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In this Issue

Table of Contents

  1. From the Editor
  2. Barbara Hodgdon
  3. pp. iii-x
  4. DOI: https://doi.org/10.1353/shq.2002.0021
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Articles

  1. Shakescorp Noir
  2. Douglas Lanier
  3. pp. 157-180
  4. DOI: https://doi.org/10.1353/shq.2002.0022
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  1. "Remember me": Psychoanalysis, Cinema, and the Crisis of Modernity
  2. Lisa S. Starks
  3. pp. 181-200
  4. DOI: https://doi.org/10.1353/shq.2002.0025
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  1. Slammin' Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration
  2. Richard Burt
  3. pp. 201-225
  4. DOI: https://doi.org/10.1353/shq.2002.0019
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  1. Clip Art: Theorizing the Shakespearean Film Clip
  2. Laurie E. Osborne
  3. pp. 227-240
  4. DOI: https://doi.org/10.1353/shq.2002.0024
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  1. Cinema and the Kingdom of Death: Loncraine's Richard III
  2. Peter Samuel Donaldson
  3. pp. 241-259
  4. DOI: https://doi.org/10.1353/shq.2002.0020
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  1. Crouching Tiger, Hidden Agenda: How Shakespeare and the Renaissance Are Taking the Rage Out of Feminism
  2. Courtney Lehmann
  3. pp. 260-279
  4. DOI: https://doi.org/10.1353/shq.2002.0023
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  1. Contributors
  3. pp. 280-281
  4. DOI: https://doi.org/10.1353/shq.2002.0018
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