1. What You Ain't Heard Yet: The Languages of The Jazz Singer
  2. Joel Rosenberg
  3. pp. 11-54
  4. DOI: 10.1353/ptx.2002.0008
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  1. "Auch ruhiges Land...": Remembrance and Testimony in Paul Celan's Nuit et Brouillard Translation
  2. David N. Coury
  3. pp. 55-76
  4. DOI: 10.1353/ptx.2002.0002
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  1. "Teach Me Gold": Pedagogy and Memory in The Pawnbroker
  2. Alan Rosen
  3. pp. 77-117
  4. DOI: 10.1353/ptx.2002.0007
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  1. Good-bye, Children; Good-bye, Mary, Mother of Sorrows: The Church and the Holocaust in the Art of Louis Malle
  2. Elisa New
  3. pp. 118-140
  4. DOI: 10.1353/ptx.2002.0006
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  1. The Jar and the Blade: Fertility Myth and Medieval Romance in Israeli Political Films
  2. Judd Ne'eman
  3. pp. 141-156
  4. DOI: 10.1353/ptx.2002.0005
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  1. Space and Gender in the New Israeli and Palestinian Cinema
  2. Nurith Gertz
  3. pp. 157-185
  4. DOI: 10.1353/ptx.2002.0004
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  1. Yiddish in Israeli Cinema
  2. Jacob Weitzner
  3. pp. 186-199
  4. DOI: 10.1353/ptx.2002.0010
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  1. The Double Legacy of Arbeit Macht Frei
  2. Régine Mihal Friedman
  3. pp. 200-220
  4. DOI: 10.1353/ptx.2002.0001
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  1. Rogin's Noise: The Alleged Historical Crimes of The Jazz Singer (review)
  2. Joel Rosenberg
  3. pp. 221-239
  4. DOI: 10.1353/ptx.2002.0009
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  1. The Cinema of Jewish Experience: Introduction
  2. Joel Rosenberg, Stephen J. Whitfield
  3. pp. 1-10
  4. DOI: 10.1353/ptx.2002.0003
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