Theatre Journal

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Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange

Daniel O'Quinn

pp. 105-125

DOI: https://doi.org/10.1353/tj.1999.0032

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Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre

Kathryn Hansen

pp. 127-147

DOI: https://doi.org/10.1353/tj.1999.0031

Joseph as Mother, Jutta as Pope: Gender and Transgression in Medieval German Drama

Stephen K. Wright

pp. 149-166

DOI: https://doi.org/10.1353/tj.1999.0046

Staging the 1857 Mutiny as "The Great Rebellion": Colonial History and Post-Colonial Interventions in Utpal Dutt's Mahavidroh

Nandi Bhatia

pp. 167-184

DOI: https://doi.org/10.1353/tj.1999.0024

Doctoral Projects in Progress in Theatre Arts, 1999

Doug Cummins

pp. 185-189

DOI: https://doi.org/10.1353/tj.1999.0030

Twelfth Night

Ted Merwin

pp. 191-192

DOI: https://doi.org/10.1353/tj.1999.0042

Waiting for Godot

Joanne Klein

pp. 192-194

DOI: https://doi.org/10.1353/tj.1999.0034

Corpus Christi

Sharon L. Green

pp. 194-196

DOI: https://doi.org/10.1353/tj.1999.0039

Uncle Vanya, and: Christoph Kolumbus, and: The Dirty Hands

Ralf Remshardt

pp. 196-200

DOI: https://doi.org/10.1353/tj.1999.0048

The Speed of Darkness

Meiling Cheng

pp. 200-202

DOI: https://doi.org/10.1353/tj.1999.0033

The Sea Gull

Rosette C. Lamont

pp. 202-203

DOI: https://doi.org/10.1353/tj.1999.0036

The International Festival of Puppet Theatre

Arthur Horowitz

pp. 203-206

DOI: https://doi.org/10.1353/tj.1999.0040

Symphonie Fantastique

Mary Fleischer

pp. 208-210

DOI: https://doi.org/10.1353/tj.1999.0044

Rosita, the Spinster, or the Language of Flowers

Catherine Diamond

pp. 210-212

DOI: https://doi.org/10.1353/tj.1999.0038

The Mother of Us All

Mary Louise Hill

pp. 212-214

DOI: https://doi.org/10.1353/tj.1999.0043

The True History of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World

Christine Mather

pp. 215-216

DOI: https://doi.org/10.1353/tj.1999.0041

Not About Nightingales

C. J. Gianakaris

pp. 216-217

DOI: https://doi.org/10.1353/tj.1999.0045

Copenhagen

Peter B. Young

pp. 218-219

DOI: https://doi.org/10.1353/tj.1999.0037

Eclipsed

Thomas Bruno

pp. 219-221

DOI: https://doi.org/10.1353/tj.1999.0035

Unmaking Mimesis: Essays on Feminism and Theater

Shannon Jackson

pp. 223-224

DOI: https://doi.org/10.1353/tj.1999.0026

Strange Fruit: Plays on Lynching by American Women

Eileen Cherry

pp. 224-225

DOI: https://doi.org/10.1353/tj.1999.0029

Coming Up Roses: The Broadway Musical in the 1950s, and: Place for Us: Essay on the Broadway Musical

Stacy Ellen Wolf

pp. 225-227

DOI: https://doi.org/10.1353/tj.1999.0028

Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage

William C. Boles

pp. 227-228

DOI: https://doi.org/10.1353/tj.1999.0025

Sightlines: Race, Gender, and Nation in Contemporary Australian Theatre

Katherine Newey

pp. 228-229

DOI: https://doi.org/10.1353/tj.1999.0027

Comment

Susan Bennett

p. iv

DOI: https://doi.org/10.1353/tj.1999.0047

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Volume 51, Number 1, March 1999

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Volume 51, Number 3, October 1999

Additional Information
ISSN	1086-332X
Print ISSN	0192-2882
Launched on MUSE	1999-05-01
Open Access	No

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