1. The Chan Master as Illusionist: Zhongfeng Mingben’s Huanzhu Jiaxun
  2. Natasha Heller
  3. pp. 271-308
  4. DOI: 10.1353/jas.0.0020
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  1. Parallel Worlds, Stretched Time, and Illusory Reality: The Tang Tale “Du Zichun”
  2. Carrie Reed
  3. pp. 309-342
  4. DOI: 10.1353/jas.0.0022
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  1. Self-Struggles of a Martyr: Memories, Dreams, and Obsessions in the Extant Diary of Huang Chunyao
  2. Lynn A. Struve
  3. pp. 343-394
  4. DOI: 10.1353/jas.0.0024
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  1. The Cultural Biography of a Musical Instrument: Little Hulei as Sounding Object, Antique, Prop, and Relic
  2. Judith T. Zeitlin
  3. pp. 395-441
  4. DOI: 10.1353/jas.0.0026
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  1. Articulating Citizenship: Civic Education and Student Politics in Southeastern China, 1912–1945 (review)
  2. Sally Borthwick
  3. pp. 443-450
  4. DOI: 10.1353/jas.0.0028
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  1. True to Her Word: The Faithful Maiden Cult in Late Imperial China (review)
  2. Katherine Carlitz
  3. pp. 451-458
  4. DOI: 10.1353/jas.0.0017
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  1. Neo-Confucianism in History (review)
  2. John W. Dardess
  3. pp. 458-463
  4. DOI: 10.1353/jas.0.0019
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  1. Tears from Iron: Cultural Responses to Famine in Nineteenth-Century China (review)
  2. Joan Judge
  3. pp. 463-471
  4. DOI: 10.1353/jas.0.0021
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  1. The Readability of the Past in Early Chinese Historiography (review)
  2. John Makeham
  3. pp. 471-478
  4. DOI: 10.1353/jas.0.0023
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  1. Mediasphere Shanghai: The Aesthetics of Cultural Production (review)
  2. Barbara Mittler
  3. pp. 478-487
  4. DOI: 10.1353/jas.0.0025
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  1. Performing Grief: Bridal Laments in Rural China (review)
  2. Erik Mueggler
  3. pp. 488-490
  4. DOI: 10.1353/jas.0.0027
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  1. Artisans in Early Imperial China (review)
  2. Anne P. Underhill
  3. pp. 491-498
  4. DOI: 10.1353/jas.0.0029
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  1. Reading Tao Yuanming: Shifting Paradigms of Historical Reception (427–1900) (review)
  2. Xiaoshan Yang
  3. pp. 498-503
  4. DOI: 10.1353/jas.0.0018
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