1. Staging Ethnography: John M. Synge's Playboy of the Western World and the Problem of Cultural Translation
  2. Gregory Castle
  3. pp. 265-286
  4. DOI: 10.1353/tj.1997.0060
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  1. National Identities in Performance: The Stage Englishman of Boucicault's Irish Drama
  2. Elizabeth Cullingford
  3. pp. 287-300
  4. DOI: 10.1353/tj.1997.0070
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  1. Learning 'to Speak the English Language': The Way of the World on the Twentieth-Century American Stage
  2. Deborah Kaplan
  3. pp. 301-321
  4. DOI: 10.1353/tj.1997.0071
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  1. Women at the Windows: Commedia dell'arte and Theatrical Practice in Early Modern Italy
  2. Jane Tylus
  3. pp. 323-342
  4. DOI: 10.1353/tj.1997.0072
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  1. V Festival of the Union of European Theatres (review)
  2. Anna Krajewska-Wieczorek
  3. pp. 343-346
  4. DOI: 10.1353/tj.1997.0082
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  1. The Golden Lion International Theatre Festival (review)
  2. Kazimierz Braun
  3. pp. 346-348
  4. DOI: 10.1353/tj.1997.0080
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  1. The Seven Streams of the River Ota (review)
  2. Scott T. Cummings
  3. pp. 348-352
  4. DOI: 10.1353/tj.1997.0081
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  1. After Sorrow (review)
  2. James Frieze
  3. pp. 352-354
  4. DOI: 10.1353/tj.1997.0077
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  1. Journey to the West (review)
  2. James Harbeck
  3. pp. 354-356
  4. DOI: 10.1353/tj.1997.0088
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  1. American Silents (review)
  2. Marvin A. Carlson
  3. pp. 356-357
  4. DOI: 10.1353/tj.1997.0073
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  1. The Medium (review)
  2. Attilio Favorini
  3. pp. 357-358
  4. DOI: 10.1353/tj.1997.0074
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  1. The Three Musketeers (review)
  2. Henrik Borgstrom
  3. p. 359
  4. DOI: 10.1353/tj.1997.0078
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  1. Juan Darien: A Carnival Mass (review)
  2. Beth M. Cleary
  3. pp. 360-361
  4. DOI: 10.1353/tj.1997.0086
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  1. The Trojan Women (review)
  2. Rosette C. Lamont
  3. pp. 361-363
  4. DOI: 10.1353/tj.1997.0084
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  1. 1969 Terminal 1996 (review)
  2. Gerald Rabkin
  3. pp. 363-365
  4. DOI: 10.1353/tj.1997.0087
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  1. Three Sisters (review)
  2. Rebecca Schneider
  3. pp. 365-367
  4. DOI: 10.1353/tj.1997.0076
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  1. Out on the Edge: 1996 Festival of Lesbian & Gay Theater (review)
  2. Susan McCully
  3. pp. 367-368
  4. DOI: 10.1353/tj.1997.0079
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  1. The Gay Detective, and: Mojo (review)
  2. Stuart Young
  3. pp. 368-371
  4. DOI: 10.1353/tj.1997.0085
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  1. Cowgirls (review)
  2. William Over
  3. pp. 371-373
  4. DOI: 10.1353/tj.1997.0083
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  1. The Mai (review)
  2. David Callaghan
  3. pp. 373-375
  4. DOI: 10.1353/tj.1997.0075
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  1. Performativity and Performance, and: Performance and Cultural Politics (review)
  2. Janelle G. Reinelt
  3. pp. 380-383
  4. DOI: 10.1353/tj.1997.0069
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  1. Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality (review)
  2. William Van Watson
  3. pp. 383-384
  4. DOI: 10.1353/tj.1997.0065
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  1. Shakespeare and Gender: A History, and: Shakespearean Tragedy and Gender (review)
  2. Wendy S. Roth
  3. pp. 386-388
  4. DOI: 10.1353/tj.1997.0062
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  1. Feminist Theatre and Theory (review)
  2. Janet E. Gardner
  3. pp. 388-389
  4. DOI: 10.1353/tj.1997.0068
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  1. Susan Glaspell: Essays on Her Theater and Fiction (review)
  2. Christine Dymkowski
  3. pp. 389-390
  4. DOI: 10.1353/tj.1997.0063
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  1. Modern Drama by Women, 1880s-1930s (review)
  2. Heidi Holder
  3. pp. 391-392
  4. DOI: 10.1353/tj.1997.0067
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  1. Vietnam Protest Theatre: The Television War on Stage (review)
  2. Maurya Wickstrom
  3. pp. 392-393
  4. DOI: 10.1353/tj.1997.0059
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  1. Comment
  3. pp. iv-v
  4. DOI: 10.1353/tj.1997.0089
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  1. Performance: A Critical Introduction, and: The Twentieth-Century Performance Reader (review)
  2. Shannon Jackson
  3. pp. 377-379
  4. DOI: 10.1353/tj.1997.0064
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  1. Post-Colonial Drama: Theory, Practice, Politics, and: An Introduction to Post-Colonial Theatre (review)
  2. Alan D. Filewod
  3. pp. 384-386
  4. DOI: 10.1353/tj.1997.0066
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  1. Books Received
  3. pp. 393-396
  4. DOI: 10.1353/tj.1997.0061
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