1. Editorial
  2. Anahid Kassabian, Ian Gardiner
  3. p. 157
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  1. Leaving Kazimierz: Comedy and realism in the Yiddish film musical Yidl mitn Fidl
  2. Joshua S. Walden
  3. pp. 159-193
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  1. Med Hondo’s Sarraounia: The musical articulation of cultural transformation
  2. Alexander Fisher
  3. pp. 195-213
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  1. Above and Beyond or Betwixt and Between?
  2. Nicholas Reyland
  3. pp. 215-235
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  1. The Gendered Score: Music in 1940s Melodrama and the Woman’s Film (review)
  2. Jill Halstead
  3. pp. 237-242
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  1. La comunicazione multimediale e la musica: Presupposti teorici e proposte analitiche (review)
  2. Emanuele D’Onofrio
  3. pp. 243-248
  4. DOI: 10.1353/msm.0.0070
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  1. Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda (review)
  2. Richard Taylor
  3. pp. 249-253
  4. DOI: 10.1353/msm.0.0071
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  1. British Film Music and Film Musicals, and: The British Musical Film (review)
  2. Steve Chibnall
  3. pp. 255-259
  4. DOI: 10.1353/msm.0.0064
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  1. The Opera Singer and the Silent Film, and: Carmen on Film: A Cultural History (review)
  2. Richard Fawkes
  3. pp. 261-265
  4. DOI: 10.1353/msm.0.0069
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  1. Index to Volume 3
  2. p. 268
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  1. Contributors to issue 3:2
  2. pp. 266-267
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