In this Issue

Table of Contents

TDR Comment: Performance As a "Formation of Power and Knowledge"

Richard Schechner
pp. 5-7
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The Biomechanics of Aggression: Psychophysiological Conditioning in Ulster's Loyalist Parades

Patrick Tuite
pp. 9-30
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Re: Blau, Butler, Beckett, and the Politics of Seeming

Elin Diamond
pp. 31-43
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After Appropriation

Craig Latrell
pp. 44-55
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The Deep Order Called Turbulence: The Three Faces of Dramaturgy

Eugenio Barba, Judy Barba
pp. 56-66
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Sexual Spectacles: Theatricality and the Performance of Sex in Early Encounters in the Pacific

Christopher B. Balme
pp. 67-85
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Power and Problems of Performance across Ethnic Lines: An Alternative Approach to Nontraditional Casting

William Huizhu Sun
pp. 86-95
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"Reform" at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory

Elizabeth Wichmann
pp. 96-119
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Nomadmedia: On Critical Art Ensemble

Rebecca Schneider
pp. 120-131
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Critical Art Ensemble Timeline

Critical Art Ensemble
pp. 132-135
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Critical Art Ensemble: Tactical Media Practitioners

Jon McKenzie, Rebecca Schneider, Critical Art Ensemble
pp. 136-150
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Recombinant Theatre and Digital Resistance

Critical Art Ensemble
pp. 151-166
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Performing a Cult

Critical Art Ensemble
pp. 167-173
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Spectacular Suffering: Theatre, Fascism, and the Holocaust, and: Staging the Holocaust: The Shoah in Drama and Performance (review)

Sharon Mazer
pp. 174-178
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Chinese Theatre and the Actor in Performance (review)

J. Thomas Rimer
pp. 179-181
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Staging Strikes: Workers' Theatre and the American Labor Movement, and: Stepping Left: Dance and Politics in New York City, 1928-1942, and: Striking Performances: Performing Strikes (review)

Jan Cohen-Cruz
pp. 182-187
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