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Table of Contents

  1. The Intersection of McEwen and Wheaton: A Nabokovian Locus Identified
  2. Joel J. Brattin
  3. pp. 1-7
  4. DOI: https://doi.org/10.1353/nab.2011.0088
  5. restricted access
  1. Nabokov and Narrative Point of View: The Case of "A Letter that Never Reached Russia"
  2. Julian W. Connolly
  3. pp. 9-20
  4. DOI: https://doi.org/10.1353/nab.2011.0091
  5. restricted access
  1. Washington's Gift: Materials pertaining to Nabokov's Gift in the Library of Congress
  2. Jane Grayson
  3. pp. 21-67
  4. DOI: https://doi.org/10.1353/nab.2011.0094
  5. restricted access
  1. The Nabokov-Sartre Controversy
  2. D. Barton Johnson
  3. pp. 69-82
  4. DOI: https://doi.org/10.1353/nab.2011.0076
  5. restricted access
  1. Vladimir Nabokov's King, Queen, Knave and the Commedia Dell'Arte
  2. Stephanie L. Merkel
  3. pp. 83-102
  4. DOI: https://doi.org/10.1353/nab.2011.0079
  5. restricted access
  1. An Album of Five Photographs
  2. Gennady Barabtarlo
  3. pp. 104-113
  4. DOI: https://doi.org/10.1353/nab.2011.0083
  5. restricted access
  1. Nabokov in Minnesota: August 1942
  2. J.B. Sisson
  3. p. 114
  4. DOI: https://doi.org/10.1353/nab.2011.0086
  5. restricted access
  1. "Cloud, Castle, Lake" and the Problem of Entering the Otherworld in Nabokov's Short Fiction
  2. Maxim D. Shrayer
  3. pp. 131-153
  4. DOI: https://doi.org/10.1353/nab.2011.0093
  5. restricted access
  1. Nabokov's Cosmic Synchronization and "Something Else"
  2. J.B. Sisson
  3. pp. 155-177
  4. DOI: https://doi.org/10.1353/nab.2011.0097
  5. restricted access
  1. Sinistral Details: Nabokov, Wilson, and Hamlet in Bend Sinister
  2. Susan Elizabeth Sweeney
  3. pp. 179-194
  4. DOI: https://doi.org/10.1353/nab.2011.0078
  5. restricted access
  1. Liberal Ironists and the "Gaudily Painted Savage": On Richard Rorty's Reading of Vladimir Nabokov
  2. Leona Toker
  3. pp. 195-206
  4. DOI: https://doi.org/10.1353/nab.2011.0082
  5. restricted access
  1. Nabokov's Art of Memory and European Modernism (review)
  2. Clarence Brown
  3. pp. 207-209
  4. DOI: https://doi.org/10.1353/nab.2011.0085
  5. restricted access
  1. The Phenomenon of Nabokov (review)
  2. D. Barton Johnson
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/nab.2011.0089
  5. restricted access
  1. The Art of Celebration: Twentieth-Century Painting, Literature, Sculpture, Photography, and Jazz (review)
  2. Charles Nicol
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/nab.2011.0092
  5. restricted access
  1. Vladimir Nabokov (review)
  2. Sam Schuman
  3. pp. 216-219
  4. DOI: https://doi.org/10.1353/nab.2011.0095
  5. restricted access
  1. A Small Alpine Form: Studies in Nabokov's Short Fiction (review)
  2. Maxim D. Shrayer
  3. pp. 219-224
  4. DOI: https://doi.org/10.1353/nab.2011.0077
  5. restricted access
  1. Nabokov's Early Fiction: Patterns of Self and Other (review)
  2. Leona Toker
  3. pp. 224-226
  4. DOI: https://doi.org/10.1353/nab.2011.0080
  5. restricted access
  1. Ekaterina (review)
  2. Clarence Brown
  3. pp. 232-233
  4. DOI: https://doi.org/10.1353/nab.2011.0087
  5. restricted access
  1. From the Editor
  2. pp. iii-v
  3. DOI: https://doi.org/10.1353/nab.2011.0096
  4. restricted access
  1. Contributors
  2. pp. vi-vii
  3. DOI: https://doi.org/10.1353/nab.2011.0081
  4. restricted access
  1. Necessary Instruction or Fatal Fatuity: Nabokov's Introductions and Bend Sinister
  2. Charles Nicol
  3. pp. 115-129
  4. DOI: https://doi.org/10.1353/nab.2011.0090
  5. restricted access

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Volume 2, 1995