+ MUSE Alert

In this Issue

Table of Contents

  1. "Green by this Time Tomorrow!": Knut Hamsun's Alternative Modernity
  2. Peter Mortensen
  3. pp. 1-27
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.1
  5. restricted access
  1. The Uses of Authenticity: Hemingway and the Literary Field, 1926–1936
  2. Timo Müller
  3. pp. 28-42
  4. restricted access
  1. The History of Love, the Contemporary Reader, and the Transmission of Holocaust Memory
  2. Jessica Lang
  3. pp. 43-56
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.43
  5. restricted access
  1. Maps of the World in Its Becoming: Post-Apocalyptic Naming in Cormac McCarthy's The Road
  2. Ashley Kunsa
  3. pp. 57-74
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.57
  5. restricted access
  1. Bottomless Surfaces: Saul Bellow's "Refreshed Phrenology"
  2. James Clements
  3. pp. 75-91
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.75
  5. restricted access
  1. Seductive Lines: The Use of Horizontal Bars by Josipovici and Coetzee, and the Art of Seduction
  2. Eric Paul Meljac
  3. pp. 92-101
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.92
  5. restricted access
  1. Blind Noise and Deaf Visions: Henry Green's Caught, Synaesthesia and the Blitz
  2. Rex Ferguson
  3. pp. 102-116
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.102
  5. restricted access
  1. Disturbing the Silence: Sound Imagery in Conrad's The Secret Agent
  2. Deborah McLeod
  3. pp. 117-131
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.117
  5. restricted access
  1. Developing an Ear for the Modernist Novel: Virginia Woolf, Dorothy Richardson and James Joyce
  2. Angela Frattarola
  3. pp. 132-153
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.132
  5. restricted access
  1. The Lyric's Shifting Voices
  2. Sarah Kerman
  3. pp. 154-158
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.154
  5. restricted access
  1. Snapshots of the Impossible: The Image as Critique
  2. Lucas Wood
  3. pp. 159-163
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.159
  5. restricted access
  1. The Politics and Aesthetics of Disability: A Review of Michael Davidson's Concerto for the Left Hand: Disability and the Defamiliar Body
  2. Andrew Gaedtke
  3. pp. 164-170
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.164
  5. restricted access
  1. Editor's Introduction: Alternative Modernity
  2. Paula Marantz Cohen
  3. p. v
  4. DOI: https://doi.org/10.2979/jml.2009.33.1.v
  5. restricted access
  1. Call for Papers: Modernism in 1911
  3. p. v
  4. restricted access
  1. Notes on Contributors
  3. pp. 171-173
  4. restricted access