1. Staging America: The Subject of History in Chicano/a Theatre
  2. William B. Worthen
  3. pp. 101-120
  4. DOI: 10.1353/tj.1997.0058
  5. restricted access
    • View HTML View
    contents
  1. Gender Trouble in Twelfth Night
  2. Casey Charles
  3. pp. 121-141
  4. DOI: 10.1353/tj.1997.0037
  5. restricted access
    • View HTML View
    contents
  1. The Devil's House, "or worse": Transversal Power and Antitheatrical Discourse in Early Modern England
  2. Bryan Reynolds
  3. pp. 143-167
  4. DOI: 10.1353/tj.1997.0054
  5. restricted access
    • View HTML View
    contents
  1. Opera, Dispossession, and the Sublime: The Case of Armide
  2. Downing A. Thomas
  3. pp. 169-188
  4. DOI: 10.1353/tj.1997.0056
  5. restricted access
    • View HTML View
    contents
  1. "Shadow of a Mesmeriser": The Female Body on the "Dark" Stage
  2. W. D. King
  3. pp. 189-206
  4. DOI: 10.1353/tj.1997.0039
  5. restricted access
    • View HTML View
    contents
  1. Doctoral Projects in Progress in Theatre Arts, 1997
  2. Philip G. Hill
  3. pp. 207-211
  4. DOI: 10.1353/tj.1997.0038
  5. restricted access
    • View HTML View
    contents
  1. Kumhi's May (review)
  2. Susan C. Haedicke
  3. pp. 213-214
  4. DOI: 10.1353/tj.1997.0047
  5. restricted access
    • View HTML View
    contents
  1. Six of the Best (review)
  2. K. K. Seet
  3. pp. 214-216
  4. DOI: 10.1353/tj.1997.0051
  5. restricted access
    • View HTML View
    contents
  1. Improvisation Duo, and: Tohubohu! (review)
  2. Meiling Cheng
  3. pp. 216-220
  4. DOI: 10.1353/tj.1997.0046
  5. restricted access
    • View HTML View
    contents
  1. Rent, and: Bring in 'da Noise, Bring in 'da Funk (review)
  2. Rick Simas
  3. pp. 220-223
  4. DOI: 10.1353/tj.1997.0057
  5. restricted access
    • View HTML View
    contents
  1. Venus (review)
  2. Anne Davis Basting
  3. pp. 223-225
  4. DOI: 10.1353/tj.1997.0043
  5. restricted access
    • View HTML View
    contents
  1. Master Class (review)
  2. David Shengold
  3. pp. 225-227
  4. DOI: 10.1353/tj.1997.0044
  5. restricted access
    • View HTML View
    contents
  1. A Streetcar Named Desire (review)
  2. Linda Dorff
  3. pp. 227-228
  4. DOI: 10.1353/tj.1997.0052
  5. restricted access
    • View HTML View
    contents
  1. The Verge (review)
  2. Elaine Aston
  3. pp. 229-231
  4. DOI: 10.1353/tj.1997.0042
  5. restricted access
    • View HTML View
    contents
  1. The Sisters (review)
  2. Telory Williamson
  3. pp. 231-233
  4. DOI: 10.1353/tj.1997.0048
  5. restricted access
    • View HTML View
    contents
  1. Portia Coughlan, and: The Steward of Christendom (review)
  2. Joan Fitzpatrick Dean
  3. pp. 233-236
  4. DOI: 10.1353/tj.1997.0040
  5. restricted access
    • View HTML View
    contents
  1. The Designated Mourner (review)
  2. Robert G. Egan
  3. pp. 236-237
  4. DOI: 10.1353/tj.1997.0050
  5. restricted access
    • View HTML View
    contents
  1. The Beckett Festival (review)
  2. Bevya Rosten
  3. pp. 238-240
  4. DOI: 10.1353/tj.1997.0041
  5. restricted access
    • View HTML View
    contents
  1. The University of Victoria Beckett Festival (review)
  2. Kim S. Conner
  3. pp. 240-243
  4. DOI: 10.1353/tj.1997.0053
  5. restricted access
    • View HTML View
    contents
  1. Dom Juan, and: La Double Inconstance (review)
  2. David Pelizzari
  3. pp. 243-245
  4. DOI: 10.1353/tj.1997.0045
  5. restricted access
    • View HTML View
    contents
  1. Phaedra (review)
  2. Sam Abel
  3. pp. 245-246
  4. DOI: 10.1353/tj.1997.0049
  5. restricted access
    • View HTML View
    contents
  1. Choreographing History, and: Dancing Modernism/Performing Politics (review)
  2. Judith Sebesta Nickel
  3. pp. 247-249
  4. DOI: 10.1353/tj.1997.0031
  5. restricted access
    • View HTML View
    contents
  1. Feminist Theaters in the U.S.A.: Staging Women's Experience (review)
  2. Leah Lowe
  3. pp. 249-250
  4. DOI: 10.1353/tj.1997.0029
  5. restricted access
    • View HTML View
    contents
  1. The Edwardian Theatre: Essays on Performance and the Stage (review)
  2. John Hanners
  3. pp. 251-252
  4. DOI: 10.1353/tj.1997.0028
  5. restricted access
    • View HTML View
    contents
  1. Book Revew: The Dawning of American Drama: American Dramatic Criticism, 1746- 1915
  2. John Russell Poole
  3. pp. 252-253
  4. DOI: 10.1353/tj.1997.0036
  5. restricted access
    • View HTML View
    contents
  1. Essays on Modern Quebec Theater (review)
  2. Don Perkins
  3. pp. 253-254
  4. DOI: 10.1353/tj.1997.0030
  5. restricted access
    • View HTML View
    contents
  1. British Realist Theatre: The New Wave in its Context 1956- 1965 (review)
  2. Melissa Gibson
  3. pp. 256-257
  4. DOI: 10.1353/tj.1997.0034
  5. restricted access
    • View HTML View
    contents
  1. The Purpose of Playing, and: Materialist Shakespeare (review)
  2. Gillian Murray Kendall
  3. pp. 258-260
  4. DOI: 10.1353/tj.1997.0035
  5. restricted access
    • View HTML View
    contents
  1. Titus Andronicus: Critical Essays (review)
  2. Maarten Reilingh, Jaquelyne W. Walsh
  3. pp. 260-262
  4. DOI: 10.1353/tj.1997.0033
  5. restricted access
    • View HTML View
    contents
  1. Scriptwork: A Director's Approach to New Play Development (review)
  2. Julie Bleha
  3. pp. 262-263
  4. DOI: 10.1353/tj.1997.0032
  5. restricted access
    • View HTML View
    contents
  1. Comment
  2. John Rouse
  3. pp. ii-iii
  4. DOI: 10.1353/tj.1997.0055
  5. restricted access
    • View HTML View
    contents