/10.1353/mln.0.0206
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Freccero on Blow-Up: Toward a Macro-Vision of Italian Film

Millicent Marcus
pp. S224-S229
DOI: https://doi.org/10.1353/mln.0.0200
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What Sticks: Freccerian Lessons for a Modernist

Rebecca West
pp. S230-S236
DOI: https://doi.org/10.1353/mln.0.0195
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Contributors

pp. S237-S240
DOI: https://doi.org/10.1353/mln.0.0190
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