1. Comment
  2. Susan Bennett
  3. pp. iv-v
  4. DOI: 10.1353/tj.1999.0078
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Articles

  1. Contemporary Performance/Technology
  2. Johannes H. Birringer
  3. pp. 361-381
  4. DOI: 10.1353/tj.1999.0079
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  1. The Screen Test of the Double: The Uncanny Performer in the Space of Technology
  2. Matthew Causey
  3. pp. 383-394
  4. DOI: 10.1353/tj.1999.0083
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  1. Of Cyborg Technologies and Fascistized Mermaids: Giannina Censi's Aerodanze in 1930s Italy
  2. Anja Klock
  3. pp. 395-415
  4. DOI: 10.1353/tj.1999.0093
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  1. Computer Modeling as a Tool for the Reconstruction of Historic Theatrical Production Techniques
  2. Frank Mohler
  3. pp. 417-431
  4. DOI: 10.1353/tj.1999.0099
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  1. Creating a Context: The Case of King Lear
  2. Christie Carson
  3. pp. 433-441
  4. DOI: 10.1353/tj.1999.0081
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Performance Reviews

  1. Charlie in the House of Rue (review)
  2. Scott T. Cummings
  3. pp. 443-445
  4. DOI: 10.1353/tj.1999.0085
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  1. Triangulated Nation, and: Lizard Monitors (review)
  2. Jennifer Parker Starbuck
  3. pp. 445-450
  4. DOI: 10.1353/tj.1999.0103
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  1. Songs and Stories from Moby Dick (review)
  2. Woodrow B. Hood
  3. pp. 450-451
  4. DOI: 10.1353/tj.1999.0090
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  1. The 23rd Annual Humana Festival of New American Plays (review)
  2. David Wohl
  3. pp. 451-455
  4. DOI: 10.1353/tj.1999.0106
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  1. For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf (review)
  2. Josephine D. Lee
  3. pp. 455-456
  4. DOI: 10.1353/tj.1999.0095
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  1. Villa Villa (review)
  2. Robert Knopf
  3. pp. 457-458
  4. DOI: 10.1353/tj.1999.0094
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  1. States of Shock (review)
  2. Steve Earnest
  3. pp. 458-459
  4. DOI: 10.1353/tj.1999.0087
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  1. The Invention of Love (review)
  2. Barbara Mackey
  3. pp. 459-460
  4. DOI: 10.1353/tj.1999.0096
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  1. Amine (review)
  2. Andrew Cuk
  3. pp. 461-463
  4. DOI: 10.1353/tj.1999.0084
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  1. Floyd Collins (review)
  2. Rick Simas
  3. pp. 463-465
  4. DOI: 10.1353/tj.1999.0101
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  1. Melody to Plait a Twig (Melodia do Wicia Rozgi), and: Notes from a Briefcase-Gua-Va (Zapiski z Teczki-Gua-Va) (review)
  2. Linda Almar Caldwell
  3. pp. 466-468
  4. DOI: 10.1353/tj.1999.0082
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  1. Yohen (review)
  2. Sean Metzger
  3. pp. 468-470
  4. DOI: 10.1353/tj.1999.0098
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  1. Djurdjurassique Bled (review)
  2. Ruth Weiner
  3. pp. 470-472
  4. DOI: 10.1353/tj.1999.0105
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Book Reviews

  1. Artslynx International Arts Resources (review)
  2. Melanie Blood
  3. pp. 473-474
  4. DOI: 10.1353/tj.1999.0080
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  1. A Doll House: Based on the Play by Henrik Ibsen (review)
  2. Gay Gibson Cima
  3. pp. 476-477
  4. DOI: 10.1353/tj.1999.0077
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  1. The 19th Century London Stage: An Exploration (review)
  2. Richard W. Schoch
  3. pp. 477-478
  4. DOI: 10.1353/tj.1999.0100
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  1. Didaskalia (review)
  2. Rhona Justice-Malloy
  3. p. 478
  4. DOI: 10.1353/tj.1999.0092
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  1. All the World's a Stage: WWW Links for Theatre History and Early Music (review)
  2. Claire Sponsler
  3. pp. 478-479
  4. DOI: 10.1353/tj.1999.0102
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  1. Commedia Dell'Arte (review)
  2. Patrick M. Finelli
  3. p. 480
  4. DOI: 10.1353/tj.1999.0088
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  1. The World Shakespeare Bibliography on CD-ROM, 1983-1995 (review)
  2. Franklin J. Hildy
  3. pp. 480-481
  4. DOI: 10.1353/tj.1999.0089
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  1. The Complete Works of William Shakespeare, and: William Shakespeare, 1564-1616 (review)
  2. Janet L. Gupton
  3. pp. 482-483
  4. DOI: 10.1353/tj.1999.0086
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  1. Theatrales (review)
  2. Rosanna Vitale
  3. pp. 483-484
  4. DOI: 10.1353/tj.1999.0104
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  1. Index to Volume 51
  2. pp. 487-492
  3. DOI: 10.1353/tj.1999.0091
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