In this Issue

Table of Contents

"Sumptuously Re-edified": The Reformation of Sacred Space in Titus Andronicus

Helga L. Duncan
pp. 425-453
DOI: https://doi.org/10.1353/cdr.0.0083
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Voices of Violence: Medieval French Farce and the Dover Cliff Scene in King Lear

Edward Wheatley
pp. 455-471
DOI: https://doi.org/10.1353/cdr.0.0084
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"You were an actor with your handkerchief": Women, Windows, and Moral Agency

Cynthia Lewis
pp. 473-496
DOI: https://doi.org/10.1353/cdr.0.0086
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Doing the Usual Things: Gender, Race, and Inwardness in Harley Granville Barker's The Marrying of Ann Leete and The Secret Life

Christopher Wixson
pp. 497-519
DOI: https://doi.org/10.1353/cdr.0.0080
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Reviews

The Discourse of Courtly Love in Seventeenth Century Spanish Theater (review)

Hilaire Kallendorf
pp. 521-524
DOI: https://doi.org/10.1353/cdr.0.0087
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The Swastika and the Stage: German Theatre and Society, 1933-1945 (review)

John London
pp. 524-528
DOI: https://doi.org/10.1353/cdr.0.0081
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Playing a Part in History: The York Mysteries, 1951-2006 (review)

Nicole R. Rice
pp. 528-532
DOI: https://doi.org/10.1353/cdr.0.0082
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Shakespeare and Elizabeth: The Meeting of Two Myths (review)

Linda Shenk
pp. 533-535
DOI: https://doi.org/10.1353/cdr.0.0078
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Brief Notices

pp. 537-541
DOI: https://doi.org/10.1353/cdr.0.0079
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Contributors

p. 543
DOI: https://doi.org/10.1353/cdr.0.0085
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