1. Up Front
  2. Erika Munk, Tom Sellar
  3. pp. 1-3
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  1. The Threepenny Songs: Cabaret and the Lyrical Gestus
  2. Peter Wigglesworth Ferran
  3. pp. 5-21
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  1. Royal Palace : A Translator's Note
  2. Jonathan Eaton
  3. pp. 23-25
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  1. Royal Palace
  2. Kurt Weill, Yvan Goll, Jonathan Eaton
  3. pp. 27-31
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  1. Die Burgschaft [The Pledge]: An Opera in Three Acts
  2. Kurt Weill, Caspar Neher, Jonathan Eaton
  3. pp. 37-61
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  1. Die Burgschaft, or "Brecht ohne Brecht"
  2. Michael Evenden
  3. pp. 63-75
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  1. Kurt Weill's American Dreams
  2. Kim H. Kowalke
  3. pp. 76-81
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  1. The Eternal Road and Kurt Weill's German, Jewish, and American Identity
  2. Kim H. Kowalke, Jurgen Schebera, Christian Kuhnt, Alexander L. Ringer
  3. pp. 83-95
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  1. Either a German or a Jew: The German Reception of Kurt Weill's Der Weg der Verheissung
  2. Tamara Levitz
  3. pp. 97-105
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  1. From Myth to Monograph: Weill Scholarship, Fifty Years After
  2. Bruce D. McClung
  3. pp. 107-117
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  1. Endless Moan: The Eternal Road at the Brooklyn Academy of Music
  2. Gordon Rogoff
  3. pp. 119-123
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  1. The Last Piece of the Puzzle
  2. Catherine Sheehy
  3. pp. 124-126
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  1. Theorizing the "Unmanageable"
  2. Elinor Fuchs
  3. pp. 127-128
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  1. Space Wars
  2. Joseph R. Roach
  3. pp. 128-131
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  1. A Pragmatist's Tour of the Greek Theater
  2. Andrew Szegedy-Maszak
  3. pp. 131-133
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  1. Contributors
  2. pp. ii-iv
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  1. On Die Burgschaft: Director's Notes
  2. Jonathan Eaton
  3. pp. 33-35
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