In this Issue

Table of Contents

TDR Comment: Performance and Global Transference

Jon McKenzie
pp. 5-7
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Letters, Etc.: Touchstone--How Radical Is Radical?

Mark McKenna, Bill George, Jennie Gilrain, Cora Hook, Bette Kovach, Bill Rauch, Alison Carey, Sara Brady
pp. 8-23
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Letters, Etc.: Baffled and Dismayed

Jan Deen, Richard Schechner, Mariellen R. Sandford
pp. 24-25
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Letters, Etc.: A Thank You

Rachel Rosenthal
p. 25
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Rasaesthetics

Richard Schechner
pp. 27-50
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Rasaboxes Performer Training

Michele Minnick
pp. 40-42
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Experience Rasaboxes

Paula Murray Cole
p. 45
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1931: Antonin Artaud Sees Balinese Theatre at the Paris Colonial Exposition

Nicola Savarese, Richard Fowler
pp. 51-77
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"God Is a Talking Horse": Dementia and the Performance of Self

Anne Davis Basting
pp. 78-94
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Desktop Theater: Keyboard Catharsis and the Masking of Roundheads

Adriene Jenik
pp. 95-112
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TheatreWorks' Desdemona : Fusing Technology and Tradition

Helena Grehan
pp. 113-125
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On Desdemona: In Response

Ong Keng Sen
p. 118
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Encounters

Ong Keng Sen
pp. 126-133
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Zaju and Kabuki in English: Directing in the Classical Styles

Grant Guangren Shen
pp. 134-148
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Rave New World: Trance-Mission, Trance-Nationalism, and Trance-scendence in the "New" South Africa

Stephanie Marlin-Curiel
pp. 149-168
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Liminal Acts: A Critical Overview of Contemporary Performance and Theory, and: Decomposition: Post-Disciplinary Performance (review)

Jane Desmond
pp. 169-172
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Stand-up Comedy in Theory; or, Abjection in America (review)

Rick Mitchell
pp. 172-174
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Stigmata: Escaping Texts (review)

Ann Daly
pp. 174-176
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