1. An Interview with Rae Armantrout
  2. Lynn Keller
  3. pp. 219-239
  4. DOI: 10.1353/cli.0.0065
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  1. The Closures of the Open Text: Lyn Hejinian’s “Paradise Found”
  2. Jacob Edmond
  3. pp. 240-272
  4. DOI: 10.1353/cli.0.0067
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  1. Coming into Being: J. M. Coetzee’s Slow Man and the Aesthetic of Hospitality
  2. Michael Marais
  3. pp. 273-298
  4. DOI: 10.1353/cli.0.0058
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  1. Gendered Muses and the Representation of Social Space in Robert Duncan’s Poetry
  2. Anne Dewey
  3. pp. 299-331
  4. DOI: 10.1353/cli.0.0060
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  1. The Art of Tuning: A Politics of Exile in Daniel Mason’s The Piano Tuner and Vikram Seth’s An Equal Music
  2. Cameron Fae Bushnell
  3. pp. 332-362
  4. DOI: 10.1353/cli.0.0062
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  1. Scratching the Threshold: Textual Sound and Political Form in Toni Cade Bambara’s The Salt Eaters
  2. Carter A. Mathes
  3. pp. 363-396
  4. DOI: 10.1353/cli.0.0063
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  1. The Politics and Production of Contemporary British Writing
  2. Sarah Brouillette
  3. pp. 397-407
  4. DOI: 10.1353/cli.0.0064
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  1. From Materialism to Romanticism: The Philosophical Progression of George Oppen’s Poetry
  2. David Huntsperger
  3. pp. 408-414
  4. DOI: 10.1353/cli.0.0066
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  1. The Red Power Novel: Revisiting Concepts of Knowledge, Identity, and Experience in American Indian Literature and Studies
  2. Melinda DiStefano
  3. pp. 415-423
  4. DOI: 10.1353/cli.0.0057
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  1. Epidemic Stories
  2. Bill Albertini
  3. pp. 424-435
  4. DOI: 10.1353/cli.0.0059
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  1. Contributors
  2. pp. 436-437
  3. DOI: 10.1353/cli.0.0061
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