In this Issue

Table of Contents

The William Schuman Violin Concerto: Genesis of a Twentieth-Century Masterpiece

Joseph W. Polisi
pp. 457-484
DOI: https://doi.org/10.1353/not.0.0326
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African Musicology: A Bibliographical Guide to Nigerian Art Music (1927–2009)

Godwin Sadoh
pp. 485-502
DOI: https://doi.org/10.1353/not.0.0299
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A Revival of the Music Conspectus: A Multi-Dimensional Assessment for the Score Collection

Katie Lai
pp. 503-518
DOI: https://doi.org/10.1353/not.0.0310
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Notes for Notes

pp. 519-523
DOI: https://doi.org/10.1353/not.0.0322
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Messiaen's Explorations of Love and Death: Musico-Poetic Signification in the "Tristan Trilogy" and Three Related Song Cycles, and: Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera (review)

Vincent Benitez
pp. 524-527
DOI: https://doi.org/10.1353/not.0.0300
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Sándor Veress: Komponist—Lehrer—Forscher (review)

Balázs Mikusi
pp. 527-528
DOI: https://doi.org/10.1353/not.0.0323
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Roger Sessions: A Biography (review)

Melissa J. de Graaf
pp. 528-530
DOI: https://doi.org/10.1353/not.0.0283
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Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference (review)

Nicholas Deyoe
pp. 531-533
DOI: https://doi.org/10.1353/not.0.0321
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Las claves madrileñas de Isaac Albéniz (review)

Walter Aaron Clark
pp. 533-535
DOI: https://doi.org/10.1353/not.0.0318
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Mahler's Voices: Expression and Irony in the Songs and Symphonies (review)

Molly M. Breckling
pp. 535-537
DOI: https://doi.org/10.1353/not.0.0316
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Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece (review)

Lorraine Yaros Sullivan
pp. 537-539
DOI: https://doi.org/10.1353/not.0.0268
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Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater (review)

Leonardo J. Waisman
pp. 540-542
DOI: https://doi.org/10.1353/not.0.0270
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Tonal Space in the Music of Antonio Vivaldi (review)

Eleanor Selfridge-Field
pp. 542-544
DOI: https://doi.org/10.1353/not.0.0328
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The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory, and Performance (review)

Melanie Lowe
pp. 544-546
DOI: https://doi.org/10.1353/not.0.0320
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Transcendent Mastery: Studies in the Music of Beethoven (review)

Jane Riegel Ferencz
pp. 546-549
DOI: https://doi.org/10.1353/not.0.0296
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The Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music (review)

Pieter Mannaerts
pp. 549-551
DOI: https://doi.org/10.1353/not.0.0305
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Young Choristers, 650–1750 (review)

Susan Forscher Weiss
pp. 551-554
DOI: https://doi.org/10.1353/not.0.0287
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Jewish Musical Modernism, Old and New (review)

Klára Móricz
pp. 554-556
DOI: https://doi.org/10.1353/not.0.0327
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The Organ and Its Music in German-Jewish Culture (review)

Joshua S. Walden
pp. 556-558
DOI: https://doi.org/10.1353/not.0.0319
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A Windfall of Musicians: Hitler's Émigrés and Exiles in Southern California (review)

Sabine Feisst
pp. 559-561
DOI: https://doi.org/10.1353/not.0.0309
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Such Freedom, if Only Musical: Unofficial Soviet Music during the Thaw (review)

Pauline Fairclough
pp. 561-563
DOI: https://doi.org/10.1353/not.0.0331
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A Shostakovich Companion (review)

David Fanning
pp. 563-564
DOI: https://doi.org/10.1353/not.0.0325
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On Russian Music (review)

Peter J. Schmelz
pp. 564-567
DOI: https://doi.org/10.1353/not.0.0317
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The Birth of the Cool of Miles Davis and His Associates (review)

Eunmi Shim
pp. 567-570
DOI: https://doi.org/10.1353/not.0.0274
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Film Music: A History (review)

Colin Roust
pp. 570-572
DOI: https://doi.org/10.1353/not.0.0293
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The Ashgate Research Companion to Japanese Music (review)

Elizabeth Markham
pp. 572-575
DOI: https://doi.org/10.1353/not.0.0315
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An Annotated Index to Selected Articles from The Musical Courier, 1880–1940 (review)

E. Douglas Bomberger
pp. 579-581
DOI: https://doi.org/10.1353/not.0.0333
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Books Recently Published

Karen R. Little, James Procell
pp. 582-603
DOI: https://doi.org/10.1353/not.0.0330
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New Periodicals

Liza Vick, Lindsay Hansen
pp. 604-609
DOI: https://doi.org/10.1353/not.0.0295
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Contemporary World Music, and: Music Online (review)

Alec McLane
pp. 610-614
DOI: https://doi.org/10.1353/not.0.0306
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Themefinder (review)

Anne Shelley
pp. 614-618
DOI: https://doi.org/10.1353/not.0.0278
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Percussion Orchestrations (review)

Martin D. Jenkins
pp. 619-620
DOI: https://doi.org/10.1353/not.0.0307
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Admeto re di Tessaglia (review)

Brooke Bryant
pp. 621-622
DOI: https://doi.org/10.1353/not.0.0266
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Early Operas (review)

Eldonna L. May
pp. 622-623
DOI: https://doi.org/10.1353/not.0.0273
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Alfonso und Estrella (review)

Eftychia Papanikolaou
pp. 623-624
DOI: https://doi.org/10.1353/not.0.0297
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Manon (review)

Bruno Forment
pp. 624-625
DOI: https://doi.org/10.1353/not.0.0286
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Hänsel und Gretel (review)

Heather Strohschein
pp. 625-626
DOI: https://doi.org/10.1353/not.0.0285
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Le sacre du printemps (review)

Sabra Statham
pp. 626-627
DOI: https://doi.org/10.1353/not.0.0294
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The Minotaur (review)

Joan O'Connor
pp. 627-628
DOI: https://doi.org/10.1353/not.0.0304
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Doctor Atomic (review)

Alicia M. Doyle
pp. 628-629
DOI: https://doi.org/10.1353/not.0.0308
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The Adventures of Pinocchio (review)

Ryan Ebright
pp. 629-630
DOI: https://doi.org/10.1353/not.0.0314
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The City (review)

Lars Helgert
pp. 630-631
DOI: https://doi.org/10.1353/not.0.0303
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49 Waltzes for the 5 Boroughs, A Complete Video Realization (review)

Philip White
p. 631
DOI: https://doi.org/10.1353/not.0.0292
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Choral Ikons (review)

Mary Rose Adkins
p. 632
DOI: https://doi.org/10.1353/not.0.0298
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Music for Airports (review)

Peter H. Lisius
pp. 632-634
DOI: https://doi.org/10.1353/not.0.0264
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Die Winterreise (review)

Benjamin M. Ayotte
pp. 634-635
DOI: https://doi.org/10.1353/not.0.0291
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Scènes de Quatuor: Autour de La Grande Fugue de Beethoven (review)

Travis D. Stimeling
pp. 635-636
DOI: https://doi.org/10.1353/not.0.0329
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Mademoiselle (review)

Kendra Preston Leonard
pp. 636-637
DOI: https://doi.org/10.1353/not.0.0267
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Wagner’s Mastersinger, Hitler's Siegfried: The Life and Times of Max Lorenz, and: Tannhäuser in 80 Minuten, Opernparodie nach der gleichnamigen Oper von Richard Wagner (review)

John Holland
pp. 637-638
DOI: https://doi.org/10.1353/not.0.0271
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Tony Palmer's Film of At The Haunted End Of The Day, William Walton (review)

Bonnie E. Fleming
pp. 638-639
DOI: https://doi.org/10.1353/not.0.0311
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"O Thou Transcendent," The Life of Ralph Vaughan Williams (review)

Kevin Salfen
pp. 639-640
DOI: https://doi.org/10.1353/not.0.0302
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Toscanini: In His Own Words (review)

Ivan Shulman
pp. 640-641
DOI: https://doi.org/10.1353/not.0.0301
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We Want the Light (review)

James M. Doering
p. 641
DOI: https://doi.org/10.1353/not.0.0289
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Walter Felsenstein Edition (review)

Micaela Baranello
pp. 641-643
DOI: https://doi.org/10.1353/not.0.0265
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Pulling Out the Stops: A History of the Organ (review)

Christina Linklater
pp. 644-645
DOI: https://doi.org/10.1353/not.0.0275
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The Castellani/Andriaccio Duo, and: The Newman and Oltman Guitar Duo (review)

Randall Zwally
p. 645
DOI: https://doi.org/10.1353/not.0.0334
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Amor, Vida de Mi Vida (review)

Alicia M. Doyle
p. 646
DOI: https://doi.org/10.1353/not.0.0332
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Billie Holiday: The Life and Artistry of Lady Day (review)

Gerald A. Notaro
p. 647
DOI: https://doi.org/10.1353/not.0.0324
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The Robert Cray Collection (review)

Michael Adams
pp. 647-648
DOI: https://doi.org/10.1353/not.0.0282
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Clark Terry Quartet and the Duke Jordan Trio Live in Copenhagen 1985 (review)

Cory M. Gavito
pp. 648-649
DOI: https://doi.org/10.1353/not.0.0313
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'Tis Autumn: The Search for Jackie Paris (review)

Christopher L. Ballengee
pp. 649-650
DOI: https://doi.org/10.1353/not.0.0279
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Bob Dylan Never Ending Tour Diaries: Drummer Winston Watson's Incredible Journey (review)

Alessandro Bratus
p. 650
DOI: https://doi.org/10.1353/not.0.0277
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Leonard Cohen Live in London (review)

Robert D. Terrio
p. 651
DOI: https://doi.org/10.1353/not.0.0281
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Frank Zappa and the Mothers of Invention in the '60s (review)

Michael Ashenfelder
pp. 651-653
DOI: https://doi.org/10.1353/not.0.0284
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Bruce Springsteen Road Trip, 40 Years Of The Boss (review)

John Clark
pp. 653-654
DOI: https://doi.org/10.1353/not.0.0269
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Nine Inch Nails and the Industrial Uprising, Metal Machine Music (review)

Alexander Carpenter
p. 654
DOI: https://doi.org/10.1353/not.0.0288
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Bologna Q15: The Making and Remaking of a Musical Manuscript (review)

Michael Scott Cuthbert
pp. 656-660
DOI: https://doi.org/10.1353/not.0.0335
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Music Publishers' Catalogs

George R. Hill
pp. 667-669
DOI: https://doi.org/10.1353/not.0.0272
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The Victor Red Seal Discography, Volume II: Double-Sided Series to 1930, and: The Victor Black Label Discography: 16000–17000 Series, and: The Victor Black Label Discography: 18000–19000 Series, and: The Victor Discography: Green, Blue and Purple Labels, and: The Edison Discography (1926–1929) (review)

Gary A. Galo
pp. 575-579
DOI: https://doi.org/10.1353/not.0.0312
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Howard Goodall's Organ Works, The Complete Series, and: Howard Goodall's Choir Works, Choirs Perform (review)

Christina Fuhrmann
pp. 643-644
DOI: https://doi.org/10.1353/not.0.0276
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Hip Hop Moguls, The Series (review)

Emily Kausalik
p. 655
DOI: https://doi.org/10.1353/not.0.0290
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Music Received

David Knapp
pp. 661-666
DOI: https://doi.org/10.1353/not.0.0280
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