1. Georg Büchners Revolutionsdrama Dantons Tod: Ein höllisches Kinderspiel mit Eros oder eine mütterliche Regression?
  2. Sylvain Guarda
  3. pp. 339-352
  4. DOI: 10.1353/smr.0.0087
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  1. Making a Spectacle of Ourselves: The Unpolitical Ending of Thomas Mann's Mario und der Zauberer
  2. Geoffrey Baker
  3. pp. 353-368
  4. DOI: 10.1353/smr.0.0079
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  1. Dictionary-Making in the Third Reich: The Case of Trübners Deutsches Wörterbuch
  2. Henry A. Lea
  3. pp. 369-386
  4. DOI: 10.1353/smr.0.0080
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  1. W. G. Sebald's Pre-Texts: "Dr. Henry Selwyn" and its Textual Predecessor
  2. Richard T. Gray
  3. pp. 387-406
  4. DOI: 10.1353/smr.0.0081
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  1. Visualizations of the Bombing of Dresden: The Efforts of German Television to Capture History
  2. Stephan Jaeger
  3. pp. 407-420
  4. DOI: 10.1353/smr.0.0085
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Reviews

  1. Die Poetik des Extremen: Ausschreitungen einer Sprache des Radikalen (review)
  2. Gerrit-Jan Berendse
  3. pp. 421-422
  4. DOI: 10.1353/smr.0.0082
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  1. German-speaking Exiles in Ireland, 1933-1945 (review)
  2. Sebastian Siebel-Achenbach
  3. pp. 423-424
  4. DOI: 10.1353/smr.0.0086
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  1. Approaches to Teaching Grass's The Tin Drum (review)
  2. Patrick O'Neill
  3. pp. 425-426
  4. DOI: 10.1353/smr.0.0084
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  1. Narrative Unreliability in the Twentieth-Century First-Person Novel (review)
  2. Thomas Lornsen
  3. pp. 426-427
  4. DOI: 10.1353/smr.0.0083
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Index

  1. Index to Volume XLV, 2009
  2. pp. 428-429
  3. DOI: 10.1353/smr.0.0078
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