In this Issue

Table of Contents

TDR Comment: Where Are the Muslim Feminist Voices? A Question Asked in September 2001

Fawzia Afzal-Khan
pp. 1-9
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Merce Cunningham and the Aesthetic of Collage

Roger Copeland
pp. 11-28
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The Bomb That Blew Up Seattle

E. J. Westlake
pp. 29-38
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Performing Exclusion and Resistance: Anti-Chinese League and Chee Kung Tong Parades in Territorial Arizona

Floyd Cheung
pp. 39-59
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Reverend Billy: Preaching, Protest, and Postindustrial Flanerie

Jill Lane
pp. 60-84
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Saint Orlan: Ritual as Violent Spectacle and Cultural Criticism

Alyda Faber
pp. 85-92
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Eric Bentley: On Hero Worship and Degradation

Eric Bentley, N. Graham Nesmith
pp. 93-103
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Private Women/Public Acts: Petticoat Government and the Performance of Resistance

Elizabeth Reitz Mullenix
pp. 104-117
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Ecoactivist Performance: The Environment As Partner in Protest?

Baz Kershaw
pp. 118-130
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Pilgrimage As a Pedagogical Practice in Contemporary Taiwanese Theatre: U Theatre and the Baishatun Ma-tsu Pilgrimage

Craig Quintero
pp. 131-148
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"You Are Here": The DNA of Performance

Diana Taylor
pp. 149-169
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The Stuff of Dreams: Behind the Scenes of an American Community Theater, and: Community Theatre: Global Perspectives (review)

Sara Brady
pp. 170-174
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Coming Up Roses: The Broadway Musical of the 1950s (review)

Louis Scheeder
pp. 174-177
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American Avant-Garde Theatre: A History, and: Site-Specific Art: Performance, Place, and Documentation (review)

Branislav Jakovljevic
pp. 177-180
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