In this Issue

Table of Contents

Shakescorp Noir

Douglas Lanier
pp. 157-180
DOI: https://doi.org/10.1353/shq.2002.0022
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"Remember me": Psychoanalysis, Cinema, and the Crisis of Modernity

Lisa S. Starks
pp. 181-200
DOI: https://doi.org/10.1353/shq.2002.0025
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Slammin' Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration

Richard Burt
pp. 201-225
DOI: https://doi.org/10.1353/shq.2002.0019
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Clip Art: Theorizing the Shakespearean Film Clip

Laurie E. Osborne
pp. 227-240
DOI: https://doi.org/10.1353/shq.2002.0024
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Cinema and the Kingdom of Death: Loncraine's Richard III

Peter Samuel Donaldson
pp. 241-259
DOI: https://doi.org/10.1353/shq.2002.0020
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Crouching Tiger, Hidden Agenda: How Shakespeare and the Renaissance Are Taking the Rage Out of Feminism

Courtney Lehmann
pp. 260-279
DOI: https://doi.org/10.1353/shq.2002.0023
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From the Editor

Barbara Hodgdon
pp. iii-x
DOI: https://doi.org/10.1353/shq.2002.0021
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Contributors

pp. 280-281
DOI: https://doi.org/10.1353/shq.2002.0018
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