In this Issue

Table of Contents

Influencing the Now and Future Faculty: Retooling Information Literacy

Deborah L. Pierce
pp. 233-248
DOI: https://doi.org/10.1353/not.0.0251
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Librarian in the Classroom: An Embedded Approach to Music Information Literacy for First-Year Undergraduates

Sara J. Beutter Manus
pp. 249-261
DOI: https://doi.org/10.1353/not.0.0259
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Prices of Music Monographs and Scores as Reflected in Notes, 2003–2008

Paula Hickner
pp. 262-269
DOI: https://doi.org/10.1353/not.0.0230
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Notes for Notes

pp. 270-274
DOI: https://doi.org/10.1353/not.0.0256
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A Theory of Musical Narrative (review)

Kofi Agawu
pp. 275-277
DOI: https://doi.org/10.1353/not.0.0234
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How the West Was Sung: Music in the Westerns of John Ford (review)

Thomas Bauman
pp. 278-279
DOI: https://doi.org/10.1353/not.0.0236
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Social Dancing in Peter the Great’s Russia (review)

Claudia R. Jensen
pp. 279-282
DOI: https://doi.org/10.1353/not.0.0237
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Dark Side of the Tune: Popular Music and Violence (review)

Brandon P. Masterman
pp. 282-284
DOI: https://doi.org/10.1353/not.0.0254
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Fiddling in West Africa: Touching the Spirit in Fulbe, Hausa, and Dagbamba Cultures (review)

Amanda Villepastour
pp. 284-286
DOI: https://doi.org/10.1353/not.0.0249
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Southern Fiddlers and Fiddle Contests (review)

Carl Rahkonen
pp. 287-288
DOI: https://doi.org/10.1353/not.0.0258
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Paul Clayton and the Folksong Revival (review)

Morris S. Levy
pp. 288-290
DOI: https://doi.org/10.1353/not.0.0253
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Déodat de Séverac: Musical Identity in Fin-de-Siècle France (review)

Michael Strasser
pp. 290-293
DOI: https://doi.org/10.1353/not.0.0240
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Debussy’s Late Style (review)

Mark DeVoto
pp. 293-295
DOI: https://doi.org/10.1353/not.0.0235
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Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition (9th–12th Centuries) (review)

Lorenzo Candelaria
pp. 295-297
DOI: https://doi.org/10.1353/not.0.0244
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About Bach (review)

Matthew Dirst
pp. 297-300
DOI: https://doi.org/10.1353/not.0.0241
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Bolognese Instrumental Music 1660–1710: Spiritual Comfort, Courtly Delight and Commercial Triumph (review)

Carrie Churnside
pp. 301-303
DOI: https://doi.org/10.1353/not.0.0246
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Sergey Prokofiev and His World, and: The People’s Artist: Prokofiev’s Soviet Years (review)

Albrecht Gaub
pp. 303-308
DOI: https://doi.org/10.1353/not.0.0257
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Music and Architecture: Architectural Projects, Texts, and Realizations (review)

Martin Iddon
pp. 308-311
DOI: https://doi.org/10.1353/not.0.0229
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American Muse: The Life and Times of William Schuman (review)

Andrea Olmstead
pp. 311-313
DOI: https://doi.org/10.1353/not.0.0232
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American Composer Zenobia Powell Perry: Race and Gender in the 20th Century (review)

Renée McBride
pp. 313-316
DOI: https://doi.org/10.1353/not.0.0243
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John Zorn: Tradition and Transgression (review)

Kent Underwood
pp. 316-318
DOI: https://doi.org/10.1353/not.0.0260
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Mission Impossible: My Life in Music (review)

Anthony Bushard
pp. 318-321
DOI: https://doi.org/10.1353/not.0.0242
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The Innumerable Dance: The Life and Work of William Alwyn (review)

John C. Dressler
pp. 321-323
DOI: https://doi.org/10.1353/not.0.0231
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Books Recently Published

Karen R. Little, James Procell
pp. 324-376
DOI: https://doi.org/10.1353/not.0.0238
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Orchestral Music Online (review)

Paul Cary
pp. 377-380
DOI: https://doi.org/10.1353/not.0.0245
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The American Orchestra as Patron and Presenter, 1945–Present: A Selective Discography

Michael Mauskapf
pp. 381-393
DOI: https://doi.org/10.1353/not.0.0233
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Briefly Noted

Rick Anderson
pp. 393-398
DOI: https://doi.org/10.1353/not.0.0262
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American String Quartet Masterpieces (review)

Christina Bashford
pp. 399-402
DOI: https://doi.org/10.1353/not.0.0252
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New Editions from G. Henle Verlag

James Wintle
pp. 402-405
DOI: https://doi.org/10.1353/not.0.0247
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Swiss Music to Watch (and Hear)

Philipp Blume
pp. 405-408
DOI: https://doi.org/10.1353/not.0.0255
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Music Publishers’ Catalogs

George R. Hill
pp. 416-419
DOI: https://doi.org/10.1353/not.0.0250
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Communications

Michael Scott Cuthbert
p. 420
DOI: https://doi.org/10.1353/not.0.0239
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Index to Advertisers

p. 422
DOI: https://doi.org/10.1353/not.0.0263
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Music Received

David Knapp
pp. 409-415
DOI: https://doi.org/10.1353/not.0.0261
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