In this Issue

Table of Contents

Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612

Roger Bowers
pp. 331-371
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Comparative Organography in Early Modern Empires

David R. M. Irving
pp. 372-398
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Kutuzov’s Victory, Prokofiev’s Defeat: The Revisions of ‘War and Peace’

Nathan Seinen
pp. 399-431
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Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush

Joanna Bullivant
pp. 432-452
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Material Gains: Assessing Susan McClary

Richard Taruskin
pp. 453-467
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Music in the Galant Style (review)

W. Dean Sutcliffe
pp. 468-473
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About Bach (review)

John Butt
pp. 473-475
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Händels Oratorien: Ein musikalischer Werkführer (review)

Ruth Smith
pp. 475-477
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Inventing the Business of Opera: The Impresario and his World in Seventeenth-Century Venice (review)

Vassilis Vavoulis
pp. 477-478
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The Canzone villanesca alla napolitana: Social, Cultural and Historical Contexts (review)

Ruth DeFord
pp. 478-480
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Creations: Medieval Rituals, the Arts, and the Concept of Creation (review)

Pieter Mannaerts
pp. 480-483
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Der Topos der Juden. Studien zur Geschichte des Antisemitismus im deutschsprachigen Musikschrifttum (review)

Lars Fischer
pp. 484-486
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The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner (review)

M. J. Grant
pp. 486-489
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The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (review)

Bennett Zon
pp. 489-491
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The Cambridge Companion to Schumann (review)

James Garratt
pp. 491-492
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Edward Elgar and his World (review)

J. P. E. Harper-Scott
pp. 492-495
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Twentieth-Century British Authors and the Rise of Opera in Britain (review)

J. P. E. Harper Scott
pp. 495-498
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Josef Suk — dopisy o životě hudebním i lidském (review)

John Tyrrell
pp. 498-500
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Josef Suk: Tematický katalog skladeb/Thematic Catalogue of the Works (JSkat) (review)

John Tyrrell
pp. 501-503
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Alban Berg and Hanna Fuchs: The Story of a Love in Letters (review)

Nick Chadwick
pp. 503-505
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Zwischen Bekenntnis und Verweigerung: Schostakowitsch und die Sinfonie im 20. Jahrhundert, and: Dmitri Schostakowitsch: Das Spätwerk und sein zeitgeschichtlicher Kontext, and: Schostakowitsch und die Symphonie: Referate des Bonner Symposions 2004, and: Dmitrij Šostakovič: Grauen und Grandezza des 20. Jahrhunderts, and: Der Komponist als Erzähler: Narrativität in Dmitri Schostakowitschs Instrumentalmusik (review)

David Fanning
pp. 505-510
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A Soviet Credo: Shostakovich’s Fourth Symphony (review)

Elizabeth Wilson
pp. 510-513
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Letters from a Life: The Selected Letters of Benjamin Britten, Volume Four 1952–1957 (review)

Arnold Whittall
pp. 513-514
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The Music of Hugh Wood (review)

Nicholas Jones
pp. 514-516
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The Music of Louis Andriessen (review)

Daniel March
pp. 516-519
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Nicholas Maw: Odyssey (review)

Edward Venn
pp. 519-521
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What Kind of Theory is Music Theory? Epistemological Exercises in Music Theory and Analysis (review)

Raymond Monelle
pp. 521-525
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Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation, and: Sound in Motion: A Performer’s Guide to Greater Musical Expression (review)

Raymond Monelle
pp. 526-527
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Recipients of ‘Music & Letters’ Awards

p. 528
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‘Music & Letters’ Awards

p. 530
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Authors of Articles in This Issue

p. 530
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Nigel Fortune: An Appreciation

John Whenham
pp. i-iii
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Books Received

pp. 531-533
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