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Table of Contents

  1. Caroline Salon Culture and Female Agency: The Countess of Carlisle, Henrietta Maria, and Public Theatre
  2. Julie Sanders
  3. pp. 449-464
  4. DOI: https://doi.org/10.1353/tj.2000.0122
  5. restricted access
  1. Black and Unmarked: Phillis Wheatley, Mercy Otis Warren, and the Limits of Strategic Anonymity
  2. Gay Gibson Cima
  3. pp. 465-495
  4. DOI: https://doi.org/10.1353/tj.2000.0102
  5. restricted access
  1. Materialism, Metaphysics and Theatrical Truth: Glikeriia Fedotova and Polina Strepetova
  2. Catherine Schuler
  3. pp. 497-518
  4. DOI: https://doi.org/10.1353/tj.2000.0124
  5. restricted access
  1. Robbie McCauley: A Journey Toward Movement
  2. Becky Becker
  3. pp. 519-542
  4. DOI: https://doi.org/10.1353/tj.2000.0100
  5. restricted access
  1. "Have You Heard the One about the Lesbian Who Goes to the Supreme Court?": Holly Hughes and the Case Against Censorship
  2. Richard Meyer
  3. pp. 543-552
  4. DOI: https://doi.org/10.1353/tj.2000.0119
  5. restricted access
  1. The Tempest (review)
  2. Kristen McDermott
  3. pp. 553-555
  4. DOI: https://doi.org/10.1353/tj.2000.0118
  5. restricted access
  1. Vozes Dissonantes (review)
  2. Claudia Tatinge Nascimento
  3. pp. 555-557
  4. DOI: https://doi.org/10.1353/tj.2000.0120
  5. restricted access
  1. Preaching to the Perverted (review)
  2. Tamsen Wolff
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/tj.2000.0129
  5. restricted access
  1. Medea, and: Mrs. Warren's Profession, and: The Plough and the Stars (review)
  2. Mary Trotter
  3. pp. 559-561
  4. DOI: https://doi.org/10.1353/tj.2000.0128
  5. restricted access
  1. Oresteia (review)
  2. Erica Kylander-Clark
  3. pp. 561-563
  4. DOI: https://doi.org/10.1353/tj.2000.0117
  5. restricted access
  1. Letters from Cuba (review)
  2. Scott T. Cummings
  3. pp. 563-565
  4. DOI: https://doi.org/10.1353/tj.2000.0104
  5. restricted access
  1. In the Blood (review)
  2. David Krasner
  3. pp. 565-567
  4. DOI: https://doi.org/10.1353/tj.2000.0116
  5. restricted access
  1. Seagulls, and: The Free State (review)
  2. Stuart Young
  3. pp. 567-571
  4. DOI: https://doi.org/10.1353/tj.2000.0130
  5. restricted access
  1. The Zulu (review)
  2. Beth M. Cleary
  3. pp. 571-572
  4. DOI: https://doi.org/10.1353/tj.2000.0103
  5. restricted access
  1. Le Costume (The Suit) (review)
  2. Maria DiCenzo
  3. pp. 572-574
  4. DOI: https://doi.org/10.1353/tj.2000.0105
  5. restricted access
  1. La Bataille de Stalingrad (Requiem) (review)
  2. David Hammerbeck
  3. pp. 575-576
  4. DOI: https://doi.org/10.1353/tj.2000.0110
  5. restricted access
  1. Agamemnon (The Ghost Sonata) (review)
  2. Marina Kotzamani
  3. pp. 576-578
  4. DOI: https://doi.org/10.1353/tj.2000.0115
  5. restricted access
  1. Mnemonic (review)
  2. Janelle G. Reinelt
  3. pp. 578-579
  4. DOI: https://doi.org/10.1353/tj.2000.0121
  5. restricted access
  1. Women and Playwriting in Nineteenth-Century Britain (review)
  2. Katherine E. Kelly
  3. pp. 581-582
  4. DOI: https://doi.org/10.1353/tj.2000.0111
  5. restricted access
  1. When Romeo was a Woman: Charlotte Cushman and Her Circle of Female Spectators (review)
  2. Noreen Barnes-McLain
  3. pp. 582-583
  4. DOI: https://doi.org/10.1353/tj.2000.0099
  5. restricted access
  1. Wendy Wasserstein: Dramatizing Women, Their Choices and Their Boundaries (review)
  2. Jennifer Aldridge
  3. pp. 583-584
  4. DOI: https://doi.org/10.1353/tj.2000.0098
  5. restricted access
  1. Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance (review)
  2. Elizabeth Klett
  3. pp. 584-585
  4. DOI: https://doi.org/10.1353/tj.2000.0113
  5. restricted access
  1. Thatcher's Theatre: British Theatre and Drama in the Eighties, and: Essays on Caryl Churchill: Contemporary Representations (review)
  2. Janet E. Gardner
  3. pp. 585-587
  4. DOI: https://doi.org/10.1353/tj.2000.0106
  5. restricted access
  1. Jacob Adler: A Life on the Stage, and: Stella Adler on Ibsen, Strindberg, and Chekhov (review)
  2. Irv Saposnik
  3. pp. 587-589
  4. DOI: https://doi.org/10.1353/tj.2000.0123
  5. restricted access
  1. Documentary Theatre in the United States: An Historical Survey and Analysis of Its Content, Form, and Stagecraft (review)
  2. Terry Stoller
  3. pp. 589-590
  4. DOI: https://doi.org/10.1353/tj.2000.0126
  5. restricted access
  1. The Politics of the Stuart Court Masque (review)
  2. Gretchen Elizabeth Smith
  3. pp. 590-591
  4. DOI: https://doi.org/10.1353/tj.2000.0125
  5. restricted access
  1. Othello and Interpretive Traditions (review)
  2. Philip C. Kolin
  3. pp. 591-592
  4. DOI: https://doi.org/10.1353/tj.2000.0114
  5. restricted access
  1. The Routledge Dance Studies Reader (review)
  2. Pamela Grieman
  3. pp. 592-594
  4. DOI: https://doi.org/10.1353/tj.2000.0109
  5. restricted access
  1. Something for the Boys: Musical Theater and Gay Culture (review)
  2. Bruce Kirle
  3. pp. 594-595
  4. DOI: https://doi.org/10.1353/tj.2000.0112
  5. restricted access
  1. The Acoustic World of Early Modern England: Attending to the O-Factor (review)
  2. Anthony Graham-White
  3. pp. 595-596
  4. DOI: https://doi.org/10.1353/tj.2000.0108
  5. restricted access
  1. The Radical in Performance: Between Brecht and Baudrillard (review)
  2. Sharon L. Green
  3. pp. 596-597
  4. DOI: https://doi.org/10.1353/tj.2000.0107
  5. restricted access
  1. Kafka and Pinter: Shadow-Boxing: The Struggle between Father and Son (review)
  2. Robin Stone
  3. pp. 597-598
  4. DOI: https://doi.org/10.1353/tj.2000.0127
  5. restricted access
  1. Comment
  2. Susan Bennett
  3. pp. iv-vi
  4. DOI: https://doi.org/10.1353/tj.2000.0101
  5. restricted access