1. Imminence and Immanence: Isabel Archer's Temporal Predicament in The Portrait of a Lady
  2. Jonathan Warren
  3. pp. 1-16
  4. DOI: 10.1353/hjr.2010.0204
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  1. Narrative Sympathy in The Bostonians
  2. Kristin Boudreau
  3. pp. 17-33
  4. DOI: 10.1353/hjr.2010.0225
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  1. Homotextual Duplicity in Henry James's "The Pupil"
  2. Helen Hoy
  3. pp. 34-42
  4. DOI: 10.1353/hjr.2010.0246
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  1. The Secret of the Spectacle: Epistemology and Commodity Display in The Ambassadors
  2. Richard Salmon
  3. pp. 43-54
  4. DOI: 10.1353/hjr.2010.0267
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  1. Sexuality and the Aesthetic in The Golden Bowl
  2. Hugh Stevens
  3. pp. 55-71
  4. DOI: 10.1353/hjr.2010.0289
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  1. The Tell-Tale Representation: James and The Sense of the Past
  2. Susan S. Williams
  3. pp. 72-86
  4. DOI: 10.1353/hjr.2010.0175
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  1. The Artist that Was Used Up: Henry James's "Private Life"
  2. Adam Bresnick
  3. pp. 87-98
  4. DOI: 10.1353/hjr.2010.0196
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  1. Mapping Conjecture in Henry James and Joseph Conrad: A Stylistic Approach
  2. Barry Stampfl
  3. pp. 99-114
  4. DOI: 10.1353/hjr.2010.0216
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  1. Language, Race, and Social Class in Howells's America (review)
  2. James Robert Payne
  3. pp. 115-117
  4. DOI: 10.1353/hjr.2010.0237
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  1. Henry James's Portrait of the Writer as Hero (review)
  2. Donald Wolff
  3. pp. 117-120
  4. DOI: 10.1353/hjr.2010.0258
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  1. Meaning in Henry James (review)
  2. Priscilla L. Walton
  3. pp. 120-121
  4. DOI: 10.1353/hjr.2010.0280
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  1. The Correspondence of William James. Vol. 1: William and Henry, 1861-1884 (review)
  2. William E. Cain
  3. pp. 122-124
  4. DOI: 10.1353/hjr.2010.0301
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  1. From the Editor
  2. DMF
  3. pp. v-127
  4. DOI: 10.1353/hjr.2010.0183
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