1. The Shape of New Media: Screen Space, Aspect Ratios, and Digitextuality
  2. Harper Cossar
  3. pp. 3-16
  4. DOI: 10.1353/jfv.0.0045
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  1. Autobiography, Corporeality, Seriality: Nanni Moretti’s Dear Diary as a Narrative Archipelago
  2. David Scott Diffrient
  3. pp. 17-30
  4. DOI: 10.1353/jfv.0.0047
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  1. Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami’s The Wind Will Carry Us
  2. Chris Lippard
  3. pp. 31-40
  4. DOI: 10.1353/jfv.0.0049
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  1. How Homo Can Hollywood Be?: Remaking Queer Authenticity from To Wong Foo to Brokeback Mountain
  2. Alex Evans
  3. pp. 41-54
  4. DOI: 10.1353/jfv.0.0052
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  1. Figures of Resistance: Essays in Feminist Theory (review)
  2. Montré Aza Missouri
  3. p. 55
  4. DOI: 10.1353/jfv.0.0042
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  1. Mining the Home Movie: Excavations in Histories and Memories (review)
  2. Jim Lane
  3. pp. 56-57
  4. DOI: 10.1353/jfv.0.0044
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  1. Sexy Thrills: Undressing the Erotic Thriller (review)
  2. Javier Ramirez
  3. pp. 58-60
  4. DOI: 10.1353/jfv.0.0050
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  1. Mixed Race Hollywood (review)
  2. Emily D. Edwards
  3. pp. 60-62
  4. DOI: 10.1353/jfv.0.0051
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  1. The Blade Runner Experience: The Legacy of a Science Fiction Classic (review)
  2. Janani Subramanian
  3. pp. 63-65
  4. DOI: 10.1353/jfv.0.0043
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  1. Willing Suspension of Disbelief: Poetic Faith in Film (review)
  2. Richard A. Kallan
  3. pp. 65-66
  4. DOI: 10.1353/jfv.0.0046
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  1. Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (review)
  2. Brian Taves
  3. pp. 66-68
  4. DOI: 10.1353/jfv.0.0048
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  1. Index to Volume 61
  3. pp. 69-70
  4. DOI: 10.1353/jfv.0.0041
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