In this Issue

Table of Contents

Editorial

Jorge R. G. Sagastume
p. 4
DOI: https://doi.org/10.1353/sir.0.0168
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Editorial

Jorge R. G. Sagastume
p. 5
DOI: https://doi.org/10.1353/sir.0.0199
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Der Alte Mann

Günter Kunert
pp. 8-26
DOI: https://doi.org/10.1353/sir.0.0170
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El Viejo

Günter Kunert, Jorge R. G. Sagastume, Michael Augustin
pp. 9-27
DOI: https://doi.org/10.1353/sir.0.0180
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The Old Man

Günter Kunert, Hans-Christian Oeser
pp. 9-27
DOI: https://doi.org/10.1353/sir.0.0184
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Stadtmitte, and: Judengasse, and: Am Kanal, and: Im Werd, and: Josephsstadt

Ilse Aichinger
pp. 30-38
DOI: https://doi.org/10.1353/sir.0.0172
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Stadtmitte (Centro de la ciudad), and: Judengasse, and: Am Kanal, and: Im Werd, and: Josephsstadt (Barrio de San José)

Ilse Aichinger, Isabel García Adánez
pp. 31-39
DOI: https://doi.org/10.1353/sir.0.0188
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City Centre, and: Jew's Lane, and: By the Canal, and: In the Werd, and: Josepsstadt

Ilse Aichinger, Eva Bourke
pp. 31-39
DOI: https://doi.org/10.1353/sir.0.0191
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Alle Tage, and: Nebelland, and: Anrufung des Grossan Bären, and: Exil, and: Böhmen liegt am Meer

Ingeborg Bachmann
pp. 42-50
DOI: https://doi.org/10.1353/sir.0.0174
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Todos los días, and: País de Niebla, and: Invocación a la Osa Mayor, and: Exilio, and: Bohemia está junto al mar

Ingeborg Bachmann, Isabel García Adánez
pp. 43-51
DOI: https://doi.org/10.1353/sir.0.0194
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All days, and: Fog Land, and: Invocation of the Great Bear, and: Exile, and: Bohemia lies on the sea

Ingeborg Bachmann, Eva Bourke
pp. 43-52
DOI: https://doi.org/10.1353/sir.0.0197
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Eremitage, and: Fluchtpunkt, and: Die Ebene, and: Krähengeschwätz, and: Schwarze Bohnen, and: Der Milan

Sarah Kirsch
pp. 56-66
DOI: https://doi.org/10.1353/sir.0.0176
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Ermita, and: Punto De Fuga, and: La llanura, and: Parloteo De Cornejas, and: Judías negras, and: El Milano

Sarah Kirsch, Carmen Gómez García
pp. 57-67
DOI: https://doi.org/10.1353/sir.0.0201
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Hermitage, and: Vanishing Point, and: The Plain, and: Crows' Chatter, and: Black Beans, and: The Kite

Sarah Kirsch, Eva Bourke
pp. 57-67
DOI: https://doi.org/10.1353/sir.0.0182
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Marx redet, and: Die Reise Nach Jerusalem, and: Die Kleinen Verse, and: Geschichte der Malerei

Michael Krüger
pp. 70-76
DOI: https://doi.org/10.1353/sir.0.0178
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Marx habla, and: El viaje a Jerusalén, and: Los versos breves, and: Una historia de la pintura

Michael Krüger, Jorge R. G. Sagastume
pp. 71-77
DOI: https://doi.org/10.1353/sir.0.0186
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Marx speaks, and: The Journey to Jerusalem, and: The small verses, and: A history of painting

Michael Krüger, Eva Bourke
pp. 71-77
DOI: https://doi.org/10.1353/sir.0.0190
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Nueve Vierzeiler, and: Aus Wie Es Kommen Wird

Hans Bender
pp. 80-86
DOI: https://doi.org/10.1353/sir.0.0167
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Nuevos Poemas de 4 Lineas, and: Tomados De Wie Es Kommen Wird

Hans Bender, Jorge R. G. Sagastume, Michael Augustin
pp. 81-87
DOI: https://doi.org/10.1353/sir.0.0193
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New Four Lines, and: From Wie Es Kommen Wird

Hans Bender, Sujata Bhatt, Michael Augustin
pp. 81-87
DOI: https://doi.org/10.1353/sir.0.0196
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Untitled

Herta Müller
pp. 90-96
DOI: https://doi.org/10.1353/sir.0.0169
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Untitled

Herta Müller, Jorge R. G. Sagastume, Wolfgang Müller
pp. 91-97
DOI: https://doi.org/10.1353/sir.0.0200
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Untitled

Herta Müller, Wolfgang Müller, Jane Müller-Peterson
pp. 91-97
DOI: https://doi.org/10.1353/sir.0.0181
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Fahrkarten, and: Früher

Richard Wagner
pp. 100-102
DOI: https://doi.org/10.1353/sir.0.0202
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Billetes, and: Entonces

Richard Wagner, Carmen Gómez García
pp. 101-103
DOI: https://doi.org/10.1353/sir.2009.0000
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Train tickets, and: Back Then

Richard Wagner, Wolfgang Müller, Jane Müller-Peterson
pp. 101-103
DOI: https://doi.org/10.1353/sir.2009.0001
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Gemurmel für Remco Campert, and: Mit sich allein, and: Wiedergänger, and: Darf man, and: Der Geschichtenerzähler, and: Schwarz auf Wieß

Michael Augustin
pp. 106-114
DOI: https://doi.org/10.1353/sir.0.0171
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Murmullos para Remco Campert, and: Solo consigo mismo, and: Resucitados, and: Uno puede, and: El cuentista, and: Blanco y Negro

Michael Augustin, Jorge R. G. Sagastume
pp. 107-115
DOI: https://doi.org/10.1353/sir.0.0185
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Murmurs for Remco Campert, and: Alone with Oneself, and: Revenants, and: One Can, and: The Storyteller, and: Black and White

Michael Augustin, Sujata Bhatt
pp. 107-115
DOI: https://doi.org/10.1353/sir.0.0189
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Nach dem loop: Leben, and: Dran glauben, and: Blumenblüten

Bas (Bastian) Böttcher
pp. 118-124
DOI: https://doi.org/10.1353/sir.0.0173
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Vivir siguiendo el loop, and: Créetelo, and: Forecillas

Bas (Bastian) Böttcher, Elba López
pp. 119-125
DOI: https://doi.org/10.1353/sir.0.0192
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After the loop: Life, and: Believing in It, and: Flower Blossoms

Bas (Bastian) Böttcher, Tatjana Greiner
pp. 120-126
DOI: https://doi.org/10.1353/sir.0.0195
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Champignons, and: gaststuben in der provinz, and: guerickes sperling, and: botanischer garten, and: weihnachten in huntsville, texas

Jan Wagner
pp. 130-136
DOI: https://doi.org/10.1353/sir.0.0175
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Champiñones, and: tabernas de provincia, and: el gorrion de guericke, and: jardín botánico, and: navidad en huntsville, texas

Jan Wagner, Diana Carrizosa
pp. 131-137
DOI: https://doi.org/10.1353/sir.0.0198
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Champignons, and: provincial bar rooms, and: guericke's sparrow, and: botanic garden, and: christmas in huntsville, texas

Jan Wagner, Georgina Paul, Iain Galbraith
pp. 131-137
DOI: https://doi.org/10.1353/sir.0.0179
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In der Kopernikusstraße, and: Das Konzert 1980, and: Coney Island

Artur Becker
pp. 140-150
DOI: https://doi.org/10.1353/sir.0.0177
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En la calle Copérnico, and: El concierto de 1980, and: Coney Island

Artur Becker, Martha Kosir
pp. 141-151
DOI: https://doi.org/10.1353/sir.0.0183
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On Kopernikus Street, and: The Concert (1980), and: Coney Island

Artur Becker, Wolfgang Müller, Jane Müller-Peterson
pp. 152-155
DOI: https://doi.org/10.1353/sir.0.0187
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Biografías / Biographies

pp. 158-168
DOI: https://doi.org/10.1353/sir.0.0166
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