1. The Lost Workers: Process, Performance, and the Archive
  2. Peter Holland
  3. pp. 7-18
  4. DOI: 10.1353/shb.0.0138
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  1. The Ordering of Things: Allure, Access, and Archives
  2. Kate Dorney
  3. pp. 19-36
  4. DOI: 10.1353/shb.0.0142
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  1. “Find Direction Out”: In the Archives of Hamlet
  2. Tom Cornford
  3. pp. 37-53
  4. DOI: 10.1353/shb.0.0146
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  1. A Choice of Programs
  2. Robert Shaughnessy
  3. pp. 55-75
  4. DOI: 10.1353/shb.0.0150
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  1. Being Good: Actors’ Testimonies as Archive and the Cultural Construction of Success in Performance
  2. Bridget Escolme
  3. pp. 77-91
  4. DOI: 10.1353/shb.0.0153
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  1. “My Travail’s History”: Perspectives on the Roads to Othello, Stratford-upon-Avon 1959
  2. Tony Howard
  3. pp. 93-110
  4. DOI: 10.1353/shb.0.0132
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  1. Unpinning Desdemona (Again) or “Who would be toll’d with Wenches in a shew?”
  2. Carol Chillington Rutter
  3. pp. 111-132
  4. DOI: 10.1353/shb.0.0136
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  1. Troilus and Cressida (review)
  2. Paul Prescott
  3. pp. 133-137
  4. DOI: 10.1353/shb.0.0151
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  1. Romeo and Juliet (review)
  2. Todd M. Lidh
  3. pp. 137-140
  4. DOI: 10.1353/shb.0.0135
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  1. As You Like It (review)
  2. William Henry Spates
  3. pp. 140-144
  4. DOI: 10.1353/shb.0.0141
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  1. As You Like It (review)
  2. Carolyn Sale
  3. pp. 145-150
  4. DOI: 10.1353/shb.0.0137
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  1. The Merry Wives of Windsor, and: The Merry Wives of Windsor (review)
  2. Arnold Preussner
  3. pp. 150-155
  4. DOI: 10.1353/shb.0.0154
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  1. The Comedy of Errors, and: Othello (review)
  2. James N. Ortego II
  3. pp. 155-161
  4. DOI: 10.1353/shb.0.0147
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  1. Othello (review)
  2. Terry Reilly
  3. pp. 161-164
  4. DOI: 10.1353/shb.0.0133
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  1. Henry V (review)
  2. Amy M. Green
  3. pp. 164-167
  4. DOI: 10.1353/shb.0.0152
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  1. Much Ado About Nothing (review)
  2. Jason E. Cohen
  3. pp. 168-172
  4. DOI: 10.1353/shb.0.0144
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  1. A Midsummer Night’s Dream (review)
  2. Emily Bryan
  3. pp. 172-175
  4. DOI: 10.1353/shb.0.0140
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  1. A Midsummer Night’s Dream (review)
  2. John King
  3. pp. 175-180
  4. DOI: 10.1353/shb.0.0131
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  1. Twelfth Night (review)
  2. Adrienne L. Eastwood
  3. pp. 180-185
  4. DOI: 10.1353/shb.0.0148
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  1. The Alchemist (review)
  2. James Loehlin
  3. pp. 185-188
  4. DOI: 10.1353/shb.0.0143
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  1. Shakespeare and Chinese Performance at the Folger Shakespeare Library
  2. Erika T. Lin
  3. pp. 188-191
  4. DOI: 10.1353/shb.0.0139
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  1. Shakespeare and The Problem of Adaptation (review)
  2. Robert Ormsby
  3. pp. 193-197
  4. DOI: 10.1353/shb.0.0145
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  1. Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance (review)
  2. W. Reginald Rampone Jr.
  3. pp. 197-200
  4. DOI: 10.1353/shb.0.0149
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  1. Introduction
  2. Carol Chillington Rutter
  3. pp. 1-5
  4. DOI: 10.1353/shb.0.0134
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