1. A Note from the Guest Editor
  2. Mauro Calcagno
  3. pp. 149-151
  4. restricted access View | Download |
  1. Hamlet and Poppea: Musicking Benjamin's Trauerspiel
  2. Gary Tomlinson
  3. pp. 152-177
  4. restricted access View | Download |
  1. Denaturing the Castrato
  2. Martha Feldman
  3. pp. 178-199
  4. restricted access View | Download |
  1. Orfeo's Machines
  2. Bonnie Gordon
  3. pp. 200-222
  4. restricted access View | Download |
  1. Monteverdi's Voices: The Construction of Subjectivity
  2. Ståle Wikshåland
  3. pp. 223-245
  4. restricted access View | Download |
  1. Performing the Self
  2. Mauro Calcagno
  3. pp. 247-274
  4. restricted access View | Download |
  1. Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy
  2. Franco Manfriani, Alessandra Campana
  3. pp. 275-277
  4. restricted access View | Download |
  1. The Fascination with Distance: An Interview with Luca Ronconi
  2. Franco Manfriani, Jamuna Samuel
  3. pp. 278-284
  4. restricted access View | Download |
  1. Trisha Brown's L'Orfeo: Postmodern Meets Baroque
  2. Guillaume Bernardi
  3. pp. 286-292
  4. restricted access View | Download |
  1. Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD
  2. Wendy Heller
  3. pp. 293-306
  4. restricted access View | Download |
  1. Le bourgeois gentilhomme (review)
  2. Rose Pruiksma
  3. pp. 307-312
  4. restricted access View | Download |
  1. Giulio Cesare (review)
  2. Nathan Link
  3. pp. 313-324
  4. restricted access View | Download |
  1. Opera and Society in Italy and France from Monteverdi to Bourdieu (review)
  2. Christopher Morris
  3. pp. 325-331
  4. restricted access View | Download |
  1. Handel's Operas, 1726–1741 (review)
  2. Drew Minter
  3. pp. 332-337
  4. restricted access View | Download |