In this Issue

Table of Contents

What You Ain't Heard Yet: The Languages of The Jazz Singer

Joel Rosenberg
pp. 11-54
DOI: https://doi.org/10.1353/ptx.2002.0008
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"Auch ruhiges Land...": Remembrance and Testimony in Paul Celan's Nuit et Brouillard Translation

David N. Coury
pp. 55-76
DOI: https://doi.org/10.1353/ptx.2002.0002
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"Teach Me Gold": Pedagogy and Memory in The Pawnbroker

Alan Rosen
pp. 77-117
DOI: https://doi.org/10.1353/ptx.2002.0007
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Good-bye, Children; Good-bye, Mary, Mother of Sorrows: The Church and the Holocaust in the Art of Louis Malle

Elisa New
pp. 118-140
DOI: https://doi.org/10.1353/ptx.2002.0006
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The Jar and the Blade: Fertility Myth and Medieval Romance in Israeli Political Films

Judd Ne'eman
pp. 141-156
DOI: https://doi.org/10.1353/ptx.2002.0005
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Space and Gender in the New Israeli and Palestinian Cinema

Nurith Gertz
pp. 157-185
DOI: https://doi.org/10.1353/ptx.2002.0004
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Yiddish in Israeli Cinema

Jacob Weitzner
pp. 186-199
DOI: https://doi.org/10.1353/ptx.2002.0010
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The Double Legacy of Arbeit Macht Frei

Régine Mihal Friedman
pp. 200-220
DOI: https://doi.org/10.1353/ptx.2002.0001
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Rogin's Noise: The Alleged Historical Crimes of The Jazz Singer (review)

Joel Rosenberg
pp. 221-239
DOI: https://doi.org/10.1353/ptx.2002.0009
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The Cinema of Jewish Experience: Introduction

Joel Rosenberg, Stephen J. Whitfield
pp. 1-10
DOI: https://doi.org/10.1353/ptx.2002.0003
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