1. Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
  2. Daniel O'Quinn
  3. pp. 105-125
  4. DOI: 10.1353/tj.1999.0032
  5. restricted access
    • View HTML View
    contents
  1. Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre
  2. Kathryn Hansen
  3. pp. 127-147
  4. DOI: 10.1353/tj.1999.0031
  5. restricted access
    • View HTML View
    contents
  1. Joseph as Mother, Jutta as Pope: Gender and Transgression in Medieval German Drama
  2. Stephen K. Wright
  3. pp. 149-166
  4. DOI: 10.1353/tj.1999.0046
  5. restricted access
    • View HTML View
    contents
  1. Staging the 1857 Mutiny as "The Great Rebellion": Colonial History and Post-Colonial Interventions in Utpal Dutt's Mahavidroh
  2. Nandi Bhatia
  3. pp. 167-184
  4. DOI: 10.1353/tj.1999.0024
  5. restricted access
    • View HTML View
    contents
  1. Doctoral Projects in Progress in Theatre Arts, 1999
  2. Doug Cummins
  3. pp. 185-189
  4. DOI: 10.1353/tj.1999.0030
  5. restricted access
    • View HTML View
    contents
  1. Twelfth Night
  2. Ted Merwin
  3. pp. 191-192
  4. DOI: 10.1353/tj.1999.0042
  5. restricted access
    • View HTML View
    contents
  1. Waiting for Godot
  2. Joanne Klein
  3. pp. 192-194
  4. DOI: 10.1353/tj.1999.0034
  5. restricted access
    • View HTML View
    contents
  1. Corpus Christi
  2. Sharon L. Green
  3. pp. 194-196
  4. DOI: 10.1353/tj.1999.0039
  5. restricted access
    • View HTML View
    contents
  1. Uncle Vanya, and: Christoph Kolumbus, and: The Dirty Hands
  2. Ralf Remshardt
  3. pp. 196-200
  4. DOI: 10.1353/tj.1999.0048
  5. restricted access
    • View HTML View
    contents
  1. The Speed of Darkness
  2. Meiling Cheng
  3. pp. 200-202
  4. DOI: 10.1353/tj.1999.0033
  5. restricted access
    • View HTML View
    contents
  1. The Sea Gull
  2. Rosette C. Lamont
  3. pp. 202-203
  4. DOI: 10.1353/tj.1999.0036
  5. restricted access
    • View HTML View
    contents
  1. The International Festival of Puppet Theatre
  2. Arthur Horowitz
  3. pp. 203-206
  4. DOI: 10.1353/tj.1999.0040
  5. restricted access
    • View HTML View
    contents
  1. Symphonie Fantastique
  2. Mary Fleischer
  3. pp. 208-210
  4. DOI: 10.1353/tj.1999.0044
  5. restricted access
    • View HTML View
    contents
  1. Rosita, the Spinster, or the Language of Flowers
  2. Catherine Diamond
  3. pp. 210-212
  4. DOI: 10.1353/tj.1999.0038
  5. restricted access
    • View HTML View
    contents
  1. The Mother of Us All
  2. Mary Louise Hill
  3. pp. 212-214
  4. DOI: 10.1353/tj.1999.0043
  5. restricted access
    • View HTML View
    contents
  1. The True History of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World
  2. Christine Mather
  3. pp. 215-216
  4. DOI: 10.1353/tj.1999.0041
  5. restricted access
    • View HTML View
    contents
  1. Not About Nightingales
  2. C. J. Gianakaris
  3. pp. 216-217
  4. DOI: 10.1353/tj.1999.0045
  5. restricted access
    • View HTML View
    contents
  1. Copenhagen
  2. Peter B. Young
  3. pp. 218-219
  4. DOI: 10.1353/tj.1999.0037
  5. restricted access
    • View HTML View
    contents
  1. Eclipsed
  2. Thomas Bruno
  3. pp. 219-221
  4. DOI: 10.1353/tj.1999.0035
  5. restricted access
    • View HTML View
    contents
  1. Unmaking Mimesis: Essays on Feminism and Theater
  2. Shannon Jackson
  3. pp. 223-224
  4. DOI: 10.1353/tj.1999.0026
  5. restricted access
    • View HTML View
    contents
  1. Strange Fruit: Plays on Lynching by American Women
  2. Eileen Cherry
  3. pp. 224-225
  4. DOI: 10.1353/tj.1999.0029
  5. restricted access
    • View HTML View
    contents
  1. Coming Up Roses: The Broadway Musical in the 1950s, and: Place for Us: Essay on the Broadway Musical
  2. Stacy Ellen Wolf
  3. pp. 225-227
  4. DOI: 10.1353/tj.1999.0028
  5. restricted access
    • View HTML View
    contents
  1. Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage
  2. William C. Boles
  3. pp. 227-228
  4. DOI: 10.1353/tj.1999.0025
  5. restricted access
    • View HTML View
    contents
  1. Sightlines: Race, Gender, and Nation in Contemporary Australian Theatre
  2. Katherine Newey
  3. pp. 228-229
  4. DOI: 10.1353/tj.1999.0027
  5. restricted access
    • View HTML View
    contents
  1. Comment
  2. Susan Bennett
  3. p. iv
  4. DOI: 10.1353/tj.1999.0047
  5. restricted access
    • View HTML View
    contents