In this Issue

Table of Contents

A Note from the Guest Editor

Mauro Calcagno
pp. 149-151
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Hamlet and Poppea: Musicking Benjamin's Trauerspiel

Gary Tomlinson
pp. 152-177
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Denaturing the Castrato

Martha Feldman
pp. 178-199
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Orfeo's Machines

Bonnie Gordon
pp. 200-222
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Monteverdi's Voices: The Construction of Subjectivity

Ståle Wikshåland
pp. 223-245
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Performing the Self

Mauro Calcagno
pp. 247-274
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Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy

Franco Manfriani, Alessandra Campana
pp. 275-277
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The Fascination with Distance: An Interview with Luca Ronconi

Franco Manfriani, Jamuna Samuel
pp. 278-284
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Trisha Brown's L'Orfeo: Postmodern Meets Baroque

Guillaume Bernardi
pp. 286-292
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Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD

Wendy Heller
pp. 293-306
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Le bourgeois gentilhomme (review)

Rose Pruiksma
pp. 307-312
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Giulio Cesare (review)

Nathan Link
pp. 313-324
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Opera and Society in Italy and France from Monteverdi to Bourdieu (review)

Christopher Morris
pp. 325-331
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Handel's Operas, 1726–1741 (review)

Drew Minter
pp. 332-337
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