1. The Stakes of Stephen's Gambit in "Scylla and Charybdis"
  2. Margot Norris
  3. pp. 1-33
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  1. Not Quite Honest: Samuel Roth's "Unauthorized" Ulysses and the 1927 International Protest
  2. Jay A. Gertzman
  3. pp. 34-66
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  1. The Metamorphoses of Ulysses
  2. Ariela Freedman
  3. pp. 67-88
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  1. Greekly Imperfect: The Homeric Origins of Joyce's "Nausicaa"
  2. Cynthia Hornbeck
  3. pp. 89-108
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  1. Translating the Gap: The Hungarian and Romanian "Fillings-in" of Bloom's "I. AM. A. " in "Nausicaa"
  2. Erika Mihálycsa
  3. pp. 109-124
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  1. "Ruby pride of the on the floor naked": Fetishizing the Circus Girl in Joyce's Ulysses
  2. Jennifer Burns Levin
  3. pp. 125-158
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  1. Attempting to Teach Finnegans Wake: Reading Strategies and Interpretive Arguments for Newcomers
  2. Kimberly J. Devlin
  3. pp. 159-187
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  1. Collideorscape: Finnegans Wake in the Large and in the Small
  2. Philip Kitcher
  3. pp. 188-211
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  1. "Knock knock. War's where!": History, Macbeth, and Finnegans Wake
  2. Vike Martina Plock
  3. pp. 212-223
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  1. The Second Gospel in Finnegans Wake
  2. Roy Benjamin
  3. pp. 224-247
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  1. "Pseudostylic Shamiana": James Joyce and James Clarence Mangan
  2. Aingeal Clare
  3. pp. 248-265
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  1. The Deification of Corley in "Two Gallants": Reinventing the Neurotic Self
  2. Frank Kerins
  3. pp. 266-276
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  1. "Who is G. C.?": Misprizing Gabriel Conroy in Joyce's "The Dead"
  2. Melissa Free
  3. pp. 277-303
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  1. Preface
  2. Philip Sicker, Moshe Gold
  3. pp. ix-xiii
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  1. Contributors
  2. pp. 305-307
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