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In this Issue

Table of Contents

Editorial

  1. A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?
  2. Jack Ox
  3. p. 2
  4. restricted access

After Midnight

  1. Space-Run Artists: Cultural Activism in Contemporary Barcelona
  2. Jeffrey Swartz
  3. pp. 6-7
  4. restricted access

Leonardo Gallery

  1. The Leonardo/ISAST Student Art Contest
  2. Tami I. Spector
  3. pp. 8-9
  4. restricted access
  1. Circadian Capital
  2. Margarita Benitez, Markus Vogl
  3. p. 10
  4. restricted access
  1. Telematic Drum Circle
  2. Byeong Sam Jeon
  3. p. 11
  4. restricted access
  1. Open Space 2.0
  2. Hung-Lin Hsu, Cheng-I Tsai
  3. p. 12
  4. restricted access
  1. Oberhausen Requiem
  2. Hiroki Nishino
  3. p. 13
  4. restricted access
  1. A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields
  2. Cheth Rowe
  3. p. 14
  4. restricted access
  1. Afterimage—Mind Frame
  2. Jaewook Shin
  3. p. 15
  4. restricted access
  1. Where Are You?
  2. Michiko Tsuda
  3. p. 16
  4. restricted access

Color Plates

  1. Color Plates
  2. pp. 17-24
  3. restricted access

Articles

  1. From Router to Front Row: Lubricious Transfer and the Aesthetics of Telematic Performance
  2. Bob Giges, Edward C. Warburton
  3. pp. 25-32
  4. restricted access
  1. Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck’s Albergati Portrait
  2. Marco F. Duarte, David G. Stork
  3. pp. 43-50
  4. restricted access
  1. Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History
  2. Carolyn L. Kane
  3. pp. 53-58
  4. restricted access

Special Section: ArtScience: The Essential Connection

  1. Similarities and Contrasts in the Creative Processes of the Sciences and the Arts
  2. Roger Guillemin
  3. pp. 59-62
  4. restricted access

Special Section: Leonardo Celebrates Leonardo da Vinci

  1. “On the Hand from Within”: Palms, Selfhood and Generation in Leonardo’s Anatomical Project
  2. Lea Dovev
  3. pp. 63-69
  4. restricted access

Leonardo Reviews

  1. Continental Rifts: Contemporary Time-Based Works of Africa (review)
  2. Aparna Sharma
  3. pp. 71-72
  4. restricted access
  1. Between Madness and Art: The Prinzhorn Collection (review)
  2. Boris Jardine
  3. p. 72
  4. restricted access
  1. Mechanical Love (review)
  2. Martha Blassnigg
  3. pp. 73-74
  4. restricted access
  1. Afghan Muscles (review)
  2. Jonathan Zilberg
  3. p. 74
  4. restricted access
  1. Weather by the Numbers: The Genesis of Modern Meteorology (review)
  2. Jennifer Ferng
  3. pp. 75-76
  4. restricted access
  1. Systematics as Cyberscience: Computers, Change, and Continuity in Science (review)
  2. Amy Ione
  3. pp. 76-77
  4. restricted access
  1. On Landscapes (review)
  2. Mike Leggett
  3. pp. 77-78
  4. restricted access
  1. The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI (review)
  2. Jussi Parikka
  3. pp. 78-79
  4. restricted access
  1. I Am a Monument: On Learning from Las Vegas (review)
  2. Chris Speed
  3. pp. 79-80
  4. restricted access
  1. TV by Design: Modern Art and the Rise of Network Television (review)
  2. Jan Baetens
  3. pp. 80-81
  4. restricted access
  1. New Media in the White Cube and Beyond: Curatorial Models for Digital Art (review)
  2. Helen Levin
  3. pp. 81-82
  4. restricted access
  1. Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America (review)
  2. Anthony Enns
  3. pp. 82-83
  4. restricted access
  1. Inventing Marcel Duchamp: The Dynamics of Portraiture (review)
  2. Kieran Lyons
  3. pp. 83-84
  4. restricted access
  1. Leonardo Reviews On-Line
  2. p. 84
  3. restricted access
  1. Erratum
  2. p. 85
  3. restricted access
  1. Transactions
  2. Ernest Edmonds
  3. p. 87
  4. restricted access

Transactions

  1. Computational Aesthetics as a Negotiated Boundary
  2. Alan F. Blackwell, Neil A. Dodgson
  3. pp. 88-89
  4. restricted access
  1. Riders Have Spoken: Replaying and Archiving Pervasive Performances
  2. Alan Chamberlain, Duncan Rowland, Jonathan Foster, Gabriella Giannachi
  3. pp. 90-91
  4. restricted access
  1. What’s up Prof?: Current Issues in the Visual Effects & Post-Production Industry
  2. Neil Dodgson, John Patterson, Phil Willis
  3. pp. 92-93
  4. restricted access
  1. We Don’t Do Google, We Do Massive Attacks: Notes on Creative R&D Collaborations
  2. Jonathan Foster, Angela Lin, Ernest Edmonds
  3. pp. 94-95
  4. restricted access
  1. Rethinking Business Models as Value Creating Systems
  2. Ted Fuller, Lorraine Warren, Sarah Thelwall, Fizza Alamdar, David Rae
  3. pp. 96-97
  4. restricted access
  1. Creative Assemblages: Organisation and Outputs of Practice-Led Research
  2. Alex Wilkie, William Gaver, Drew Hemment, Gabriella Giannachi
  3. pp. 98-99
  4. restricted access

Leonardo Network News

  1. Leonardo Network News
  2. pp. 100-101
  3. restricted access