In this Issue

Table of Contents

Editor's Introduction: Alternative Modernity

Paula Marantz Cohen
p. v
DOI: https://doi.org/10.2979/jml.2009.33.1.v
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Call for Papers: Modernism in 1911

p. v
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"Green by this Time Tomorrow!": Knut Hamsun's Alternative Modernity

Peter Mortensen
pp. 1-27
DOI: https://doi.org/10.2979/jml.2009.33.1.1
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The Uses of Authenticity: Hemingway and the Literary Field, 1926–1936

Timo Müller
pp. 28-42
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The History of Love, the Contemporary Reader, and the Transmission of Holocaust Memory

Jessica Lang
pp. 43-56
DOI: https://doi.org/10.2979/jml.2009.33.1.43
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Maps of the World in Its Becoming: Post-Apocalyptic Naming in Cormac McCarthy's The Road

Ashley Kunsa
pp. 57-74
DOI: https://doi.org/10.2979/jml.2009.33.1.57
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Bottomless Surfaces: Saul Bellow's "Refreshed Phrenology"

James Clements
pp. 75-91
DOI: https://doi.org/10.2979/jml.2009.33.1.75
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Seductive Lines: The Use of Horizontal Bars by Josipovici and Coetzee, and the Art of Seduction

Eric Paul Meljac
pp. 92-101
DOI: https://doi.org/10.2979/jml.2009.33.1.92
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Blind Noise and Deaf Visions: Henry Green's Caught, Synaesthesia and the Blitz

Rex Ferguson
pp. 102-116
DOI: https://doi.org/10.2979/jml.2009.33.1.102
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Disturbing the Silence: Sound Imagery in Conrad's The Secret Agent

Deborah McLeod
pp. 117-131
DOI: https://doi.org/10.2979/jml.2009.33.1.117
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Developing an Ear for the Modernist Novel: Virginia Woolf, Dorothy Richardson and James Joyce

Angela Frattarola
pp. 132-153
DOI: https://doi.org/10.2979/jml.2009.33.1.132
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The Lyric's Shifting Voices

Sarah Kerman
pp. 154-158
DOI: https://doi.org/10.2979/jml.2009.33.1.154
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Snapshots of the Impossible: The Image as Critique

Lucas Wood
pp. 159-163
DOI: https://doi.org/10.2979/jml.2009.33.1.159
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The Politics and Aesthetics of Disability: A Review of Michael Davidson's Concerto for the Left Hand: Disability and the Defamiliar Body

Andrew Gaedtke
pp. 164-170
DOI: https://doi.org/10.2979/jml.2009.33.1.164
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Notes on Contributors

pp. 171-173
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