1. The William Schuman Violin Concerto: Genesis of a Twentieth-Century Masterpiece
  2. Joseph W. Polisi
  3. pp. 457-484
  4. DOI: 10.1353/not.0.0326
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  1. African Musicology: A Bibliographical Guide to Nigerian Art Music (1927–2009)
  2. Godwin Sadoh
  3. pp. 485-502
  4. DOI: 10.1353/not.0.0299
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  1. A Revival of the Music Conspectus: A Multi-Dimensional Assessment for the Score Collection
  2. Katie Lai
  3. pp. 503-518
  4. DOI: 10.1353/not.0.0310
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  1. Notes for Notes
  3. pp. 519-523
  4. DOI: 10.1353/not.0.0322
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  1. Messiaen's Explorations of Love and Death: Musico-Poetic Signification in the "Tristan Trilogy" and Three Related Song Cycles, and: Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera (review)
  2. Vincent Benitez
  3. pp. 524-527
  4. DOI: 10.1353/not.0.0300
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  1. Sándor Veress: Komponist—Lehrer—Forscher (review)
  2. Balázs Mikusi
  3. pp. 527-528
  4. DOI: 10.1353/not.0.0323
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  1. Roger Sessions: A Biography (review)
  2. Melissa J. de Graaf
  3. pp. 528-530
  4. DOI: 10.1353/not.0.0283
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  1. Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference (review)
  2. Nicholas Deyoe
  3. pp. 531-533
  4. DOI: 10.1353/not.0.0321
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  1. Las claves madrileñas de Isaac Albéniz (review)
  2. Walter Aaron Clark
  3. pp. 533-535
  4. DOI: 10.1353/not.0.0318
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  1. Mahler's Voices: Expression and Irony in the Songs and Symphonies (review)
  2. Molly M. Breckling
  3. pp. 535-537
  4. DOI: 10.1353/not.0.0316
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  1. Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece (review)
  2. Lorraine Yaros Sullivan
  3. pp. 537-539
  4. DOI: 10.1353/not.0.0268
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  1. Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater (review)
  2. Leonardo J. Waisman
  3. pp. 540-542
  4. DOI: 10.1353/not.0.0270
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  1. Tonal Space in the Music of Antonio Vivaldi (review)
  2. Eleanor Selfridge-Field
  3. pp. 542-544
  4. DOI: 10.1353/not.0.0328
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  1. The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory, and Performance (review)
  2. Melanie Lowe
  3. pp. 544-546
  4. DOI: 10.1353/not.0.0320
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  1. Transcendent Mastery: Studies in the Music of Beethoven (review)
  2. Jane Riegel Ferencz
  3. pp. 546-549
  4. DOI: 10.1353/not.0.0296
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  1. The Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music (review)
  2. Pieter Mannaerts
  3. pp. 549-551
  4. DOI: 10.1353/not.0.0305
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  1. Young Choristers, 650–1750 (review)
  2. Susan Forscher Weiss
  3. pp. 551-554
  4. DOI: 10.1353/not.0.0287
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  1. Jewish Musical Modernism, Old and New (review)
  2. Klára Móricz
  3. pp. 554-556
  4. DOI: 10.1353/not.0.0327
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  1. The Organ and Its Music in German-Jewish Culture (review)
  2. Joshua S. Walden
  3. pp. 556-558
  4. DOI: 10.1353/not.0.0319
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  1. A Windfall of Musicians: Hitler's Émigrés and Exiles in Southern California (review)
  2. Sabine Feisst
  3. pp. 559-561
  4. DOI: 10.1353/not.0.0309
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  1. Such Freedom, if Only Musical: Unofficial Soviet Music during the Thaw (review)
  2. Pauline Fairclough
  3. pp. 561-563
  4. DOI: 10.1353/not.0.0331
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  1. A Shostakovich Companion (review)
  2. David Fanning
  3. pp. 563-564
  4. DOI: 10.1353/not.0.0325
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  1. On Russian Music (review)
  2. Peter J. Schmelz
  3. pp. 564-567
  4. DOI: 10.1353/not.0.0317
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  1. The Birth of the Cool of Miles Davis and His Associates (review)
  2. Eunmi Shim
  3. pp. 567-570
  4. DOI: 10.1353/not.0.0274
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  1. Film Music: A History (review)
  2. Colin Roust
  3. pp. 570-572
  4. DOI: 10.1353/not.0.0293
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  1. The Ashgate Research Companion to Japanese Music (review)
  2. Elizabeth Markham
  3. pp. 572-575
  4. DOI: 10.1353/not.0.0315
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  1. An Annotated Index to Selected Articles from The Musical Courier, 1880–1940 (review)
  2. E. Douglas Bomberger
  3. pp. 579-581
  4. DOI: 10.1353/not.0.0333
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  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 582-603
  4. DOI: 10.1353/not.0.0330
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  1. New Periodicals
  2. Liza Vick, Lindsay Hansen
  3. pp. 604-609
  4. DOI: 10.1353/not.0.0295
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  1. Contemporary World Music, and: Music Online (review)
  2. Alec McLane
  3. pp. 610-614
  4. DOI: 10.1353/not.0.0306
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  1. Themefinder (review)
  2. Anne Shelley
  3. pp. 614-618
  4. DOI: 10.1353/not.0.0278
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  1. Percussion Orchestrations (review)
  2. Martin D. Jenkins
  3. pp. 619-620
  4. DOI: 10.1353/not.0.0307
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  1. Admeto re di Tessaglia (review)
  2. Brooke Bryant
  3. pp. 621-622
  4. DOI: 10.1353/not.0.0266
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  1. Early Operas (review)
  2. Eldonna L. May
  3. pp. 622-623
  4. DOI: 10.1353/not.0.0273
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  1. Alfonso und Estrella (review)
  2. Eftychia Papanikolaou
  3. pp. 623-624
  4. DOI: 10.1353/not.0.0297
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  1. Manon (review)
  2. Bruno Forment
  3. pp. 624-625
  4. DOI: 10.1353/not.0.0286
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  1. Hänsel und Gretel (review)
  2. Heather Strohschein
  3. pp. 625-626
  4. DOI: 10.1353/not.0.0285
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  1. Le sacre du printemps (review)
  2. Sabra Statham
  3. pp. 626-627
  4. DOI: 10.1353/not.0.0294
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  1. The Minotaur (review)
  2. Joan O'Connor
  3. pp. 627-628
  4. DOI: 10.1353/not.0.0304
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  1. Doctor Atomic (review)
  2. Alicia M. Doyle
  3. pp. 628-629
  4. DOI: 10.1353/not.0.0308
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  1. The Adventures of Pinocchio (review)
  2. Ryan Ebright
  3. pp. 629-630
  4. DOI: 10.1353/not.0.0314
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  1. The City (review)
  2. Lars Helgert
  3. pp. 630-631
  4. DOI: 10.1353/not.0.0303
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  1. 49 Waltzes for the 5 Boroughs, A Complete Video Realization (review)
  2. Philip White
  3. p. 631
  4. DOI: 10.1353/not.0.0292
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  1. Choral Ikons (review)
  2. Mary Rose Adkins
  3. p. 632
  4. DOI: 10.1353/not.0.0298
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  1. Music for Airports (review)
  2. Peter H. Lisius
  3. pp. 632-634
  4. DOI: 10.1353/not.0.0264
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  1. Die Winterreise (review)
  2. Benjamin M. Ayotte
  3. pp. 634-635
  4. DOI: 10.1353/not.0.0291
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  1. Scènes de Quatuor: Autour de La Grande Fugue de Beethoven (review)
  2. Travis D. Stimeling
  3. pp. 635-636
  4. DOI: 10.1353/not.0.0329
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  1. Mademoiselle (review)
  2. Kendra Preston Leonard
  3. pp. 636-637
  4. DOI: 10.1353/not.0.0267
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  1. Wagner’s Mastersinger, Hitler's Siegfried: The Life and Times of Max Lorenz, and: Tannhäuser in 80 Minuten, Opernparodie nach der gleichnamigen Oper von Richard Wagner (review)
  2. John Holland
  3. pp. 637-638
  4. DOI: 10.1353/not.0.0271
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  1. Tony Palmer's Film of At The Haunted End Of The Day, William Walton (review)
  2. Bonnie E. Fleming
  3. pp. 638-639
  4. DOI: 10.1353/not.0.0311
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  1. "O Thou Transcendent," The Life of Ralph Vaughan Williams (review)
  2. Kevin Salfen
  3. pp. 639-640
  4. DOI: 10.1353/not.0.0302
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  1. Toscanini: In His Own Words (review)
  2. Ivan Shulman
  3. pp. 640-641
  4. DOI: 10.1353/not.0.0301
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  1. We Want the Light (review)
  2. James M. Doering
  3. p. 641
  4. DOI: 10.1353/not.0.0289
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  1. Walter Felsenstein Edition (review)
  2. Micaela Baranello
  3. pp. 641-643
  4. DOI: 10.1353/not.0.0265
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  1. Pulling Out the Stops: A History of the Organ (review)
  2. Christina Linklater
  3. pp. 644-645
  4. DOI: 10.1353/not.0.0275
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  1. The Castellani/Andriaccio Duo, and: The Newman and Oltman Guitar Duo (review)
  2. Randall Zwally
  3. p. 645
  4. DOI: 10.1353/not.0.0334
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  1. Amor, Vida de Mi Vida (review)
  2. Alicia M. Doyle
  3. p. 646
  4. DOI: 10.1353/not.0.0332
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  1. Billie Holiday: The Life and Artistry of Lady Day (review)
  2. Gerald A. Notaro
  3. p. 647
  4. DOI: 10.1353/not.0.0324
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  1. The Robert Cray Collection (review)
  2. Michael Adams
  3. pp. 647-648
  4. DOI: 10.1353/not.0.0282
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  1. Clark Terry Quartet and the Duke Jordan Trio Live in Copenhagen 1985 (review)
  2. Cory M. Gavito
  3. pp. 648-649
  4. DOI: 10.1353/not.0.0313
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  1. 'Tis Autumn: The Search for Jackie Paris (review)
  2. Christopher L. Ballengee
  3. pp. 649-650
  4. DOI: 10.1353/not.0.0279
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  1. Bob Dylan Never Ending Tour Diaries: Drummer Winston Watson's Incredible Journey (review)
  2. Alessandro Bratus
  3. p. 650
  4. DOI: 10.1353/not.0.0277
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  1. Leonard Cohen Live in London (review)
  2. Robert D. Terrio
  3. p. 651
  4. DOI: 10.1353/not.0.0281
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  1. Frank Zappa and the Mothers of Invention in the '60s (review)
  2. Michael Ashenfelder
  3. pp. 651-653
  4. DOI: 10.1353/not.0.0284
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  1. Bruce Springsteen Road Trip, 40 Years Of The Boss (review)
  2. John Clark
  3. pp. 653-654
  4. DOI: 10.1353/not.0.0269
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  1. Nine Inch Nails and the Industrial Uprising, Metal Machine Music (review)
  2. Alexander Carpenter
  3. p. 654
  4. DOI: 10.1353/not.0.0288
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  1. Bologna Q15: The Making and Remaking of a Musical Manuscript (review)
  2. Michael Scott Cuthbert
  3. pp. 656-660
  4. DOI: 10.1353/not.0.0335
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  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 667-669
  4. DOI: 10.1353/not.0.0272
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  1. The Victor Red Seal Discography, Volume II: Double-Sided Series to 1930, and: The Victor Black Label Discography: 16000–17000 Series, and: The Victor Black Label Discography: 18000–19000 Series, and: The Victor Discography: Green, Blue and Purple Labels, and: The Edison Discography (1926–1929) (review)
  2. Gary A. Galo
  3. pp. 575-579
  4. DOI: 10.1353/not.0.0312
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  1. Howard Goodall's Organ Works, The Complete Series, and: Howard Goodall's Choir Works, Choirs Perform (review)
  2. Christina Fuhrmann
  3. pp. 643-644
  4. DOI: 10.1353/not.0.0276
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  1. Hip Hop Moguls, The Series (review)
  2. Emily Kausalik
  3. p. 655
  4. DOI: 10.1353/not.0.0290
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  1. Music Received
  2. David Knapp
  3. pp. 661-666
  4. DOI: 10.1353/not.0.0280
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