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In this Issue

Table of Contents

  1. The Questionable Past
  2. Speer Morgan
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/mis.0.0187
  5. restricted access
  1. Images
  3. pp. 9-189
  4. DOI: https://doi.org/10.1353/mis.0.0190
  5. restricted access
  1. Television Days
  2. Andrew D. Cohen
  3. pp. 10-24
  4. DOI: https://doi.org/10.1353/mis.0.0173
  5. restricted access
  1. From Dream Poems for Lisa, in Distance: Dream Poem 1, and: Dream Poem 3, and: Dream Poem 4, and: Dream Poem 6, and: Dream Poem 7, and: Dream Poem 10
  2. Richard Bausch
  3. p. 25
  4. DOI: https://doi.org/10.1353/mis.0.0176
  5. restricted access
  1. Dream Poem 1
  2. Richard Bausch
  3. p. 26
  4. DOI: https://doi.org/10.1353/mis.0.0196
  5. restricted access
  1. Dream Poem 3
  2. Richard Bausch
  3. p. 27
  4. DOI: https://doi.org/10.1353/mis.0.0199
  5. restricted access
  1. Dream Poem 4
  2. Richard Bausch
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/mis.0.0201
  5. restricted access
  1. Dream Poem 6
  2. Richard Bausch
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/mis.0.0203
  5. restricted access
  1. Dream Poem 7
  2. Richard Bausch
  3. pp. 32-34
  4. DOI: https://doi.org/10.1353/mis.0.0205
  5. restricted access
  1. Dream Poem 10
  2. Richard Bausch
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/mis.0.0193
  5. restricted access
  1. The Way I Saw the World Then
  2. Elise Juska
  3. pp. 38-54
  4. DOI: https://doi.org/10.1353/mis.0.0182
  5. restricted access
  1. Pardon and Amnesty, and: Provinces, and: The Hills, Beautiful Hills
  2. Daniel Anderson
  3. pp. 55-62
  4. DOI: https://doi.org/10.1353/mis.0.0185
  5. restricted access
  1. Pardon and Amnesty
  2. Daniel Anderson
  3. pp. 56-57
  4. DOI: https://doi.org/10.1353/mis.0.0195
  5. restricted access
  1. Provinces
  2. Daniel Anderson
  3. pp. 58-59
  4. DOI: https://doi.org/10.1353/mis.0.0198
  5. restricted access
  1. The Hills, Beautiful Hills
  2. Daniel Anderson
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/mis.0.0200
  5. restricted access
  1. A Man From Zagreb
  2. Julyan G. Peard
  3. pp. 64-75
  4. DOI: https://doi.org/10.1353/mis.0.0172
  5. restricted access
  1. A Conversation with Pattiann Rogers
  2. Carolyn Perry, Wayne Zade
  3. pp. 76-95
  4. DOI: https://doi.org/10.1353/mis.0.0175
  5. restricted access
  1. George Bellows: The Sketch Hunter
  2. Kris Somerville
  3. pp. 97-109
  4. DOI: https://doi.org/10.1353/mis.0.0181
  5. restricted access
  1. The Mariposa
  2. Maggie Shipstead
  3. pp. 110-128
  4. DOI: https://doi.org/10.1353/mis.0.0184
  5. restricted access
  1. Tooth
  2. Tsung-yan Kwong
  3. pp. 130-153
  4. DOI: https://doi.org/10.1353/mis.0.0191
  5. restricted access
  1. Francis Bacon's Studio
  2. M. G. Stephens
  3. pp. 154-164
  4. DOI: https://doi.org/10.1353/mis.0.0174
  5. restricted access
  1. What the Dead Know, and: Easy Money, and: Stranger, and: Recent Cosmological Observations, and: Baffled
  2. Mark Kraushaar
  3. pp. 165-172
  4. DOI: https://doi.org/10.1353/mis.0.0177
  5. restricted access
  1. What the Dead Know
  2. Mark Kraushaar
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/mis.0.0202
  5. restricted access
  1. Easy Money
  2. Mark Kraushaar
  3. p. 168
  4. DOI: https://doi.org/10.1353/mis.0.0204
  5. restricted access
  1. Stranger
  2. Mark Kraushaar
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/mis.0.0192
  5. restricted access
  1. Recent Cosmological Observations
  2. Mark Kraushaar
  3. p. 171
  4. DOI: https://doi.org/10.1353/mis.0.0194
  5. restricted access
  1. Baffled
  2. Mark Kraushaar
  3. p. 172
  4. DOI: https://doi.org/10.1353/mis.0.0197
  5. restricted access
  1. The Postmodern Postconfessional Lyric
  2. Marta Ferguson
  3. pp. 173-188
  4. DOI: https://doi.org/10.1353/mis.0.0180
  5. restricted access