In this Issue

Table of Contents

Introduction: Film Beginnings

Richard Koszarski
pp. 299-300
DOI: https://doi.org/10.2979/fil.2009.21.4.299
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Alexander Shiryaev: Dance to Film

David Robinson
pp. 301-310
DOI: https://doi.org/10.2979/fil.2009.21.4.301
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Reconfiguring the history of early cinema through the phonograph, 1877–1908

Patrick Feaster, Jacob Smith
pp. 311-325
DOI: https://doi.org/10.2979/fil.2009.21.4.311
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The movie theater as an institutional space and framework of signification: Hale's Tours and film historiography

Philippe Gauthier, Timothy Barnard
pp. 326-335
DOI: https://doi.org/10.2979/fil.2009.21.4.326
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Rescued from an eBay site

David Mayer
pp. 336-345
DOI: https://doi.org/10.2979/fil.2009.21.4.336
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In search of "Screenplay": terminological traces in the Library of Congress Catalog of Copyright Entries: Cumulative Series, 1912–20

Steven Maras
pp. 346-358
DOI: https://doi.org/10.2979/fil.2009.21.4.346
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Constrained emancipation: the career of Ethyle Batley, Britain's pioneering woman film director

Gerry Turvey
pp. 359-372
DOI: https://doi.org/10.2979/fil.2009.21.4.359
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Technicians of the unknown cinema: British critical discourse and the analysis of collaboration in film production

Martin Stollery
pp. 373-393
DOI: https://doi.org/10.2979/fil.2009.21.4.373
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Hurry Sundown: Otto Preminger, Baton Rouge, and Race, 1966–1967

Thomas Aiello
pp. 394-410
DOI: https://doi.org/10.2979/fil.2009.21.4.394
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Letter to the Editor

Larry Ceplair
p. 411
DOI: https://doi.org/10.2979/fil.2009.21.4.411
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Film History index to Volumes 18–21 (2006–09)

pp. 412-415
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