In this Issue

Table of Contents

Editorial

Drake Stutesman
pp. 5-7
DOI: https://doi.org/10.1353/frm.0.0029
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Edward Said's Nazareth

Susan Slyomovics
pp. 9-45
DOI: https://doi.org/10.1353/frm.0.0034
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Re-staging Two Laws: An Interview with Alessandro Cavadini and Carolyn Strachan

Jonathan Kahana
pp. 61-81
DOI: https://doi.org/10.1353/frm.0.0052
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The Black Holes of History: Raoul Peck's Two Lumumbas

Christopher Pavsek
pp. 82-94
DOI: https://doi.org/10.1353/frm.0.0036
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Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh's S-21: The Khmer Rouge Killing Machine

Deirdre Boyle
pp. 95-106
DOI: https://doi.org/10.1353/frm.0.0049
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The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe's The Third Memory

Ruth Erickson
pp. 107-124
DOI: https://doi.org/10.1353/frm.0.0047
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Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1 (2005), A Room of One's Own (2005), and Operation Atropos (2006)

Karen Beckman
pp. 125-138
DOI: https://doi.org/10.1353/frm.0.0053
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New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project" and the Politics of Reenactment

Paige Sarlin
pp. 139-157
DOI: https://doi.org/10.1353/frm.0.0042
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Women, Trauma, and Late Modernity: Sontag, Duras, and Silence in Cinema, 1960–1980

E. Ann Kaplan
pp. 158-174
DOI: https://doi.org/10.1353/frm.0.0048
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Reply to Cinephilia Survey

Jonathan Rosenbaum
pp. 181-182
DOI: https://doi.org/10.1353/frm.0.0028
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"They are like black lakes troubled by fantastic moons"

Ken Eisenstein
pp. 183-189
DOI: https://doi.org/10.1353/frm.0.0051
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Some Reflections on the Cinephilia Question

Laura Mulvey
pp. 190-193
DOI: https://doi.org/10.1353/frm.0.0040
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Cinephilia and the Imagination of Filmmaking

Chris Fujiwara
pp. 194-196
DOI: https://doi.org/10.1353/frm.0.0043
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For an Insubordinate (or Rebellious) History of Cinema

Nicole Brenez
pp. 197-201
DOI: https://doi.org/10.1353/frm.0.0045
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Philistines and Cinephiles: The New Deal

Laurent Jullier
pp. 202-205
DOI: https://doi.org/10.1353/frm.0.0035
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Everyone I Know Is Stayin' Home: The New Cinephilia

James Quandt
pp. 206-209
DOI: https://doi.org/10.1353/frm.0.0032
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On the Political Challenges of the Cinephile Today

Zachary Campbell
pp. 210-213
DOI: https://doi.org/10.1353/frm.0.0037
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Cinematic Promiscuity: Cinephilia after Videophilia

Lucas Hilderbrand
pp. 214-217
DOI: https://doi.org/10.1353/frm.0.0039
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What Is Being Fought For by Today's Cinephilia(s)?

Girish Shambu
pp. 218-220
DOI: https://doi.org/10.1353/frm.0.0038
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Cinephilia as War Machine

Adrian Martin
pp. 221-225
DOI: https://doi.org/10.1353/frm.0.0044
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Regarding Cinephilia and Africa

Aboubakar Sanogo
pp. 226-228
DOI: https://doi.org/10.1353/frm.0.0046
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"Writing on the Screen": An Interview with Emmanuel Burdeau

Dudley Andrew, Mary Anne Lewis
pp. 229-234
DOI: https://doi.org/10.1353/frm.0.0031
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What Women Want: The Complex World of Dorothy Arzner and Her Cinematic Women

Donna R. Casella
pp. 235-270
DOI: https://doi.org/10.1353/frm.0.0033
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Crossing Cultures

Joanna Rydzewska
pp. 271-273
DOI: https://doi.org/10.1353/frm.0.0050
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Introduction: What Now? Presenting Reenactment

Jonathan Kahana
pp. 46-60
DOI: https://doi.org/10.1353/frm.0.0030
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Introduction

Jonathan Buchsbaum, Elena Gorfinkel
pp. 176-180
DOI: https://doi.org/10.1353/frm.0.0041
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