In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 46, Number 3 (T 175), Fall 2002Table of Contents

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View The common green/common ground Performance Project: The Personal, the Political, the Gardens, and NYU
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View Dean John Sexton, New York University Law School, 40 Washington Square South, New York, NY 10012
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View The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940, and: Performing Blackness: Enactments of African-American Modernism, and: No Surrender! No Retreat!: African American Pioneer Performers of Twentieth-Century American Theater (review)
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Download The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940, and: Performing Blackness: Enactments of African-American Modernism, and: No Surrender! No Retreat!: African American Pioneer Performers of Twentieth-Century American Theater (review)
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View Recording Women: A Documentation of Six Theatre Productions, and: Performing Women: Stand-ups, Strumpets and Itinerants, and: Staging Femininities: Performance and Performativity (review)
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ISSN | 1531-4715 |
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Print ISSN | 1054-2043 |
Launched on MUSE | 2002-08-01 |
Open Access | No |
Copyright
Copyright © 2002 New York University and the Massachusetts Institute of Technology.