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In this Issue

Table of Contents

  1. Editorial
  2. Drake Stutesman
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/frm.0.0029
  5. restricted access
  1. Edward Said's Nazareth
  2. Susan Slyomovics
  3. pp. 9-45
  4. DOI: https://doi.org/10.1353/frm.0.0034
  5. restricted access

Dossier: Reenactment in Contemporary Documentary Film, Video, and Performance
What Now?
Guest Editor: Jonathan Kahana

  1. Introduction: What Now? Presenting Reenactment
  2. Jonathan Kahana
  3. pp. 46-60
  4. DOI: https://doi.org/10.1353/frm.0.0030
  5. restricted access
  1. Re-staging Two Laws: An Interview with Alessandro Cavadini and Carolyn Strachan
  2. Jonathan Kahana
  3. pp. 61-81
  4. DOI: https://doi.org/10.1353/frm.0.0052
  5. restricted access
  1. The Black Holes of History: Raoul Peck's Two Lumumbas
  2. Christopher Pavsek
  3. pp. 82-94
  4. DOI: https://doi.org/10.1353/frm.0.0036
  5. restricted access
  1. Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh's S-21: The Khmer Rouge Killing Machine
  2. Deirdre Boyle
  3. pp. 95-106
  4. DOI: https://doi.org/10.1353/frm.0.0049
  5. restricted access
  1. The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe's The Third Memory
  2. Ruth Erickson
  3. pp. 107-124
  4. DOI: https://doi.org/10.1353/frm.0.0047
  5. restricted access
  1. Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1 (2005), A Room of One's Own (2005), and Operation Atropos (2006)
  2. Karen Beckman
  3. pp. 125-138
  4. DOI: https://doi.org/10.1353/frm.0.0053
  5. restricted access
  1. New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project" and the Politics of Reenactment
  2. Paige Sarlin
  3. pp. 139-157
  4. DOI: https://doi.org/10.1353/frm.0.0042
  5. restricted access
  1. Women, Trauma, and Late Modernity: Sontag, Duras, and Silence in Cinema, 1960–1980
  2. E. Ann Kaplan
  3. pp. 158-174
  4. DOI: https://doi.org/10.1353/frm.0.0048
  5. restricted access

Dossier: Cinephilia
What Is Being Fought for by Today's Cinephilia(s)?
Guest Editors: Jonathan Buchsbaum and Elena Gorfinkel

  1. Introduction
  2. Jonathan Buchsbaum, Elena Gorfinkel
  3. pp. 176-180
  4. DOI: https://doi.org/10.1353/frm.0.0041
  5. restricted access
  1. Reply to Cinephilia Survey
  2. Jonathan Rosenbaum
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/frm.0.0028
  5. restricted access
  1. "They are like black lakes troubled by fantastic moons"
  2. Ken Eisenstein
  3. pp. 183-189
  4. DOI: https://doi.org/10.1353/frm.0.0051
  5. restricted access
  1. Some Reflections on the Cinephilia Question
  2. Laura Mulvey
  3. pp. 190-193
  4. DOI: https://doi.org/10.1353/frm.0.0040
  5. restricted access
  1. Cinephilia and the Imagination of Filmmaking
  2. Chris Fujiwara
  3. pp. 194-196
  4. DOI: https://doi.org/10.1353/frm.0.0043
  5. restricted access
  1. For an Insubordinate (or Rebellious) History of Cinema
  2. Nicole Brenez
  3. pp. 197-201
  4. DOI: https://doi.org/10.1353/frm.0.0045
  5. restricted access
  1. Philistines and Cinephiles: The New Deal
  2. Laurent Jullier
  3. pp. 202-205
  4. DOI: https://doi.org/10.1353/frm.0.0035
  5. restricted access
  1. Everyone I Know Is Stayin' Home: The New Cinephilia
  2. James Quandt
  3. pp. 206-209
  4. DOI: https://doi.org/10.1353/frm.0.0032
  5. restricted access
  1. On the Political Challenges of the Cinephile Today
  2. Zachary Campbell
  3. pp. 210-213
  4. DOI: https://doi.org/10.1353/frm.0.0037
  5. restricted access
  1. Cinematic Promiscuity: Cinephilia after Videophilia
  2. Lucas Hilderbrand
  3. pp. 214-217
  4. DOI: https://doi.org/10.1353/frm.0.0039
  5. restricted access
  1. What Is Being Fought For by Today's Cinephilia(s)?
  2. Girish Shambu
  3. pp. 218-220
  4. DOI: https://doi.org/10.1353/frm.0.0038
  5. restricted access
  1. Cinephilia as War Machine
  2. Adrian Martin
  3. pp. 221-225
  4. DOI: https://doi.org/10.1353/frm.0.0044
  5. restricted access
  1. Regarding Cinephilia and Africa
  2. Aboubakar Sanogo
  3. pp. 226-228
  4. DOI: https://doi.org/10.1353/frm.0.0046
  5. restricted access
  1. "Writing on the Screen": An Interview with Emmanuel Burdeau
  2. Dudley Andrew, Mary Anne Lewis
  3. pp. 229-234
  4. DOI: https://doi.org/10.1353/frm.0.0031
  5. restricted access
  1. What Women Want: The Complex World of Dorothy Arzner and Her Cinematic Women
  2. Donna R. Casella
  3. pp. 235-270
  4. DOI: https://doi.org/10.1353/frm.0.0033
  5. restricted access

Reviews

  1. Crossing Cultures
  2. Joanna Rydzewska
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/frm.0.0050
  5. restricted access