1. Anne Oldfield's Lady Townly: Consumption, Credit, and the Whig Hegemony of the 1720s
  2. James Peck
  3. pp. 397-416
  4. DOI: 10.1353/tj.1997.0090
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  1. Representing Forbidden Desire: Interracial Unions, Surrogacy, and Performance
  2. Diana Paulin
  3. pp. 417-439
  4. DOI: 10.1353/tj.1997.0105
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  1. Transferred Agencies: Performance and the Fear of Automatism
  2. Jane Goodall
  3. pp. 441-453
  4. DOI: 10.1353/tj.1997.0103
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  1. The Right to Bare: Containing and Encoding American Women in Popular Entertainments of the 1920s
  2. Angela J. Latham
  3. pp. 455-473
  4. DOI: 10.1353/tj.1997.0104
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  1. Nation, Class, and Ethnicities in Modern Dance of the 1930s
  2. Mark Franko
  3. pp. 475-491
  4. DOI: 10.1353/tj.1997.0102
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  1. "Never Gonna Be a Man/ Catch Me if You Can/ I Won't Grow Up": A Lesbian Account of Mary Martin as Peter Pan
  2. Stacy Ellen Wolf
  3. pp. 493-509
  4. DOI: 10.1353/tj.1997.0119
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  1. Hotel (review)
  2. Elaine Aston
  3. pp. 511-512
  4. DOI: 10.1353/tj.1997.0107
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  1. Orpheus and Eurydice (review)
  2. Byron Nelson
  3. pp. 513-514
  4. DOI: 10.1353/tj.1997.0110
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  1. Othello (review)
  2. Brian Kloppenberg
  3. pp. 514-516
  4. DOI: 10.1353/tj.1997.0112
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  1. Stuff (review)
  2. Rosemary Weatherston
  3. pp. 516-518
  4. DOI: 10.1353/tj.1997.0106
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  1. The American Chestnut (review)
  2. Meiling Cheng
  3. pp. 518-520
  4. DOI: 10.1353/tj.1997.0109
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  1. An American Daughter (review)
  2. Claudia Barnett
  3. pp. 520-521
  4. DOI: 10.1353/tj.1997.0118
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  1. The Fourth International Women Playwrights' Conference (review)
  2. Mary Trotter
  3. pp. 522-525
  4. DOI: 10.1353/tj.1997.0114
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  1. Rosnah, and: An Occasional Orchid, and: I'm Not Talking to My Mother & Other Stories (review)
  2. James S. Moy
  3. pp. 525-527
  4. DOI: 10.1353/tj.1997.0116
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  1. Remain Standing (review)
  2. Catherine Diamond
  3. pp. 527-529
  4. DOI: 10.1353/tj.1997.0108
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  1. Gross Indecency: The Three Trials of Oscar Wilde (review)
  2. William A. Cohen
  3. pp. 529-531
  4. DOI: 10.1353/tj.1997.0111
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  1. The Hairy Ape: A Comedy of Ancient and Modern Life in Eight Scenes (review)
  2. David Krasner
  3. pp. 531-532
  4. DOI: 10.1353/tj.1997.0113
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  1. Miss Julie (review)
  2. Rinda Frye
  3. pp. 532-534
  4. DOI: 10.1353/tj.1997.0117
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  1. La Moscheta (review)
  2. Maria G. Stampino
  3. pp. 534-536
  4. DOI: 10.1353/tj.1997.0115
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  1. Roofed Theaters of Classical Antiquity, and: Theater Design, and: Theater Technology (review)
  2. Marvin A. Carlson
  3. pp. 537-538
  4. DOI: 10.1353/tj.1997.0096
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  1. Performing Asian America: Race and Ethnicity on the Contemporary Stage (review)
  2. Angela Chia-yi Pao, John Rouse
  3. pp. 538-539
  4. DOI: 10.1353/tj.1997.0097
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  1. Crucibles of Crisis: Performing Social Change (review)
  2. Elizabeth Reitz Mullenix
  3. pp. 539-541
  4. DOI: 10.1353/tj.1997.0098
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  1. The Death of Character: Perspectives on Theater After Modernism (review)
  2. Rebecca Schneider
  3. pp. 541-543
  4. DOI: 10.1353/tj.1997.0094
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  1. The Explicit Body in Performance (review)
  2. Gabrielle H. Cody
  3. pp. 543-544
  4. DOI: 10.1353/tj.1997.0100
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  1. Avant Garde Theatre: 1892-1992, and: Twentieth Century Theatre: A Sourcebook (review)
  2. Mark Pizzato
  3. pp. 544-547
  4. DOI: 10.1353/tj.1997.0095
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  1. Anne Bogart: Viewpoints, and: Women Stage Directors Speak: Exploring the Influence of Gender on Their Work (review)
  2. Mary A. Donahoe
  3. pp. 547-548
  4. DOI: 10.1353/tj.1997.0092
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  1. Rencontres Avec Ariane Mnouchkine: Dresser Un Monument A L'Ephemere (review)
  2. Jane Baldwin
  3. p. 549
  4. DOI: 10.1353/tj.1997.0093
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  1. Shakespeare in China: A Comparative Study of Two Traditions and Cultures (review)
  2. Min Tian
  3. pp. 550-551
  4. DOI: 10.1353/tj.1997.0101
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  1. Kurt Weill: An Illustrated Life, and: Speak Low (When You Speak Love): The Letters of Kurt Weill and Lotte Lenya (review)
  2. Ralf Remshardt
  3. pp. 551-553
  4. DOI: 10.1353/tj.1997.0099
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  1. Comment
  2. John Rouse
  3. pp. iv-v
  4. DOI: 10.1353/tj.1997.0091
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