In this Issue

Table of Contents

Are All (Analog) Films “Orphans”?: A Predigital Appraisal

Paolo Cherchi Usai
pp. 1-18
DOI: https://doi.org/10.1353/mov.0.0028
free access

The Bureaucratic Activist: Federal Filmmakers and Social Change in the U.S. Department of Agriculture’s Tick Eradication Campaign

Jennifer Zwarich
pp. 19-53
DOI: https://doi.org/10.1353/mov.0.0031
free access

Garras De Oro (The Dawn of Justice—Alborada De Justicia): The Intriguing Orphan of Colombian Silent Films

Juana Suárez, Ramiro Arbeláez, Laura A. Chesak
pp. 54-82
DOI: https://doi.org/10.1353/mov.0.0034
free access

Extended Family Films: Home Movies in the State-Sponsored Archive

Julia J. Noordegraaf, Elvira Pouw
pp. 83-103
DOI: https://doi.org/10.1353/mov.0.0037
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Carl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–53

Charles Musser
pp. 104-160
DOI: https://doi.org/10.1353/mov.0.0040
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Nothing Could Be Finer?: George Stoney’s Tar Heel Family and the Tar Heel State on Film

Devin Orgeron
pp. 161-182
DOI: https://doi.org/10.1353/mov.0.0043
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Experiments in Propaganda: Reintroducing James Blue’s Colombia Trilogy

Jennifer Horne
pp. 183-200
DOI: https://doi.org/10.1353/mov.0.0026
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Carl Sanders and Albert Maysles: Georgia Politics Meets Direct Cinema, 1969–70

Craig Breaden
pp. 201-213
DOI: https://doi.org/10.1353/mov.0.0030
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The Army, Newsreel, and The Army Film

Eric Breitbart
pp. 214-217
DOI: https://doi.org/10.1353/mov.0.0033
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Old-Time Religion: Christian Experimentalism and Preaching to the “Unchurched”

Paul Cullum
pp. 217-224
DOI: https://doi.org/10.1353/mov.0.0036
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Between Sign-Off Films and Test Patterns: Insight at UCLA

Mark Quigley
pp. 224-229
DOI: https://doi.org/10.1353/mov.0.0039
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Tributes to Bill O’Farrell

Rosemary Bergeron, Sam Kula, Ken Weissman, Charles Tepperman, Nancy Watrous, Karan Sheldon
pp. 229-235
DOI: https://doi.org/10.1353/mov.0.0042
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How the West Was Sung (review)

Kylah Magee
pp. 236-238
DOI: https://doi.org/10.1353/mov.0.0025
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Body Shots: Early Cinema’s Incarnations (review)

Mia Ferm
pp. 238-240
DOI: https://doi.org/10.1353/mov.0.0029
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Harnessing the Technicolor Rainbow: Color Design in the 1930s (review)

Zack Lischer-Katz
pp. 240-243
DOI: https://doi.org/10.1353/mov.0.0032
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Valentino: Rediscovering an Icon of Silent Film (review)

Hideaki Fujiki
pp. 243-245
DOI: https://doi.org/10.1353/mov.0.0035
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The Harold Lloyd Comedy Collection (review)

Jennifer M. Bean
pp. 246-249
DOI: https://doi.org/10.1353/mov.0.0038
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Discovering Cinema: Learning to Talk & Movies Dream in Color (2003–2004) (review)

Joshua Yumibe
pp. 249-253
DOI: https://doi.org/10.1353/mov.0.0041
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Projektionen der Sehnsucht: Saturn. Die erotischen Anfange der oesterreichischen Kinematogrofie [Projections of Desire, Saturn: The Erotic Beginnings of Austrian Cinematography] (review)

Leigh Goldstein
pp. 253-256
DOI: https://doi.org/10.1353/mov.0.0044
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The State of Orphan Films: Editor’s Introduction

Dan Streible
pp. vi-xix
DOI: https://doi.org/10.1353/mov.0.0024
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Contributors

pp. 257-260
DOI: https://doi.org/10.1353/mov.0.0027
free access