In this Issue

Table of Contents

Unresolved

Jesse Rodin
pp. 535-554
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Funerall Teares or Dolefull Songes? Reconsidering Historical Connections and Musical Resemblances in Early English Absalom Settings

Donna M. Di Grazia
pp. 555-598
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Handel at a Crossroads: His 1737–1738 and 1738–1739 Seasons Re-examined

Ilias Chrissochoidis
pp. 599-635
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'Il n'y a qu'un Paris au monde, et j'y reviendrai planter mon drapeau!': Rossini's Second Grand opéra

Mark Everist
pp. 636-672
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Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna (review)

Peter Van der Merwe
pp. 673-675
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Music Theory from Boethius to Zarlino: A Bibliography and Guide (review)

Sarah Fuller
pp. 675-678
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'Noyses, Sounds and Sweet Aires': Music in Early Modern England (review)

RH
pp. 678-681
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Tonal Space in the Music of Antonio Vivaldi (review)

Nicholas Lockey
pp. 683-687
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1808 — ein Jahr mit Beethoven (review)

Barry Cooper
pp. 687-689
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Fanny Hensels Chorwerke (review)

R. Larry Todd
pp. 689-691
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History of Music in Russia from Antiquity to 1800 (review)

Francis Maes
pp. 691-693
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Poetry and the Romantic Musical Aesthetic (review)

Laura Tunbridge
pp. 693-695
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Opera from the Greek: Studies in the Poetics of Appropriation (review)

Susan Rutherford
pp. 695-697
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Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England (review)

Ingrid J. Sykes
pp. 697-699
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Looking and Listening in Nineteenth-Century France, and: Musique, esthétique et société au XIXe siècle (review)

Ingrid Sykes
pp. 699-700
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Mallarmé and Wagner: Music and Poetic Language (review)

Joseph Acquisto
pp. 701-703
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Discovering Mahler: Writings on Mahler 1955–2005, and: The Cambridge Companion to Mahler (review)

Julian Johnson
pp. 703-707
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Leoš Janáček: Thema con variazioni-korespondence s manželkou Zdeňkou a dcerou Olgou (review)

John Tyrrell
pp. 707-709
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Emerik Beran (1868–1940) Samotni Svetovljan (review)

John Tyrrell
pp. 709-711
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Western Music and Race (review)

Stephen Downes
pp. 712-714
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Diaries 1915–1923: Behind the Mask (review)

Pauline Fairclough
pp. 714-716
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Prokofiev's Piano Sonatas (review)

Christina K. Guillaumier
pp. 717-719
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Prokofiev and his World, and: The People's Artist: Prokofiev's Soviet Years (review)

Pauline Fairclough
pp. 719-722
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Analyzing Atonal Music: Pitch-Class Set Theory and its Contexts (review)

Michael Russ
pp. 722-725
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Elliott Carter: A Centennial Celebration, and: Elliott Carter: A Centennial Portrait in Letters and Documents (review)

Arnold Whittall
pp. 725-727
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Jewish Music and Modernity (review)

Abigail Wood
pp. 727-730
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Erratum

p. 731
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The Westrup Prize

p. 732
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'Music & Letters' Awards

p. 734
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Authors of Articles in this Issue

p. 734
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Reviews of Books: Index

pp. iii-v
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Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice, and: A New Chronology of Venetian Opera and Related Genres, 1660–1760 (review)

Jonathan E. Glixon
pp. 681-683
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Books Received

pp. 735-736
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