1. Comment
  2. Loren Kruger
  3. DOI: 10.1353/tj.1998.0019
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Articles

  1. National Theatre as Colonized Theatre: The Paradox of Habima
  2. Gad Kaynar
  3. pp. 1-20
  4. DOI: 10.1353/tj.1998.0014
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  1. Blackface Nationalism, Cuba 1840-1868
  2. Jill Lane
  3. pp. 21-38
  4. DOI: 10.1353/tj.1998.0015
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  1. Barnumizing Diaspora: The "Irish Skylark" Does New Orleans
  2. Joseph R. Roach
  3. pp. 39-51
  4. DOI: 10.1353/tj.1998.0030
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  1. Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center
  2. Christopher B. Balme
  3. pp. 53-70
  4. DOI: 10.1353/tj.1998.0001
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  1. Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays
  2. Aparna Bhargava Dharwadker
  3. pp. 71-94
  4. DOI: 10.1353/tj.1998.0013
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Performance Reviews

  1. The Street of the Sun (review)
  2. David Román
  3. pp. 95-97
  4. DOI: 10.1353/tj.1998.0026
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  1. 13 Dias/13 Days: How the New Zapatistas Shook the World (review)
  2. Kim S. Conner
  3. pp. 97-98
  4. DOI: 10.1353/tj.1998.0023
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  1. Terra Incognita (review)
  2. Glenda Frank
  3. p. 98
  4. DOI: 10.1353/tj.1998.0020
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  1. Private Battle, and: Woyzeck (review)
  2. Susan Vaneta Mason
  3. pp. 100-101
  4. DOI: 10.1353/tj.1998.0025
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  1. Chap Am So: The Amistad Victory (review)
  2. Iyunolu Folayan Osagie
  3. pp. 101-103
  4. DOI: 10.1353/tj.1998.0028
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  1. Valley Song (review)
  2. Michael Reynolds
  3. pp. 103-105
  4. DOI: 10.1353/tj.1998.0021
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  1. Standard Bank National Arts Festival, Grahamstown, South Africa, 3-13 July 1997 (review)
  2. Megan Lewis
  3. pp. 105-107
  4. DOI: 10.1353/tj.1998.0018
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  1. Marche Des Arts Du Spectacle Africain (MASA 97) (review)
  2. Sharon Friedler
  3. pp. 108-110
  4. DOI: 10.1353/tj.1998.0016
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  1. Eighteenth International Days of Youth Theatre Festival (review)
  2. Sonja Kuftinec
  3. pp. 111-113
  4. DOI: 10.1353/tj.1998.0032
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  1. Job -- An Oratorio for Actors (review)
  2. Dennis C. Beck
  3. pp. 113-114
  4. DOI: 10.1353/tj.1998.0027
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  1. Metamorphosis (review)
  2. Catherine Diamond
  3. pp. 114-116
  4. DOI: 10.1353/tj.1998.0024
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  1. The Third International Gombrowicz Festival (review)
  2. Helena M. White
  3. pp. 116-121
  4. DOI: 10.1353/tj.1998.0022
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  1. Festival de Theatre des Ameriques/Festival of the Americas (review)
  2. Philippa Wehle
  3. pp. 121-125
  4. DOI: 10.1353/tj.1998.0017
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  1. The Kitchen (review)
  2. Francine Heather Conley
  3. pp. 125-127
  4. DOI: 10.1353/tj.1998.0031
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  1. How I Learned to Drive (review)
  2. Jill Dolan
  3. pp. 127-128
  4. DOI: 10.1353/tj.1998.0029
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Books Reviews

  1. Staging the Jew: The Performance of an American Ethnicity, 1860- 1920 (review)
  2. Robin Bernstein
  3. pp. 129-131
  4. DOI: 10.1353/tj.1998.0007
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  1. Cities of the Dead: Circum-Atlantic Performance (review)
  2. Nancy L. Bayer
  3. pp. 131-132
  4. DOI: 10.1353/tj.1998.0012
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  1. Split Britches: Lesbian Practice/Feminist Performance (review)
  2. Felicia Bender
  3. pp. 136-137
  4. DOI: 10.1353/tj.1998.0004
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  1. Contemporary Plays by Women of Color (review)
  2. Judith Michelle Williams
  3. pp. 138-139
  4. DOI: 10.1353/tj.1998.0011
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  1. Maria Irene Fornes and Her Critics, and: Fornes: Theater in the Present Tense (review)
  2. Beth M. Cleary
  3. pp. 140-141
  4. DOI: 10.1353/tj.1998.0009
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  1. Renaissance Drama by Women: Texts and Documents (review)
  2. Piero Garofalo
  3. pp. 141-142
  4. DOI: 10.1353/tj.1998.0005
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  1. Realism and the American Dramatic Tradition, and: Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism (review)
  2. James Fisher
  3. pp. 144-145
  4. DOI: 10.1353/tj.1998.0006
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  1. The Dramatic Art of David Storey: The Journey of a Playwright (review)
  2. Stephen Di Benedetto
  3. pp. 145-146
  4. DOI: 10.1353/tj.1998.0010
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  1. Books Received
  2. pp. 146-150
  3. DOI: 10.1353/tj.1998.0002
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