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Table of Contents

  1. Performing Degree Zero: Barthes, Body, Theatre
  2. Timothy Scheie
  3. pp. 161-181
  4. DOI: https://doi.org/10.1353/tj.2000.0058
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  1. Failing "White Woman": Interrogating the Performance of Respectability
  2. Hilary Harris
  3. pp. 183-209
  4. DOI: https://doi.org/10.1353/tj.2000.0045
  5. restricted access
  1. The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America
  2. Mark Hodin
  3. pp. 211-226
  4. DOI: https://doi.org/10.1353/tj.2000.0046
  5. restricted access
  1. The Passion of Joanna Baillie: Playwright as Martyr
  2. Sean Carney
  3. pp. 227-252
  4. DOI: https://doi.org/10.1353/tj.2000.0038
  5. restricted access
  1. Doctoral Projects in Progress in Theatre Arts, 2000
  2. Doug Cummins
  3. pp. 253-257
  4. DOI: https://doi.org/10.1353/tj.2000.0040
  5. restricted access
  1. Festival International des Francophonies en Limousin, Limoges, France, 23 September-3 October 1999 (review)
  2. Cynthia Running-Johnson
  3. pp. 259-263
  4. DOI: https://doi.org/10.1353/tj.2000.0047
  5. restricted access
  1. Festival D'Avignon, Avignon, France, 16-18 July 1999 (review)
  2. Michael Kohler
  3. pp. 263-266
  4. DOI: https://doi.org/10.1353/tj.2000.0048
  5. restricted access
  1. Theatertreffen Berlin, 1-24 May 1999 (review)
  2. Klaus van den Berg
  3. pp. 266-269
  4. DOI: https://doi.org/10.1353/tj.2000.0061
  5. restricted access
  1. The 1999 Stratford Festival, Stratford, Ontario, Canada, 20-22 July 1999 (review)
  2. Owen Edward Brady
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/tj.2000.0036
  5. restricted access
  1. The 11th International Istanbul Theatre Festival, Istanbul, Turkey, 19 May-4 June 1999 (review)
  2. Anna Krajewska-Wieczorek
  3. pp. 272-276
  4. DOI: https://doi.org/10.1353/tj.2000.0063
  5. restricted access
  1. 13th Annual Eurokaz Festival of International Theatre, Zagreb, Croatia, 23-30 June 1999, and: 5th Annual Puf International Theatre Festival, Pula, Croatia, 2-6 July 1999 (review)
  2. Leigh Clemons
  3. pp. 276-278
  4. DOI: https://doi.org/10.1353/tj.2000.0039
  5. restricted access
  1. Edinburgh Fringe Festival, Edinburgh, Scotland, 8-30 August 1999 (review)
  2. Karin Maresh
  3. pp. 278-280
  4. DOI: https://doi.org/10.1353/tj.2000.0051
  5. restricted access
  1. 25th Anniversary Standard Bank National Arts Festival, Grahamstown, South Africa, 29 June-11 July 1999 (review)
  2. Megan Lewis
  3. pp. 280-283
  4. DOI: https://doi.org/10.1353/tj.2000.0050
  5. restricted access
  1. 11th Cairo International Festival for Experimental Theatre, Cairo, Egypt, 1-11 September 1999 (review)
  2. Marvin A. Carlson
  3. pp. 283-286
  4. DOI: https://doi.org/10.1353/tj.2000.0037
  5. restricted access
  1. Errata
  3. p. 286
  4. DOI: https://doi.org/10.1353/tj.2000.0042
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  1. Acts of Intervention: Performance, Gay Culture, and AIDS (review)
  2. Ann Pellegrini
  3. pp. 287-288
  4. DOI: https://doi.org/10.1353/tj.2000.0054
  5. restricted access
  1. Shakespeare on the German Stage: The Twentieth Century, and: Redefining Shakespeare: Literary Theory and Theater Practice in the German Democratic Republic (review)
  2. John Rouse
  3. pp. 288-290
  4. DOI: https://doi.org/10.1353/tj.2000.0056
  5. restricted access
  1. Shakespeare's Theory of Drama (review)
  2. Philip C. McGuire
  3. pp. 290-291
  4. DOI: https://doi.org/10.1353/tj.2000.0052
  5. restricted access
  1. Drama and Politics in the English Civil War, and: At Zero Point: Discourse, Culture, and Satire in Restoration England (review)
  2. Byron Nelson
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/tj.2000.0053
  5. restricted access
  1. Democracy at the Opera: Music, Theater, and Culture in New York City, 1815-60 (review)
  2. Anna Wheeler Gentry
  3. pp. 293-294
  4. DOI: https://doi.org/10.1353/tj.2000.0043
  5. restricted access
  1. The History of North American Theater: The United States, Canada, and Mexico: From Pre-Columbian Times to the Present (review)
  2. S. E. Wilmer
  3. pp. 294-295
  4. DOI: https://doi.org/10.1353/tj.2000.0064
  5. restricted access
  1. Structural Design for the Stage (review)
  2. Fritz Schwentker
  3. pp. 295-297
  4. DOI: https://doi.org/10.1353/tj.2000.0059
  5. restricted access
  1. Nomadic Identities: The Performance of Citizenship (review)
  2. Laura Edmondson
  3. pp. 297-298
  4. DOI: https://doi.org/10.1353/tj.2000.0041
  5. restricted access
  1. Four Plays, and: Black South African Women: An Anthology of Plays (review)
  2. Loren Kruger
  3. pp. 298-300
  4. DOI: https://doi.org/10.1353/tj.2000.0049
  5. restricted access
  1. Harold Pinter and the New British Theatre (review)
  2. Melissa Gibson
  3. pp. 300-301
  4. DOI: https://doi.org/10.1353/tj.2000.0044
  5. restricted access
  1. Postmodern/Drama: Reading the Contemporary Stage (review)
  2. Mark Pizzato
  3. pp. 301-302
  4. DOI: https://doi.org/10.1353/tj.2000.0055
  5. restricted access
  1. Differences in the Dark: American Movies and English Theater (review)
  2. Mark Shaiman
  3. p. 303
  4. DOI: https://doi.org/10.1353/tj.2000.0060
  5. restricted access
  1. Cultural Calisthenics: Writings on Race, Politics, and Theatre (review)
  2. Scott Walters
  3. pp. 304-305
  4. DOI: https://doi.org/10.1353/tj.2000.0062
  5. restricted access
  1. Collaborative Theatre: The Theatre du Soleil Sourcebook (review)
  2. Helen E. Richardson
  3. p. 305
  4. DOI: https://doi.org/10.1353/tj.2000.0057
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  1. Comment
  2. Susan Bennett
  3. p. iv
  4. DOI: https://doi.org/10.1353/tj.2000.0035
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