In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
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University of Illinois Pressviewing issue
Volume 27, Number 4, Winter 2009Table of Contents
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View Experimental Music around 1950 and Some Consequences and Causes (Social-Political and Musical)
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Experimental Music around 1950 and Some Consequences and Causes (Social-Political and Musical)
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| ISSN | 1945-2349 |
|---|---|
| Print ISSN | 0734-4392 |
| Launched on MUSE | 2010-02-26 |
| Open Access | No |
Copyright
Copyright © 2009 Board of Trustees of the University of Illinois




