1. The Architecture of Conspicuous Consumption: Property, Class, and Display at Herbert Beerbohm Tree's Her Majesty's Theatre
  2. David V. Schulz
  3. pp. 231-250
  4. DOI: 10.1353/tj.1999.0071
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  1. Performing Capital in Caryl Churchill's Serious Money
  2. Linda Kintz
  3. pp. 251-265
  4. DOI: 10.1353/tj.1999.0062
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  1. Discouraging Democracy: British Theatres and Economics, 1979-1999
  2. Baz Kershaw
  3. pp. 267-283
  4. DOI: 10.1353/tj.1999.0061
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  1. Commodities, Mimesis, and The Lion King: Retail Theatre for the 1990s
  2. Maurya Wickstrom
  3. pp. 285-298
  4. DOI: 10.1353/tj.1999.0074
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  1. States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil
  2. Jen Harvie, Erin Hurley
  3. pp. 299-315
  4. DOI: 10.1353/tj.1999.0057
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  1. Rise and Fall of the City of Mahagonny (review)
  2. David Graver
  3. pp. 317-318
  4. DOI: 10.1353/tj.1999.0056
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  1. La Geometrie des Miracles (review)
  2. Francine Heather Conley
  3. pp. 318-320
  4. DOI: 10.1353/tj.1999.0053
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  1. Measure for Measure (Kisasa Kisas) (review)
  2. Marvin A. Carlson
  3. pp. 320-322
  4. DOI: 10.1353/tj.1999.0052
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  1. Woman General--Mu Gui Ying; Taking Tiger Mountain by Strategy (review)
  2. Claudia Orenstein
  3. pp. 322-323
  4. DOI: 10.1353/tj.1999.0069
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  1. For the Pleasure of Seeing Her Again (review)
  2. Henrik Borgstrom
  3. pp. 323-325
  4. DOI: 10.1353/tj.1999.0051
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  1. La Mer (review)
  2. Ian Stuart
  3. pp. 325-327
  4. DOI: 10.1353/tj.1999.0072
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  1. Phedre, and: Britannicus (review)
  2. David G. Muller
  3. pp. 327-331
  4. DOI: 10.1353/tj.1999.0066
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  1. Phedre (review)
  2. Loren Ringer
  3. pp. 331-332
  4. DOI: 10.1353/tj.1999.0068
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  1. Oedipus (review)
  2. Tamsen Wolff
  3. pp. 333-334
  4. DOI: 10.1353/tj.1999.0075
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  1. Iph. .. (After Euripides' Iphigeneia in Aulis) (review)
  2. Richard Jones
  3. pp. 334-336
  4. DOI: 10.1353/tj.1999.0060
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  1. The Beauty Queen of Leenane, and: A Night in November (review)
  2. Mary Trotter
  3. pp. 336-339
  4. DOI: 10.1353/tj.1999.0073
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  1. Theatre, Finance and Society in Early Modern England (review)
  2. Kathleen McLuskie
  3. pp. 341-342
  4. DOI: 10.1353/tj.1999.0065
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  1. Discovering the Subject in Renaissance England (review)
  2. Emily Carroll Bartels
  3. pp. 342-343
  4. DOI: 10.1353/tj.1999.0049
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  1. The Medieval Theater of Cruelty: Rhetoric, Memory, Violence (review)
  2. Michal Kobialka
  3. pp. 343-345
  4. DOI: 10.1353/tj.1999.0063
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  1. Shakespeare and the Authority of Performance (review)
  2. Barbara Hodgdon
  3. pp. 345-346
  4. DOI: 10.1353/tj.1999.0058
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  1. Drama and Ideology in Modern Israel (review)
  2. Freddie Rokem
  3. pp. 346-347
  4. DOI: 10.1353/tj.1999.0070
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  1. Excitable Speech: A Politics of the Performative (review)
  2. Anne Fleche
  3. pp. 348-349
  4. DOI: 10.1353/tj.1999.0055
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  1. The Stages of Age: Performing Age in Contemporary American Culture (review)
  2. Joy Harriman Reilly
  3. pp. 349-350
  4. DOI: 10.1353/tj.1999.0067
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  1. Tennessee Williams: A Guide to Research and Performance (review)
  2. Felicia Hardison Londré
  3. p. 350
  4. DOI: 10.1353/tj.1999.0064
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  1. Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (review)
  2. Joni L. Jones
  3. p. 351
  4. DOI: 10.1353/tj.1999.0059
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  1. Staging Resistance: Essays on Political Theater, and: Radical Street Performance: An International Anthology (review)
  2. Jill Dolan
  3. pp. 351-353
  4. DOI: 10.1353/tj.1999.0054
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  1. Comment
  2. Loren Kruger
  3. pp. iv-v
  4. DOI: 10.1353/tj.1999.0076
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  1. Books Received
  2. pp. 354-360
  3. DOI: 10.1353/tj.1999.0050
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